Fender 110XP, 115XP O u s t i c s a n d C a b i n e t P l a c e m e n t, E a k e r C a b l e s

Page 3

A c o u s t i c s a n d C a b i n e t P l a c e m e n t

There are several things to

 

consider when placing loud-

 

speaker

cabinets.

First

 

determine

the

horizontal

 

coverage

requirements for

XP

the room. When used in a

 

typical

auditorium

setting,

 

position

the speakers as

 

shown in

Fig. B.

Ensure

70°

adequate sound levels reach

 

each seat in the audience by

 

walking

through

the entire

 

auditorium—listen

for any

 

gaps in coverage then reposition speakers as nec- essary. Recheck sound coverage with a full audi- ence in attendance, if possible.

The XP Series horn has a horizontal coverage angle of 70º and a vertical coverage of 35º; bass

speakers are

nearly

o m n i d i re c t i o n a l .

 

When setting

up

FIG. C

 

 

 

Other

considera-

FIG. B

tions

 

include

bass

 

frequency

Stage

performance and

 

 

 

 

XP

f e e d b a c k . . .

 

When

a

XP

 

speaker is placed

 

near a wall, there

70°

will

a

low-fre-

 

quency

boost of

Audience

up to 3dB.

The

 

 

 

 

drawback is that close proximity to

a wall may also cause feedback.

To avoid feedback: Increase the distance between speakers and the feedback source whether it is a wall, a microphone, or a guitar. Use cardioid–pattern microphones to help block feed- back. Always keep microphones

pointed away from speakers.

your XP Series

 

XP

 

 

enclosures as a

 

 

 

 

 

 

 

 

“single unit,” aim

 

 

 

70°

 

the cabinets 70°

1

 

 

 

 

apart as shown in

4

 

 

 

 

0

 

 

 

 

 

 

 

 

 

FIG. C, for 140°

˚

 

 

 

 

o

f

 

 

 

of horizontal cov-

H

 

 

 

 

t al

 

 

 

 

 

 

 

erage.

 

 

o r i

z o n

 

 

 

 

XP

 

g

e

a

 

 

 

r

 

 

e

 

 

v

 

 

o

 

 

C

 

 

Sound quality is often compro- mised when a sound system is required to be hidden from sight. Remember that the location of your loudspeaker cabinets will affect sound qual- ity and coverage area more than

any other factor.

S p e a k e r C a b l e s

Power and audio signal cables are a

Prevent power loss and the degradation of signal quality by

common sources of sound system fail-

using the recommended cable gauges below.

ure. Quality cables, carefully maintained,

 

are essential to the reliability of the entire

Cable that suppplys one cabinet, such as the cable to the last

sound system. Long cable connections

cabinet in a “daisy-chain”:

or cables supplying multiple speaker

Up to 50-feetrequires 18-gaugecable

cabinets must be of a sufficient gauge to

Up to 100-feet requires 16-gauge cable

transfer all of the available amplifier

 

power to the speakers. As a rule, thick-

Cable that suppplys two cabinets, such as the cable from the

er cables (lower gauge numbers) are

amp to the first cabinet in a “daisy-chain”:

more efficient because they absorb less

Up to 25-feetrequires 18-gaugecable

power themselves.

Up to 50-feetrequires 16-gaugecable

 

Up to 100-feet requires 14-gauge cable

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Contents A R T I S T S E R I E S E a k e r Fender XP Loudspeaker SystemsE a k e r C a b l e s O u s t i c s a n d C a b i n e t P l a c e m e n tMaximum Output S e r i e s Specification s