Klark Teknik DN540 specifications What Is a Compressor?, Principles of compression

Page 17

Chapter 2: What Is A Compressor?

The natural sounds of everyday life, which can be caused by anything from, say, the falling of a leaf to the roar of a jet engine, vary extremely widely in sound level. This variance is known as the “dynamic range” and is the difference — expressed in decibels (dB) — between the loudest and quietest sounds in a piece of audio, such as music or speech, or that can be reproduced by a piece of audio equipment without distortion.

The human ear has an automatic gain control that enables it to accommodate all of the sounds ranging from the threshold of hearing to near the threshold of pain, a dynamic range of approximately 120dB. However, a dynamic range of this magnitude, even if it were possible in audio equipment, is not required in practice for comfortable listening. A sound pressure level (SPL) of 96dB would, in a domestic environment, almost certainly annoy the neighbours. While, at the other end of the dynamic scale, a typical ambient noise level of at least 40dB SPL makes it impossible to use very quiet levels in recorded or broadcast sound media. So, it is almost always necessary to compress the dynamic range of natural sounds to fit them into a window (usually about 30dB to 40dB) suitable both for the equipment and for comfortable listening.

The compressor is a valuable tool for the control of the dynamic range.

Principles of compression

One of the principal uses of compression is the control of level in vocals. Many singers train for years to achieve the degree of breath control necessary for an even tone and expressive performance. Whereas, other vocalists rely on an instinctive voice production technique, which may need technological assistance to maintain a consistent level that sits correctly in the programme.

level

 

 

Signal

Threshold level

 

 

 

 

Unprocessed signal

Time

level

 

 

Signal

Threshold level

 

 

 

 

3:1 Compression above threshold

Time

 

 

level

 

 

Signal

Threshold level

 

 

 

 

With make up gain added

Time

 

 

Figure 1: Compression - signal level graphs

DN540

 

Operator Manual

5

Image 17
Contents DN540 Page Important Safety Instructions Instructions DE Sécurité Importantes Klark Teknik Page Safety warnings PrecautionsGeneral precautions PowerLocation InstallationAudio connections Radio frequency interference Class B deviceOptional equipment Safety equipmentSpecial accessories Precautions Contents Contents Overview IntroductionIntroduction ApplicationsAbout this manual FeaturesFeatures Introduction Principles of compression What Is a Compressor?Unwanted side effects What Is a Compressor?Uses of compression Unwanted side effects What Is a Compressor? Checking the mains fuse Getting StartedUnpacking Getting Started Connecting the power cableConnecting the audio cables Sidechain inputs Connecting the audio cablesConnecting to unbalanced equipment Powering the unitDescription Front PanelFront Panel Compressor sectionSwitch section Switch sectionFront Panel Mains input Channel connector sectionRear Panel Rear Panel Attack Compressor Control FunctionsMake up gain ReleaseCompressor Control Functions RatioThreshold ThresholdPresence Soft knee and hard knee graphs Soft knee and hard kneeModes of operation Using The CompressorManual mode with hard knee linear peak Using The CompressorModes of operation Compression limiting signal level graphsAdvanced compression manual mode Simple compression auto modeStereo and multiple channel operation linking Stereo and multiple channel operation linkingSidechain Appendix a Application Notes Application Notes Appendix B Functional Block Diagram COMPRESSOR-CHANNEL2 Functional Block DiagramAppendix C Balanced/Unbalanced Audio Balanced/Unbalanced Audio Inputs Four Appendix D Technical SpecificationStorage Technical SpecificationAppendix E Crib Sheet Crib Sheet Routine maintenance Appendix F Service InformationCleaning Replacing the mains fuseEquipment disposal Service Information