SoundCraft MPM 12/2, MPM 20/2 manual Hf Eq, Mid Eq, Lf Eq

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The Send may also be tapped off as an alternative pre-fade, pre-EQ direct output if required, using a lead with tip and ring shorted together so that the signal path is not interrupted (see below).

5 Gain

This knob sets how much of the source signal is sent to the rest of the mixer. Too high, and the signal will distort as it overloads the channel. Too low, and the level of any background hiss will be more noticeable and you may not be able to get enough signal level to the output of the mixer.

Note that some sound equipment, particularly that intended for domestic use, operates at a lower level (-10dBV) than professional equipment and will therefore need a higher gain setting to give the same output level.

See “Initial Setup” on page xx to learn how to set GAIN correctly.

6 Equaliser

The Equaliser (EQ) allows fine manipulation of the sound, particularly to improve the sound in live PA applications where the original signal is often far from ideal and where slight boosting or cutting of particular voice frequencies can really make a difference to clarity. There are three sections giving the sort of control usually only found on much larger mixers. The EQ knobs can have a dramatic effect, so use them sparingly and listen carefully as you change any settings so that you get to know how they affect the sound.

HF EQ

Turn to the right to boost high (treble) frequencies above 12kHz by up to 15dB, adding crispness to cymbals, vocals and electronic instruments. Turn to the left to cut by up to 15dB, reducing hiss or excessive sibilance which can occur with cer- tain types of microphone. Set the knob in the centre-detented position when not required.

MID EQ

There are two knobs which work together to form a SWEPT MID EQ. The lower knob provides 15dB of boost and cut, just like the HF EQ knob, but the frequency at which this occurs can be set by the upper knob over a range of 150Hz to 3.5kHz. This allows some truly creative improvement of the signal in live situations, be- cause this mid band covers the range of most vocals. Listen carefully as you use these controls together to find how particular characteristics of a vocal signal can be enhanced or reduced. Set the lower knob to the centre-detented position when not required.

LF EQ

Turn to the right to boost low (bass) frequencies below 60Hz by up to 15dB, adding warmth to vocals or extra punch to synths, guitars and drums. Turn to the left to cut low frequencies by up to 15dB for reducing hum, stage rumble or to improve a mushy sound. Set the knob to the centre-detented position when not required.

7 Aux Sends

These are used to set up separate mixes for FOLDBACK, EFFECTS or recording, and the combination of each Aux Send is mixed to the respective Aux Output. For Effects it is useful for the signal to fade up and down with the fader (this is called

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Contents User Guide Potters BAR Contents Important Safety Instructions Neutral Blue US White Live Hot Brown US Black Safety Symbol Guide Advice for Those WHO Push the Boundaries IntroductionLine Input Wiring UPMic Input Insert PointMix Outputs HeadphonesStereo Inputs Stereo 1/2 Aux OutputsPolarity Phase Grounding and ShieldingOUT-OF-WARRANTY Products Problem SolvingProducts Under Warranty Block Diagram Mono Input Channel High-pass FilterLF EQ HF EQMID EQ Mute Signal Present SP LEDPAN Input Channel FaderGain Stereo Input ChannelsInputs Stereo 1/2 AUX SendsChannel Peak LED FaderPFL 11 MIX/GRPMaster Section Headphones Level Power IndicatorPhantom Power TrackMIX Fader Headphones SocketMeters & AFL/PFL Active LED GRP Faders23 AFL 24 PRE/POST SwitchesAUX Masters AUX Outputs 1, 2Initial Setup Using Your MPM ConsoleMicrophone Placement Page Dimensions Fitting Optional RACK-MOUNT Brackets MPM12/2Applications Application 3 Places of Worship Application 4 Recording Typical Connecting Leads Page MARK-UP Sheets Page Warranty
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