Preset Functions, Standard Use, Mono | Nady Systems dig comp 16

DigiComp16booklet 1/23/03 12:50 PM Page 18

Preset Functions

Stereo AGC

The DigiComp 16’s dynamic process algorithm also includes a stereo Automatic Gain Control (AGC) "block" that, if used, is able to maintain almost stable the mean amplitude of the input signal, increasing it when the "average"of the input signal amplitudes seems to be low and decreasing it when the "average" of the input signal amplitude seems to be too high. This process is useful when the sound reaching the input of the DigiComp 16 is coming from different sources having different output levels and it is necessary to "NORMALIZE" the input level of the DigiComp 16 to obtain better performance from the

dynamic process operating as "second block" of the algorithm.

1)Expander Speed: This parameter represents the speed at which the signal is expanded beyond the Expander Threshold. This occurs only if the Max value is different from 0dB.

2)Compressor Speed: This parameter represents the speed at which the signal is compressed once it goes beyond the Compressor Threshold. This occurs only if the Min value is different from 0dB.

3)Expander Threshold: This is the threshold beyond which the signal is expanded.

4)Compressor Threshold: This is the threshold beyond which the signal is compressed.

5)Hold Threshold: When this threshold is crossed by the signal level, coming from the compression region, the compression coefficient is maintained steady. When the crossing is from the expansion region, the expansion coefficient is kept the same.

6)Max: This is the maximum expansion ratio between input and output in the expansion region.

7)Min: This is the maximum compression ratio between input and output in the compression region. The AGC = Const. areas are regions in which the multiplying coefficient value assumes the last calculated before crossing the different thresholds, so in the expansion area the COEF AGC value is increasing, while in the compression area the COEF AGC value is decreasing.

c. Compression Process Bypass

At any time you can bypass the process, thereby allowing the direct signal to pass through the DigiComp 16 unchanged. This can be done in two ways:

•By pressing the BYPASS switch (3)

•By connecting a footswitch to the BYPASS jack (9) and pressing the footswitch. On the back panel you will find a footswitch jack labelled BYPASS. This is a mono jack with connections for a standard footswitch. The footswitch must be plugged in before the DigiComp 16 has its power turned on — the DigiComp 16 will automatically recognize the right “polarity” of the pedal.

Installation

a. Standard Use

The DigiComp 16 may be placed anywhere — on a table, on top of an amp, next to a mixing console. If it will be on furniture, use the rubber feet provided for the bottom of the unit. Make sure to place the unit’s power supply away from other audio equipment that may induce fields, and away from the signal wiring. It is possible that the DigiComp 16 may pick up noise fields generated by other equipment such as a large power amplifier. In this case, move the unit until the noise goes away.

b. Application Examples

Line Instrument — When connecting audio cables and/or turning power on and off, make sure that all devices in your system have their volume controls turned down. The DigiComp 16 has two 1/4” unbalanced inputs and two 1/4” unbalanced outputs. This input/output configuration may provide three different audio connection options:

• Mono

Connect an audio cable to the LEFT INPUT (12) of the DigiComp 16 from a mono source, and another audio cable from the LEFT OUTPUT (10) of the DigiComp 16 to an amplification system or mixer input.

From Instrument or

Effect Send

To Mixing or Amplifier

Console

dig comp 16 specifications

Nady Systems has long been recognized for its commitment to innovation in the field of wireless audio technology. Among its range of products, the dig comp 16 stands out as a sophisticated digital compressor that caters to musicians, sound engineers, and audio professionals seeking high-quality audio processing tools. This device integrates advanced technologies to provide superior sound control and dynamic processing.

One of the dig comp 16's main features is its 16 presets, which offer a wide variety of compression settings tailored to different instruments and vocal performances. This versatility enables users to select the ideal settings for any application, whether in the studio or during live performances. Each preset has been meticulously crafted to suit genres ranging from rock to jazz, ensuring that users can achieve their desired sound quickly and efficiently.

The dig comp 16 is equipped with an intuitive user interface, making it accessible for both beginners and seasoned professionals. The large LCD display clearly shows the chosen preset, gain reduction, threshold, attack, and release settings, allowing users to monitor their adjustments in real time. The control layout is designed for straightforward navigation, enabling quick tweaks without interrupting the flow of a live performance or studio session.

Incorporating advanced digital signal processing technologies, the dig comp 16 delivers high fidelity sound without introducing unwanted artifacts. Its low noise floor and high dynamic range make it suitable for a wide range of audio sources, preserving the integrity of recordings while providing the necessary dynamic control. The device also features adjustable parameters for fine-tuning the output, including ratio and makeup gain, allowing users to customize their sound to perfection.

Another notable characteristic of the dig comp 16 is its durability and robust build quality. Constructed with high-quality materials, the device is designed to withstand the rigors of frequent use in professional environments. This reliability ensures that the dig comp 16 is a trusted partner for audio engineers on tour or in the studio.

Overall, the Nady Systems dig comp 16 is a powerful tool for those in the audio field. Its combination of user-friendly features, advanced processing capabilities, and build quality makes it an excellent choice for achieving optimal sound control in various audio applications. Whether you're a seasoned professional or a hobbyist, the dig comp 16 promises to elevate your audio experience and help you craft the perfect mix.