Gemini PS-850i manual RG-45 PRO Rail, Booth Output

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2. Carefully remove old Cross- fader and unplug CABLE (D).

3. Plug new Crossfader into

CABLE (D) and place back into mixer.

4. Screw Crossfader to mixer with

FADER PLATE SCREWS (B).

✦ Your Gemini mixer comes with an

Do not touch INSIDE SCREWS (C).

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controls allow you to fully adjust the selected source. Switch (16) allows you to select the PHONO 3/LINE 5 (47) or the LINE 6 (46) input. CHANNEL SLIDE (17) controls the input level of this channel.

5. CHANNEL 4: The GAIN (8), HIGH (9), MID (10), and LOW (11) controls allow you to fully adjust the selected source. Switch (18) allows you to select the LINE 7 (45), LINE 8 (44) or the MIC 3 (55) input. CHANNEL SLIDE (19) controls the input level of this channel.

PLEASE NOTE: There is Low, Mid and High equalization for each channel with an extremely wide range of adjustment.

SUGGESTION: You can use the Cut Features on each channel

to remove Low, Mid and/or High range to create special effects.

The Crossfader in your unit is removable, and should the need arise, can easily be replaced by following these instructions. Note: Gemini replacement Crossfaders are

available in three varieties: the RG-45 PRO (RAIL GLIDE™) Dual-Rail Crossfader; the RF-45, which has a 45mm travel from side-to-side; and the PSF-45, which features a special “curve” designed for scratch mixing.

1. Unscrew the outside

FADER PLATE SCREWS (B).

RG-45 PRO (RAIL

GLIDE™) DUAL-RAIL CROSSFADER. Rail Glide™ Crossfaders have internal dual stainless steel rails that allow the slider to ride smoothly and accurately from end to end.

6. CROSSFADER SECTION: The CROSSFADER (21) allows the mixing of one source into another. The PS-850ifeatures an assignable crossfader. The ASSIGN (20, 22) switches allow you to select which channel will play through each side of the crossfader. The ASSIGN (20) switch has 4 settings (1, 2, or 4) and allows you to select channel 1, 2, 3 or 4 to play through the left side of the crossfader. The ASSIGN (22) switch has 4 settings (1, 2, 3 or 4) and allows you to select channel 1, 2, 3 or 4 to play through the right side of the crossfader. There are two OFF (60, 61) buttons for the crossfader. When the OFF (60) button is pressed, the left side of the crossfader will be inactive and the OFF LED (62) will light. When the OFF (61) button is pressed, the right side of the crossfader will be inactive and the OFF LED (63) will light. Using the OFF button, be sure to deactivate the crossfader before changing the ASSIGN setting. This will avoid any click or popping sound in your signal while you are changing the assign setting.

7. LOOP: Removing the jumpers from the LOOP OUTPUT (42) and INPUT (43) jacks will activate the loop. Any device connected to the LOOP OUTPUT (42) and INPUT (4 ) jacks will be inserted into the signal path.

HINT: BOOTH OUTPUT (40) is used by some DJs to run monitor speakers in the DJ Booth. You can also use it as a second ZONE or AMP output.

NOTE: The RECORD OUT (41) has no level control. The level is set by the channel slides and the gain controls of the selected channel. Tonal qualities are set by the LOW, MID and HIGH controls of that same channel.

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8.OUTPUT CONTROL: The level of the AMP OUT (38, 39) is controlled by the MASTER (29) slide and BALANCE (28) control. Activating the MONO (27) button (the mono LED will light) makes the overall output mono. The BOOTH (26) control adjusts the level of the

BOOTH OUTPUT (40).

9.TALKOVER: The purpose of the talkover is to allow the program playing to be muted so that the mic may be heard above the music. The MIC/TALKOVER SWITCH (7) controls MIC 1 and MIC 2 and has three settings.

•When MIC/TALKOVER (7) is in the BOTTOM position, MIC and TALKOVER are OFF.

•When MIC/TALKOVER (7) is in the CENTER position, MIC is ON. MIC INDICATOR (6) glows. TALKOVER is OFF.

•When MIC/TALKOVER SWITCH (7) is in the TOP position, MIC and TALKOVER are ON and the volume of all sources except MIC input is lowered by 16 dB. MIC 1 LEVEL (5) controls the level of MIC 1. MIC 2 LEVEL (4) controls the level of MIC 2.

10.CUE: By connecting a set of headphones to the HEADPHONE JACK (36), you can monitor any or all of the channels. Press the CUE ASSIGN (23) buttons for channels 1 - 4 to select the channel or channels to be monitored and their respective LED indicators will glow.

Use CUE LEVEL (33) control to adjust cue volume without affecting the overall mix. By moving the CUE PGM PAN (35) control to the left you will be able to monitor the assigned cue signal. Moving the control to the right will monitor the PGM (program) output.

Use the CUE SPLIT (34) button to split the signals from cue and ` program so that cue will be heard in one earphone and program in the other.

11.DISPLAY: The peak hold, dual function DISPLAY (24) indicates either the MASTER (38, 39) output left and right levels OR the selected cue and program (premaster output) levels. You can choose the option you want by pressing the DISPLAY (25) button.

NOTE: When the DISPLAY is in the cue/program mode you can increase or decrease the signal to match the other channel’s signal simply by adjusting GAIN (8).

12.The TREBLE (2) and BASS (3) controls allow you to adjust the tone of MIC 1 and MIC 2.

13.BPM DISPLAY: There are BPM DISPLAYS (57, 58) for the two channels assigned to each side of the CROSSFADER (21). They update approximately every 2.5 seconds and digitally display the Beats Per Minute allowing you to match the beats visually. BPM DISPLAY (57) reflects the Beats Per Minute of the channel assigned to the left side of the CROSSFADER, and BPM DISPLAY (58) reflects the Beats Per Minute of the channel assigned to right the side of the CROSSFADER.

NOTE: A [- -] reading will appear on the BPM DISPLAY if the track has unclear beats. The [- -] reading will also appear if there is no signal present.

14.The BEAT OFFSET INDICATORS (59) light when the tracks of the two channels assigned to the crossfader are within 11 BPMs of each other and display how aligned the beats of the two channels are. When the YELLOW LEDs light, the beats are almost aligned. When the GREEN LED lights, the beats are aligned perfectly.

NOTE: If the difference between the two channel’s beats exceed 11 BPM, the BEAT OFFSET INDICATORS will not light.

SUGGESTION: You can use the BPM DISPLAYS to determine which tracks have similar or the same Beats Per Minute. When mixing two