Control Elements and Connectors, Mono channels

EURORACK UB1002FX/UB1202FX

1.3.3 Online registration

Please do remember to register your new BEHRINGER equipment right after your purchase by visiting www.behringer.com (alternatively www.behringer.de) and kindly read the terms and conditions of our warranty carefully.

Should your BEHRINGER product malfunction, our goal is to have it repaired as quickly as possible. To arrange for warranty service, please contact the retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may directly contact one of our subsidiaries. Corresponding contact information is included in the original equipment packaging (Global Contact Information/European Contact Information). Should your country not be listed, please contact the distributor nearest you. A list of distributors can be found in the support area of our website (www.behringer.com).

Registering your purchase and equipment with us helps us process your repair claims quicker and more efficiently.

Thank you for your cooperation!

2.CONTROL ELEMENTS AND CONNECTORS

This chapter describes the various control elements of your mixing console. All controls, switches and connectors will be discussed in detail.

2.1 Mono channels

Fig. 2.1: Connectors and controls on the mono channels

MIC

Each mono input channel offers a balanced microphone input via the XLR connector and also features a switchable +48 V phantom power supply for condenser microphones.

+Please mute your playback system before you activate the phantom power supply to prevent switch-on thumps being directed to your loudspeakers. Please also note the instructions in chapter 2.4 “Main section”.

LINE IN

Each mono input also features a balanced line input on a 1/4" connector. Unbalanced devices (mono connectors) can also be connected to these inputs.

+Please remember that you can only use either the microphone or the line input of a channel at any one time. You can never use both simultaneously!

TRIM

Use the TRIM control to adjust the input gain. This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs.

The scale has 2 different value ranges: the first value range (+10 to +60 dB) refers to the MIC input and shows the amplification for the signals fed in there.

The second value range (+10 to -40 dBu) refers to the line input and shows its sensitivity. The settings for equipment with standard line-level signals (-10 dBV or +4 dBu) look like this: While the TRIM control is turned all the way down, connect your equipment. Set the TRIM control to the external devices’ standard output level. If that unit has an output signal level display, it should show 0 dB during signal peaks. For +4 dBu, turn up TRIM slightly, for -10 dBV a bit more. Tweaking is done using the CLIP LED.

All mono input channels include a 3-band equalizer. All bands provide boost or cut of up to 15 dB. In the central position, the equalizer is inactive.

The upper (HIGH) and the lower band (LOW) are shelving filters that increase or decrease all frequencies above or below their cut-off frequency. The cut-off frequencies of the upper and lower band are 12 kHz and 80 Hz respectively. The MID band is configured as a peak filter with a center frequency of

2.5kHz. Unlike shelving filters, the peak filter processes a frequency range that extends upwards and downwards around its middle frequency.

LOW CUT

In addition, the mono channels are equipped with a steep LOW CUT filter (slope at 18 dB/oct., -3 dB at 75 Hz) designed to eliminate unwanted low-frequency signal components. These can be noises created by hand-held microphones, subsonic noise or plosive sounds created by highly sensitive microphones.

FX sends enable you to feed signals via a variable control from one or more channels and sum these signals to a bus. The bus appears at the console’s FX send output and can be fed from there to an external effects device. The return from the effects unit is then brought back into the console on the stereo channels. Each FX send is mono and features up to +15 dB gain.

As the name suggests, the FX sends of the EURORACK mixing consoles are intended to drive effects devices (reverb, delay, etc.) and are therefore configured post-fader. This means that the mix between dry signal and effect remains at the level determined by the channel’s aux send, irrespective of the channel fader setting. If this were not the case, the effects signal of the channel would remain audible even when the fader is lowered to zero. With UB mixing consoles, the channel fader is called LEVEL control.

2. CONTROL ELEMENTS AND CONNECTORS

UB1202FX, UB1002FX specifications

Behringer is well-known for producing budget-friendly yet powerful audio equipment, and their UB1002FX and UB1202FX mixers are prime examples of this commitment. Both models cater to musicians, podcasters, and sound engineers looking for compact solutions without compromising on sound quality.

The Behringer UB1002FX is a versatile 10-input mixer equipped with built-in effects. It features two low-noise, high-headroom mic preamps augmenting the audio quality for vocal and instrumental applications. With three-band EQ on each channel, users can sculpt their sound easily, while a 24-bit digital FX processor offers 100 studio-grade effects, including reverb, delay, and chorus, allowing for creative sound experimentation.

This mixer is designed with practical connectivity in mind. It includes stereo inputs, a dedicated tape input and output, as well as auxiliary sends per channel, ideal for routing to external effects devices or monitors. The UB1002FX also boasts a headphone output with a separate level control, providing a useful monitoring option during live performances or recording sessions.

The UB1202FX is a step up, offering 12 inputs and additional features that enhance its functionality. Like the UB1002FX, it features low-noise mic preamps and three-band EQ, but it also includes an advanced four-channel stereo input capability that allows for diverse input sources.

One of the standout features of the UB1202FX is its built-in DSP effects processor, which offers a rich palette of effects meant to cater to a variety of musical styles and applications. The total number of effects onboard allows for a greater scope of creative possibilities during both live performances and studio sessions.

Both mixers are designed with rugged construction, making them reliable even under demanding conditions and frequent use. The user-friendly layout ensures that navigating through channels and effects is intuitive, making it suitable for beginners and experienced engineers alike.

In terms of connectivity, both models feature balanced XLR outputs, enabling professional-grade connections to PA systems or recording interfaces. The compact size of the UB1002FX and UB1202FX makes them ideal for mobile setups or smaller venues, providing portability alongside robust performance.

Overall, the Behringer UB1002FX and UB1202FX mixers offer exceptional value for their price, with features and sound quality that present a compelling option for anyone in need of a reliable audio mixing solution.