Global micing in a live studio, front view

The setup, as we have described it, is shown in Figure 8A and B. Do we have to stop here? Obviously not; we can add as many mics as we have remaining tracks. Another useful one to add would be a cardioid looking down on the head of the snare at a distance of about 8 to 10 inches -- but far enough back so as not to both- er the drummer.

Can We Subgroup to Save Tape Tracks: Yes, if you proceed very carefully and think out the whole process. Remember, stereo pairs of channels are the best way to subgroup. For example, if you anticipate a shortage of tape tracks, you could sub-mix the three mics on cymbals, thus picking up an extra track. The same could be done on the three toms, again picking up a track.

In doing this, you might think of the cymbal stereo pair and tom stereo pair as “layers” that you can later add to the basic mix. But before you commit to this, make sure that the drum- mer and producer hear exactly what you intend to do, and that they agree!

Global micing in a live studio, front view:

Figure 8A