QSC Audio 1100, 1400, 1700, 1200 Octal Module Accessories, Input Switches and Mono Bridging

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3.38Good Quality Connections A tight and corrosion-free contact at all connections is essential for good sound and to avoid erratic noises or unstable performance. 1/4-inch connectors are suitable for low-cost portable systems, but must be removed and replaced frequently to avoid corrosion build-up. 1/4-inch plugs are not recommended for long, undisturbed service, especially in corrosive environments. The “military” brass-type plugs are especially bad in this respect, because they don’t match the plating of the input jacks. XLR plugs are preferred by professional users for reliable contact and better retention.

For permanent wiring harnesses, the barrier strip is the cheapest and best. The signal wiring can be stripped and wrapped around the terminal screws, or spade terminals can be soldered or crimped onto the ends of the signal conductors. When crimping, be sure to use the proper tool with generous pressure, and test the resultant crimp by pulling while closely inspecting. If the wire wiggles inside the crimped terminal, the contact will go bad. The spade lug, or bare wire ends, can then be tightly screwed down to the proper positions on the barrier strip. If high pressure is maintained in the crimp and the screw terminal, a “gas-tight” connection is formed which will exclude corrosion for many years.

3.4 OCTAL MODULE ACCESSORIES

3.41Octal Socket Each channel has an octal socket for active and passive plug-in accessories. This is shipped with a protective label to prevent corrosion of the pins. See the schematic in the back of this manual for pin assignments.

3.42Input Transformer Although the audio benefits of transformerless coupling are well recognized, certain users still prefer the security of a transformer-coupled input in severe environments. In addition to the QSC model T-1 input transformer, the Bauer Communication model RE-11P-QN is available for QSC amplifiers.

3.43Active Accessories In a number of special cases, the user needs built-in power limiting, bi-amp capability, etc. In order to serve these needs without adding to the basic cost of the amplifier, the octal socket has been designed with low-level DC power tapped off the internal supply of the amplifier. Ask the QSC Sales Department for details on availability.

3.44Octal Module Installation Peel away the protective cover and plug in the module, observing correct alignment of the guide post in the middle. The input bypass switches for that channel must be turned off (See Section 3.5). Certain other switches may need to be set in accordance with the type of module and combination of channels desired. See the instruction sheet for each module for these details. Input to the module occurs automatically through the amplifier’s input jacks.

3.5 INPUT SWITCHES AND MONO BRIDGING

3.51Input Programming Switch An 8-pole input programming DIP switch will be found on the rear panel of the amplifier. The switch functions are as follows: (move levers up to turn on, down for off)

Switches 1,2: Bypass the Octal Socket for Channel 2. Keep “on” for normal operation (i.e. when no octal accessory in used). Turn “off” when an octal accessory is plugged in (see the instructions with the octal accessory).

Switches 7,8: Same as above for Channel 1.

Switches 3,4: Connects the output from an octal accessory plugged into Channel 1 to both amplifier channels. Turn “on” to feed the octal accessory to both channels. Turn “off” for normal operation or for using separate octal accessories.

Switches 5,6: Connects the inputs of Ch. 1 and Ch. 2 in parallel (see Section 3.37). If octal accessories are used, the inputs (not the outputs) of both accessories will be combined. This may be used in place of a Y-cord for feeding a common input signal to both channels.

3.52Mono Bridging Most stereo amplifiers have a method of combining both channels in series to give the combined power into a single load. This is a way to fully use both channels when only a single speaker is driven.

To engage the bridged-mono mode of the Model 1100, a slide switch must be set through a hole in the bottom of the amplifier. Due to the danger of touching live terminals inside the amplifier, BE SURE TO REMOVE ALL POWER AND DISCONNECT THE AC PLUG before resetting the switch. In accordance with the label on the bottom, set the switch towards the front for bridged-mono use, and towards the rear for normal stereo use.

To engage the bridged mono mode on the Model 1200, 1400, or 1700, there is a separate slide switch located below the barrier strip inputs on the rear panel. Follow the directions on the label to engage the switch in the “Bridge” position.

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Contents Owner’s Manual Safeguards PrecautionsB L E O F C O N T E N T S AvisWarranty and Disclaimers IntroductionWelcome Overview of AmplifierSpecifications Input Impedance Crosstalk Controls Indicators Cooling1100 1200 1400 1700 Frequency ResponseImportant Precautions II Basic InstructionsUnpacking and Inspection Quick Instructions Front View Back ViewIII Operation CoolingAC Requirements Input ConnectionsSee illustrations in .3 for location 34a 1/4-inch RTS Balanced Output Connection 36 1/4-inch Quasi-balanced Output Connection Octal Module Accessories Input Switches and Mono BridgingMono Bridge Precautions Speaker ConnectionsCable Power Loss Damping Length Gauge Resistance 69 Speaker Wire TableFactor Protection Features 73 70 Volt Output Power25 and 70 Volt Systems OutputOperational Troubleshooting No SoundUnwanted Noises IV Speaker Protection BackgroundDC Protection Horn Driver ProtectionPower Capacity Power LimitingRMS Power Ohm 16-ohm Load User ResponsibilityMaintenance and Service CleaningUser Maintenance Obtaining ServicePage D I O

1200, 1700, 1400, 1100 specifications

QSC Audio has long been a revered name in professional audio, and its series of amplifiers—including the QSC 1100, 1200, 1400, and 1700—continues to showcase the brand's commitment to quality, performance, and innovation. Each model is designed to meet the diverse needs of audio professionals, whether for live sound, installations, or studio use.

The QSC 1100 amplifier is renowned for its lightweight and compact design while delivering a solid 1100 watts of power. It features QSC's advanced Class D technology, which not only provides high efficiency but also significantly reduces heat generation. The 1100 includes comprehensive protection circuitry, ensuring safe operation in all situations. With a Frequency Response of 20 Hz to 20 kHz, the amplifier offers a balanced and clear sound profile, making it suitable for various applications.

Moving up the line, the QSC 1200 offers increased power output at 1200 watts and comes equipped with advanced DSP (Digital Signal Processing). The DSP allows users to tailor the audio output precisely, delivering optimized performance for any setting. In addition to its robust power, the 1200 features a versatile input section, supporting both XLR and 1/4" TRS connectors, providing flexibility for any audio source.

The QSC 1400 amplifier is a workhorse in the series, capable of producing up to 1400 watts, making it ideal for larger venues and events. This model is designed with enhanced thermal management, ensuring reliability even during extended use. The 1400’s high-frequency response capabilities further improve its adaptability, handling complex audio signals with ease.

Lastly, the QSC 1700 stands as the powerhouse of this lineup, delivering a remarkable 1700 watts of clean, distortion-free audio. It boasts an advanced cooling system, making it perfect for high-demand environments. The 1700 is also equipped with customizable limiter settings, allowing users to protect their speakers while maintaining sound integrity.

QSC’s commitment to durability is evident in all four amplifiers, featuring rugged chassis designs and high-quality components to withstand the rigors of professional use. Collectively, the QSC 1100, 1200, 1400, and 1700 amplifiers offer a compelling range of features that cater to various audio needs, all while ensuring superior sound quality and reliability, making them excellent choices for any sound engineer or venue manager.