Alesis 12, 16 MIX Switch, ALT 3/4 Switch, 2TK Switch, Aux Ret a Level, Effects / Aux Ret B level

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2 A Tour of the MultiMix FireWire

HDPH / CTRL RM

The HDPH / CTRL RM knob controls the level of the signal being sent to the CTRL RM OUT and the PHONES output. The level of this signal is represented by the LED meters. The switches to the right of the HDPH / CTRL RM knob determine the source of the control room mix as explained below. You can use these switches in any combination. If no switches are selected, you’ll hear silence in the control room mix and the LED meters won’t light up.

The “CTRL RM” in the name of this knob refers to the fact that it controls the signal that typically is sent to the control room monitors of a studio, where someone—usually an engineer—is working the mixer. However, don’t be intimidated if you’re using this mixer in your bedroom, which probably isn’t equipped with a control room. In this scenario, you can use headphones or connect the CTRL RM OUT to your speakers.

MIX Switch

Pressing the MIX switch routes the main mix to the control room level control. When you engage this switch, the channels and aux sends will pass through the MAIN MIX fader and then through the HDPH / CTRL RM level control. You can then keep the MAIN MIX fader set to unity gain for optimal recording, and the HDPH / CTRL RM level control set to a more comfortable listening level if necessary.

ALT 3/4 Switch

When you press the ALT 3/4 switch, the signal from the ALT 3/4 stereo mix bus is routed through the HDPH / CTRL RM level control.

2TK Switch

If you want to monitor the signal coming in from the 2-TRACK jacks and from the computer (if a Firewire cable is attached), press the 2TK switch.

Aux Ret A Level

This is the level control for the signal returning to the mixer via

AUX RETURN A.

Effects / Aux Ret B level

If you are using one of the MultiMix’s internal effects, this knob controls the effect level. If AUX SEND B is connected to an external device, this knob controls the level for AUX RETURN B.

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When you solo a channel via its PFL / SOLO switch, that channel’s signal will override your control room mix selection. You then will hear only that channel in the control room and the headphones.

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Contents Reference Manual Page Table Of Contents Table Of Contents Accessing the Asio control panel This page intentionally left blank Introduction WelcomeAll-In-One Mixer and Multichannel Computer Audio Interface About the MultiMix FireWireMultiMix FireWire Key Features Multichannel Firewire Ieee 1394a input and output IntroductionHow to Use This Manual Few Words for Beginners This page intentionally left blank Hooking up the MultiMix FireWire Getting StartedGetting Started Using Proper CablesSetting Levels Tour of the MultiMix FireWire PatchbayMic Inputs Channels 1 Line Inputs Channels 1Tour of the MultiMix FireWire Line Inputs Channels 5Pdif Digital Output Jack Phone JackMute / Alt 3/4 Channel StripsFader PAN or BAL AuxMaster Section MIX Switch ALT 3/4 Switch2TK Switch Aux Ret a LevelLED Meters Power Indicator+48V Indicator Rear of the Mixer Effect Descriptions Digital Effects ProcessorEffects Section Components Digital Effects Processor ChorusSimple Live Setup Using Additional External Audio SourcesTraditional Mixing Pdif digital output to a digital recorderTraditional Mixing Firewire Recording First-time connection instructions and driver installationFirewire Recording Installing the optional applicationsPower-on/Power off order Power-on sequenceChannels returned from the computer to the MultiMix Firewire inputs and outputsChannels sent from the MultiMix to the computer Sound setup under Windows Firewire Recording Disabling Windows System Sounds TK to MIX Leave UP Choose the menu option Devices Device Setup… Choosing the MultiMix as your audio deviceFirewire Recording Firewire Recording Firewire Recording Creating a new audio file Firewire Recording Firewire Recording Firewire Recording Accessing the Asio control panel Setting the mixer nicknameSetting the master device Working with the Asio control panelAdjusting latency by changing the buffer size Adjusting the sample rateChoose the menu Options Audio… Firewire Recording Firewire Recording Assigning inputs to audio tracks Using the MultiMix FireWire with CoreAudio on the Macintosh Troubleshooting non-Firewire CauseTroubleshooting non-Firewire Effects / AUX RET BLED meters not working Computer does not see the MultiMix This page intentionally left blank Advanced troubleshooting under Windows Troubleshooting FirewireBasic troubleshooting Troubleshooting Firewire Audio echoes during recording Audio playback or recording is at the wrong speedAudio playback or recording stutters or drops out This page intentionally left blank Specifications Input ChannelsSpecifications Mechanicals L x HBlock Diagrams Block Diagrams Glossary TermContact Information Glossary Alesis Contact Information Trademarks

12 FireWire, 16 FireWire, 12, 16 specifications

The Alesis 12 FireWire and 16 FireWire mixers are innovative audio solutions designed for musicians, podcasters, and audio engineers looking to integrate seamless digital recording capabilities into their workflow. These mixers are equipped with FireWire technology, allowing for high-speed data transfer to computers, which is essential for real-time audio production and recording.

One of the standout features of the Alesis 12 FireWire mixer is its 12-channel configuration, allowing users to connect multiple audio sources, including microphones, instruments, and other audio devices. Each channel is equipped with a 3-band EQ, gain control, pan, and a selectable effect send, providing flexibility for sound shaping. The 16 FireWire model expands upon this, offering 16 channels to accommodate even larger setups for more complex audio routing and mixing scenarios.

Both models feature built-in FireWire interfaces that enable direct recording to a computer without the need for external converters. This integration simplifies the recording process and makes it easier for users to capture high-quality audio in a digital environment. The FireWire connection provides low latency, ensuring that performers can monitor their sound in real-time without noticeable delay.

In terms of build quality, the Alesis mixers are constructed with durability in mind. They feature robust controls, a solid chassis, and a user-friendly layout. This practicality makes them suitable for both studio and live environments, where reliability and ease of use are crucial.

In addition to the essential mixing capabilities, both models support various effects through their built-in processing. The 12 and 16 FireWire mixers come with several onboard effects such as reverb and delay, allowing users to enhance their audio without needing additional outboard gear.

Furthermore, these mixers support phantom power, enabling the use of condenser microphones that require additional power to operate. This feature is particularly advantageous for recording studios and live sound applications.

Overall, the Alesis 12 and 16 FireWire mixers are powerful tools that cater to the needs of modern audio professionals. Their integration of FireWire technology, extensive channel options, built-in effects processing, and user-friendly design make them an excellent choice for anyone looking to elevate their audio production capabilities. Whether you are working in a studio or performing live, these mixers deliver the quality and versatility needed to achieve outstanding sound.
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