Behringer MX802A user manual Stereo Input Channel, Main Section, Fading and panning

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EURORACK MX802A

2.4 Fading and panning

Level to the main mix bus is ultimately determined by the channel volume control .

Channel pan positions the output of the channel in the stereo field. Its constant-power design ensures there are no level discrepancies whether a signal is hard-panned, centre-stage or somewhere inbetween. Such pinpoint accuracy will be a revelation if you have been working on consoles with lower quality circuits.

3. STEREO INPUT CHANNEL

Each stereo channel comes with two balanced line level inputs on 1/4" TRS jacks , for left and right signals. When only the left input is connected, the channel operates in mono.

3.1 Input level setting

The stereo inputs are designed for any line level signal. Most line level sources such as MIDI instruments and FX units will have their own output level control. Those that don’t, like CD players, all have an output level within the scope of the MX802A. When the channel and master fader are set to unity gain the meters should read between -4 and +7 dB. Remember that there is 15 dB gain on both the channel as well as master fader.

3.2 Equalizer

There are no low cut filters on stereo channels, otherwise the EQ is in principle identical to that on mono channels (see 2.2), except that the EQ is stereo, of course!

A stereo equalizer is generally preferable to using two mono equalizers when EQ-ing a stereo signal, as often discrepancies between left and right settings can occur.

3.3 Aux sends

It is the same as for mono channels (see 2.3). Note that a mono sum is taken from the stereo input.

3.4 Volume control and panning/balancing

The only difference here to the mono channel described in 2.4 is in the implementation of the balance control

. When a channel is run in stereo, this control determines the relative balance of the left and right channel signals being sent to the left and right main mix buses. For example, with the balance control turned fully clockwise, only the right portion of the channel's stereo signal will be added to the main mix.

If a stereo channel is run in mono (only the left input connected), the balance control acts as a pan in the normal way.

4. MAIN SECTION

4.1 Aux sends

Aux sends are provided on unbalanced 6.3 mm jacks . Please adjust the input level control of your effects unit to match the output level of your EURORACK. This can be done when typical signals are run through the MX802A and the aux sends are set to center (0 dB). If your effects unit does not have an input gain and the effects levels seems too low, remember that every channel aux send has up to 15 dB gain, which should be more than enough to drive any effects unit.

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3. STEREO INPUT CHANNEL

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Contents Eurorack MX802A Safety Instructions Foreword Eurorack Table of Contents Before you begin IntroductionArchitecture Input level setting Warranty PackingMono Input Channel EqualizerVolume control and panning/balancing Stereo Input ChannelMain Section Fading and panningStereo aux returns Metering2-track input / main mix output MonitoringSetting UP Initializing channels for gain settingDesk normalization Selecting inputsAuditioning a signal and setting up a channel Recording levelsModification Mono channel aux send 2 pre-faderConnections Output Cable InputDifferent plug types Appendix Front & back viewsBlock diagram Specifications Warranty § 1 Warranty CARD/ONLINE Registration

MX802A specifications

The Behringer MX802A is a compact mixer that has gained popularity among both live sound engineers and home studio enthusiasts. With its versatile features and user-friendly layout, it stands out as an essential tool for anyone looking to enhance their audio mixing experience.

One of the main features of the MX802A is its 8 channels, providing ample input options for various instruments and microphones. Each channel is equipped with a low-noise, high-headroom mic preamp, ensuring clarity and detail in any audio source. This allows users to connect multiple microphones or instruments simultaneously, making it ideal for live performances, rehearsals, or recording sessions.

The mixer also includes four microphone inputs, each with a dedicated 3-band EQ. This EQ section allows users to fine-tune their sound by adjusting the low, mid, and high frequencies. This is especially useful in live settings where different instruments may require distinct tonal adjustments to sit well in the mix. Additionally, the EQ can be bypassed for a more transparent sound when necessary.

Another highlight of the MX802A is its built-in stereo effects send and return. This feature allows users to integrate external effects processors into their setup, creating a more dynamic and textured audio environment. This is particularly beneficial for adding reverb or delay to vocals or instruments, enhancing the overall sound.

In terms of connectivity, the MX802A offers balanced XLR outputs and 1/4-inch TRS outputs, ensuring compatibility with various audio interfaces and sound systems. The mixer's rugged build quality makes it suitable for both studio and mobile applications, providing reliable performance under various conditions.

Technology-wise, the MX802A employs a high-performance signal path that minimizes noise and distortion, resulting in a clean and professional sound. Its compact design means it can be easily integrated into any setup without occupying too much space, making it a favorite among traveling musicians and engineers.

In conclusion, the Behringer MX802A is a versatile and reliable mixer designed for those seeking professional sound quality in a compact format. With its numerous features, including multiple channels, built-in EQ, effects routing, and high-quality preamps, it caters to a wide range of audio mixing needs, making it a solid choice for both beginners and experienced professionals alike. Whether for live performances or studio recordings, the MX802A proves to be an invaluable asset in any audio setup.
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