Behringer DSP1100P user manual Midi connections, Balanced use of stereo 1/4 jack plugs

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Unbalanced use of mono 1/4" jack plugs

Tip =

Signal

Sleeve =

Ground / Shield

Tip

Sleeve

Strain relief clamp

Balanced use of stereo 1/4" jack plugs

Tip = hot (+ve)

Ring = cold (-ve)

Sleeve =

Ground / Shield

Tip

Ring

Sleeve

Strain relief clamp

For connection of balanced and unbalanced plugs, ring and sleeve have to be bridged at the stereo plug.

E

 

Balanced use with XLR connectors

 

 

2

1

1

= Ground / Shield

1

2

 

 

2

= hot (+ve)

 

 

 

 

3

= cold (-ve)

 

 

3

3

Input

Output

For unbalanced use pin 1 and pin 3 have to be bridged

 

Fig. 5.2: Different plug types

5.4 MIDI connections

The MIDI standard was developed in the early 1980s to allow electronic musical instruments from different manufacturers to communicate with each other. The use of MIDI has developed over the intervening years to the stage where it is now common to find complete recording studios operating entirely on a MIDI basis. The centerpiece in such a studio is usually a computer running a sequencer software which not only controls various keyboards, samplers and sound modules, but can also run the programming of outboard effect devices, typically digital reverberation and delay units. The FEEDBACK DESTROYER PRO may be controlled in real time in this studio environment.

+MIDI for Musical Instruments Digital Interface.

The MIDI connectors found on the rear panel are of the universally used 5 pin DIN type. You require suitable MIDI cables to connect the FEEDBACK DESTROYER PRO to other MIDI devices. Normally complete cables will be purchased for this use, you can of course make your own, using a high quality cable with two cores and shielding (like microphone cable), with as connectors two good 180 degree DIN plugs. Pin 2 (center) is con- nected to the cable’s shield, pins 4 and 5 (left and right next to 2) carry the two cores, pins 1 and 3 are not used. MIDI cables should have a maximum length not exceeding 45 feet.

5. INSTALLATION

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Contents PRO DSP1100P EG-Declaration of Conformity Detailed Safety Instructions Safety InstructionsFeedback Destroyer PRO Foreword Table of Content Introduction IntroductionDesign concept Before you beginMonitor application Hook up & goFeedback Destroyer PRO front panel Control elementsFunction keys and jog wheel Operation OperationWorking with programs Activating/deactivating the filtersManual filters / parametric equalizer Automatic filtersDisplay Mode of operation Midi control Displa y ModeFeedback Destroyer PRO Applications ApplicationsLevel setting Using the Feedback Destroyer PRO in the monitor pathUsing the Feedback Destroyer PRO in the main mix bus Using the Feedback Destroyer PRO in the main mix bus Using the Feedback Destroyer PRO as an effects device Using the Feedback Destroyer PRO in a studio environmentTechnical Background Special remarksTechnical Background Dynamic range of human hearing Octave Quality factor Q FeedbackTypical feedback loop Graphic equalizersFeedback Destroyer PRO Parametric equalizersDigital audio processing Mains connection InstallationInstallation Rack mountingOutput Cable Input Audio connectionsBalanced use of stereo 1/4 jack plugs Midi connectionsAppendix Operating level SwitchFrequency chart AppendixPreset Filter Preset tableOmni ON, Poly Midi implementationTHD SpecificationsWarranty Warranty