SWR Sound California Blonde owner manual Send, Receive, Balanced XLR Line OUT, Stereo Operation

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Since the effects loops are on a side chain, their use should greatly reduce noise generated by effects devices (as compared to in-line effects loops). Additional features of this type of loop can be found below under the Receive jack section.

SEND

Run a shielded patch cable from the Send jack to the input of your effects device. This jack may be used as an additional line level output, in which case its level is determined by the setting of the Gain control.

RECEIVE

Run a shielded patch cable from the output of your effects device to the Receive jack.

One unique feature of the Receive jack is the ability to practice along with pre-recorded music. Insert a sound source into the Receive jack (make sure it’s a mono signal). Use the Effects Blend control to mix the level of the recorded music with your instrument’s level. The combined signal will be heard through the internal speakers or your headphones. The Send jack is not used.

NOTE: Inserting a plug into the Receive jack activates the Effects Blend control by receiving a “command” through the ground created. Therefore, only a mono (2-conductor) phone plug should be used.

If you are not getting any “effect” through the speakers, check the position of the appropriate Effects Blend control on the front panel.

BALANCED XLR LINE OUT

Being a “line” out, the signal appearing here is similar to that heard through the speaker system. All of the controls on the front panel, except the Master Volume, will affect the sound.

To use this feature, run an XLR cable from the Balanced Line out to the input of a mixing console, tape machine, etc. This output is also suitable for sending a signal to a house mixer in live situations.

Wiring for the XLR connector is American standard: Pin 1= ground, Pin 2= +, Pin 3= – (minus)

STEREO OPERATION

Complete stereo operation can be achieved using the following procedure:

First, you will need an external power amp and speaker cabinet (powered “slave” enclosures are ideal for this situation). Plug a shielded patch cable from the Line Out CH-1 or Line Out CH-2 jack (your choice) on the back of the California Blonde to the input of the external powered speaker system. This disconnects your chosen Line Out channel from the power amp/speaker system of the California Blonde. The Master Volume and Reverb will affect only the channel you have NOT assigned to the external system. For example, if you have chosen “Line Out CH-1” to send to an external system, only Channel 2 will be present in your California Blonde speaker and therefore controllable by the Master Volume and Reverb. If you send Channel 2 to an external system, the reverse is true. In either case, the volume control on the external system acts as the “Master Volume” control for that side of the stereo system, while the Gain control on the assigned channel acts as the preamp volume control.

The independent effects loops of both channels can now be used for full stereo enhancement. This can be obtained by plugging in a stereo effect such as a chorus, echo, etc. Use the left side of the effect for the Instrument channel (Channel 1) and the right for the Mic/Aux channel (Channel 2). Don’t forget to set the Effects Blend control properly for each side.

LINE OUT CH-1 JACK

This jack works in conjunction with either the Instrument or Stereo inputs. This feature allows you to send the Instrument channel’s signal to an external system. Inserting a cord into this jack DISCONNECTS the signal from the internal power amp, therefore the Master Volume, Reverb and internal speaker system are disabled.

LINE OUT CH-2 JACK

This jack performs the exact same functions for the Mic/Aux Channel (Channel 2) as the “Line Out CH-1” does for the Instrument channel. It works in conjunction with the Balanced Mic In, Aux In or Stereo inputs. When using the California Blonde in true stereo applications, you can now decide what signal is best to send to an externally powered source—Channel 1 or Channel 2.

NOTE: To achieve a “summed” Line Out of Channels 1 and 2, you have three options:

a)Optimal: Use the Balanced XLR Line Out jack. If you need this connection terminated into a 1/4" phone plug, then use either a direct box or a line transformer (XLR female to 1/4" phone plug male).

b)Not Optimal*: Sum both Effects Send jacks into a “Y” cable and send the signal to the desired destination

c)Not Optimal*: Sum the “Line Out CH-1” and “Line Out CH-2” jacks into a “Y” cable and send the signal to the desired destination. If you choose this option, you should know that the signals will not return to the California Blonde unless rout- ed back into the Effects Return jacks. “Y” cords can do funny things to your signal.

6 • CALIFORNIA BLONDE OWNER’S MANUAL

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Contents California Blonde Important Safety Instructions California Blonde Specifications IntroductionFront Panel Features Rear Panel FeaturesCrossover Panel Features Getting StartedPull Phase Function LED Overload O/L IndicatorInstrument Input Stereo InputUsing the Tone Controls Tone Control SectionEffects Blend Tuner OUTMaster Section Send ReceiveBalanced XLR Line OUT Stereo OperationReverb Footswitch POST-REVERB Return JackLine Mains Fuse Line Cord ReceptacleSwrsound.com

California Blonde specifications

The SWR Sound California Blonde is a revered amplifier known for its rich tonal capabilities and reliable performance, especially favored by acoustic musicians and guitarists. This powerful amp is designed to cater to the unique needs of acoustic instruments, making it a popular choice for singer-songwriters, live performers, and studio musicians alike.

At the heart of the California Blonde is its impressive 200-watt power rating, which ensures that players can achieve a robust sound that fills the room without sacrificing clarity. The amp comes equipped with two high-quality speakers that deliver a magnetic blend of warmth and articulation, allowing acoustic guitars and vocals to shine through with remarkable detail.

One of the standout features of the California Blonde is its advanced EQ section. The amp includes a 3-band EQ, which allows musicians to tweak the frequency response and tailor their sound to suit various performance environments. This level of control is essential for acoustic musicians looking to enhance the natural tone of their instruments. Additionally, the amp features a built-in chorus effect that can add depth and dimension to the sound, perfect for lush, layered performances.

The California Blonde also possesses dual channels, enabling users to connect multiple instruments or microphones simultaneously. Each channel features its own gain control and EQ, offering the flexibility to manage different sources effectively and deliver a balanced mix. This is particularly useful for duos or bands that wish to amplify their sound without the need for a complex setup.

Another notable characteristic is the amp's lightweight and portable design. Although it is robust enough for gigging, the California Blonde is easy to transport, making it ideal for musicians on the go. The durable cabinet construction ensures that the amp can withstand the rigors of frequent travel while maintaining its performance integrity.

Overall, the SWR Sound California Blonde is a quintessential amplifier that combines power, versatility, and sonic fidelity. Its thoughtful design and musician-centric features make it a sought-after choice for those looking to elevate their acoustic sound, whether on stage or in the studio. With its ability to produce rich, full tones that honor the acoustic instrument’s natural sound, the California Blonde continues to be a trusted tool for artists across various genres.