Edirol M-16DX manual Performer Hookup Example, Creating a Monitor Mix

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Performer Hookup Example

To give you an idea of how you can use the M-16DX’s inputs, let’s talk about how you’d hook up a small group with two singing acoustic guitarists with pickups on their guitars, a keyboard player, a bass player, and a beatbox rhythm backing.

On the front of the I/O module, connect

the two vocal mics—to XLR MIC 1 and 2 jacks. These two jacks feed Input Channels 1 and 2, whose SENS knobs allow for precise level control.

the two guitars—to the LINE IN 3 and 4 jacks.

Vocal 1

 

 

 

 

 

 

 

 

 

 

Vocal 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Guitar 1

 

 

 

Guitar 2

 

 

 

 

 

 

 

If you’re using an acoustic guitar with a pickup that lacks a built-in preamp, we recommend inserting a preamp between the guitar and the M-16DX to get the best sound from the guitar.

On the back of the I/O module, connect

the keyboard—in stereo or mono as desired. To use it in

stereo—connect the keyboard’s left and right outputs to the M-16DX’s LINE IN jacks 5 (L/MONO) and 6 (R), respectively.

mono—connect the keyboard’s mono output to the M-16DX’s LINE IN 5 (L/MONO) jack.

the bass—to a direct box, and then connect the output of the direct box, or “DI,” to the M-16DX’s LINE IN 7 (L/MONO) jack.

If you want to connect a bass directly to the M-16DX without a direct box—and you’re not using Inputs 1 and 2 for something else as we are here—you can connect it to the I/O module’s front-panel LINE IN 1 or 2 jack, and then push in the selected jack’s Hi-Z switch.

the beatbox—in stereo or mono as desired. To use it in

stereo—connect the beatbox’s left and right outputs to the M-16DX LINE IN jacks 9 (L/MONO) and 10 (R), respectively.

mono—connect the beatbox’s mono output to the M-16DX LINE IN 9 (L/MONO) jack.

Beatbox

Keyboard

 

Bass

Creating a Monitor Mix

While you’ll use the M-16DX’s main stereo mix for your audience, your performers may want to hear a somewhat different mix as they play and sing. This performer-only mix is called a “monitor mix.” and can be delivered through onstage monitor speakers, or through in-ear monitors or headphones. The M-16DX offers a few ways to create monitor mixes.

You can use

Aux Bus 1—to create a monitor mix in which you have individual level control over all of the sounds coming through the M-16DX. This is the most common way to create a monitor mix.

Aux Bus 2—to create a second monitor mix with individual control over each signal’s level. This option is available in situations where you’re not already using Aux 2 for the M-16DX’s internal effects. Effects are discussed in the The M-16DX Effects Workshop booklet.

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Contents Live Mixing with the M-16DX Why Not Record the Show? Understanding the Symbols in This BookletAbout the Workshop Booklets About This BookletSetting Up Keep the I/O Module with the Performers Connecting to the House SystemCabling Use RAC to Smooth Out the RoomPerformer Hookup Example Creating a Monitor MixSending the Aux 1 Signal to the Stage Creating a Monitor Mix with Aux BusPre or Post Creating an Aux 1 Monitor MixSending the Aux 2 Signal to the Stage Connecting to the Alt BusCreating a Monitor Mix with the Alt Bus Creating an Aux 2 Monitor MixCreating a Unique Performer-Only Mix Creating a Click-Track-Only FeedCreating a Stripped-Down Main Mix for Performers Some Live-Mixing Thoughts End