INTRODUCTION: |
| allows you to switch from PHONO 1 to LINE 2 or LINE 1 to LINE 2. CHAN- | ||||
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| LINE 1. The | ||||
Congratulations on your purchase of a Gemini |
| NEL 1 SLIDE (20) controls the input level of this channel. | ||||
Stereo Mixer. This |
| 3. CHANNEL 2: The GAIN (23), HIGH (24), MID (25), and LOW (26) con- | ||||
advances and is backed by a three year warranty, excluding the crossfad- |
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| trols allow you to | fully adjust the selected source. The | ||||
er and channel slides. |
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| switch a located on the rear panel allows you to select PHONO 2 or LINE | |||||
FEATURES: |
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| 3. The | |||||
- 10" 2 stereo channel mixer |
| to switch from PHONO 2 to LINE 3 or LINE 3 to LINE 4. CHANNEL 2 | ||||
| SLIDE (27) controls the input level of this channel. | |||||
- 4 line, 2 convertible phono/line, RCA inputs |
| 4. CROSSFADER SECTION: The CROSSFADER (21) allows the mixing | ||||
- 3 band rotary line EQ with cut feature |
| of one source into another. The left side of the CROSSFADER (21) is | ||||
- Easy removable face plate for user replaceable rail glide cross fader |
| CHANNEL 1 and the right side is CHANNEL 2. The CROSSFADER (21) | ||||
- Ergonomically designed to be flush with turntable |
| in your unit is removable and if the need arises can be easily replaced. | ||||
| Your Gemini mixer comes with an | |||||
- Smooth curved face plate |
| Crossfader. Rail Glide™ crossfaders have internal dual stainless steel | ||||
- Rotary gain channel control |
| rails that allow the slider to ride smoothly and accurately from end to end. | ||||
| Also available is our | |||||
- Display with bright LED |
| This unique crossfader features, state of the art conductive plastic tech- | ||||
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| nology, for unlimited useage. Another crossfader we have available is the | ||||
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- Face plate located rotary cue volume control & Cue section fader allow- |
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| scratch mixing. Just purchase one from your Gemini dealer and follow the | |||||
ing cue mix |
| instructions. |
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- Front located 1/4" Mic input & headphone output |
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| USER REPLACEABLE RAIL GLIDE CROSS FADER |
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- Dual ground screws for easy connectivity |
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- Master and record RCA outputs |
| 1. Unscrew the | outside | mixer |
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| FACE PLATE | screws and |
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CAUTIONS: |
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| remove the face plate. Then |
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1. All instructions should be read before using this equipment. |
| remove FADER plate screws (B |
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| & C). |
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2. To reduce the risk of electrical shock, do not open the unit. Please refer |
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| 2. Carefully lift the fader and |
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all servicing needs to a |
| unplug the CABLE (D). |
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In the USA ~ if you experience problems with this unit call Gemini Customer Service |
| 3. Plug the new fader into the |
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at: 1 (732) |
| cable and place it back in the |
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3. Do not expose this unit to direct sunlight or a heat source such as a radi- |
| mixer. |
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ator or stove. |
| 4. Screw to the fader plate to |
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4. This unit should be cleaned only with a damp cloth. Avoid solvents or |
| the mixer and replace the mixer |
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other cleaning detergents. |
| FACE PLATE. |
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5. When moving this equipment it should be placed in its original carton |
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and packaging. This will reduce the risk of damage during transit. |
| NOTE: Do not apply pressure while using the Crossfader. Lightly glide the crossfader | ||||
6. DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. |
| back and forth. Pressing down on the controls can bend contacts and cause a loss of | ||||
| sound. |
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7. DO NOT USE SPRAY CLEANERS OR LUBRICANTS ON CON- |
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| 5. CUE: Cue facilitates the seamless blending of one recorded track into | |||||
TROLS, SURFACES OR SWITCHES. |
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| another. Connecting a set of headphones to the HEADPHONES jack | |||||
CONNECTIONS: |
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| allows you to monitor either Channel 1 or Channel 2. Select Channel 1 by | |||||
1. Ensure that the POWER (1) switch is in the OFF position prior to mak- |
| moving CUE FADER (13), located on the face panel, to CUE 1 on the left. | ||||
ing any connections. This unit comes with a 15 V AC adaptor. Plug the |
| Listen to Channel 2 by moving CUE FADER to CUE 2 on the right. To mix | ||||
adaptor into the rear panel POWER JACK (2) before plugging it into a |
| both Channels bring CUE to the middle so that both tracks may be heard. | ||||
proper power source. |
| Use CUE VOLUME (14) to adjust the headphone volume without affecting | ||||
2. The |
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| 6. MIC SECTION: Connecting a microphone to the 1/4” MIC JACK (8) | |||||
and RECORD RCA OUTPUTS. Plug the MASTER RCA OUTPUT (3) into |
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your main amplifier to the main amplifier using standard audio cables with |
| allows voice amplification through the mixer to the stereo through the | ||||
| MASTER OUTPUTS (3). This is controlled by the MIC VOLUME rotary | |||||
record input of your recording unit. |
| control (12). |
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3. Headphones may be plugged into the front |
| 7. DISPLAYS: The LED METER (10) indicates the MASTER OUTPUT (3) | ||||
PHONES (9) ¼" jack. |
| left and right channel levels combined. LED METER (10) reflects the GAIN | ||||
4. Microphones may be plugged into the front |
| (19,23), HIGH (16,24), MID (17, 25) and LOW (18, 26) rotary control | ||||
| adjustments. The CHANNNEL SLIDES (20, 27) also affects the LED | |||||
PHONE (8) ¼" jack. |
| METERS (10). |
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5. The |
| SPECIFICATIONS: | ||||
the back panel, the convertible RCA Input on your right is for PHONO 1/ |
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ed on the back panel on either side of the MASTER RCA INPUTS. Facing |
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LINE 1 (31). The convertible RCA input on your left is for PHONO 2/ LINE |
| INPUTS: |
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3 (6). Using the PHONO/ LINE SWITCH(ES) (4,28), located just below | Mic |
| 1.5 mV 1 kOhm Balanced | |||
each input, you may convert the PHONO to LINE and vice versa. Plug the |
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Phono |
| 3 mV 47 kOhm | ||||
RCA's from your playable medium into each input to be connected to their |
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Line |
| 150 mV 10 kOhm | ||||
respective CHANNELS (20, 27). The PHONO INPUTS (6, 31) only accept |
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turntables with a magnetic cartridge. The STEREO LINE INPUTS |
| OUTPUTS: |
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(6,7,30,31) only accept line level inputs such as a CD, DAT, MiniDisc, etc | Amp |
| 0 dB 1 V 400 Ohm | |||
and require the proper switch setting. |
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Max |
| 20 V Peak to Peak | ||||
6. When using (a) turntable(s), you will need to ground the RCA cable(s) |
| GENERAL: |
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by screwing in the grounding fork(s) to the GROUNDING SCREWS | Bass (Channels |
| +12 | |||
(5,29)located in the back panel of the |
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Mid (Channels |
| +8 | ||||
ground line to the DUAL GROUND THUMB SCREWS (5,29). This is | High (Channels |
| +12 | |||
located adjacent to each PHONO INPUT (6, 31). | Gain (Channels 1 - 2) |
| 0 to | |||
NOTE: Not attaching a ground may cause a system "hum." | Frequency Response |
| 20 Hz - 20 kHz +/- 2 dB | |||
OPERATION: | Distortion |
| Less than 0.02% | |||
Headphone Impedance | 32 Ohm | |||||
| S/N Ratio |
| Better Than 80 dB | |||
1. POWER ON: Once all equipment connections have been made, press | Power Source Adapter | 115 V/15 V AC 7.5 W | ||||
POWER (1) switch. Power is ON when the VU METER (10) power LEDs | Unit....................................................................................Dimensions |
| Or 230 V/15 V AC 7.5 W | |||
are illuminated. | W 10" x H 3.3" x D 10.25" (254 x 84 x 260 mm) | |||||
2. CHANNEL 1: The GAIN (19), HIGH (16), MID (17), and LOW (18) con- | Weight |
| 5.86lbs (2.66 kg) |
trols allow you to fully adjust the selected source. The | NOTE: SPECIFICATIONS AND DESIGN ARE SUBJECT TO CHANGE WITHOUT NOTICE | ||
FOR PURPOSE OF IMPROVEMENT. | |||
switch located on the rear panel allows you to select PHONO 1 or |
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