Sound Performance Lab EQ MAGIX manual Introduction into Vitalizer

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Introduction into

the VITALIZER ®

The initial settings on the VITALIZER

Switching on the VITALIZER section

1.The PROCESS control

2. The BASS control

3. The MID-HITUNE control

If you are working with a VITALIZER filter network for the very first time, it is advisable to operate the control parameters in a certain order to achieve optimum results as quickly as possible. You should use a mono signal of good quality as a signal source. You can either preamplify it in the INPUT section or feed it directly into the INSERT RETURN, so that the signal goes directly into the PARAMETRIC section.

The picture above shows the initial settings on the EQ MAGIX. First, turn the BASS control to the centre position (»0«); the HARMONICS and the PROCESS control on zero as well (extreme left) and turn the MID-HITUNE control to 3.5 kHz. The -10 dB, DEEP and COMBINE functions are left on Bypass for the time being.

Press the ACTIVE switch. There is no audible change in the sound at this stage.

Slowly move the PROCESS control in from the extreme left. You will find that there is no audible change in the sound until the MIN position (ca. 11 o'clock). That is just how it should be. All frequencies from 3.5 kHz (initial setting MID-HITUNE) are only raised with increasing intensity above this point. First set the PROCESS control at 3 o'clock. The bass range is not yet influenced at this point.

The next step is to shift the BASS control from the zero position to both sides. Watch out for the differing bass sounds nuances, the creation of which is only controlled in that way by the VITALIZER.

Turn to the right: The bass sounds tight and dry.

Turn to the left: The bass sounds soft and round.

You should perform these hearing tests on appropriate »full-range« monitors because near-field monitors normally cannot reproduce the deep bass generated by the VITALIZER in its entirety. Decide on a bass sound of the desired amplitude.

Now start varying MID-HITUNE. The original setting is 3.5 kHz. Turn to the right: The programme material sounds brighter and gets more mids from about 1.5 kHz. The impression you hear is the reverse of the poten-

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Contents N e r ´ s N u a l Sound Performance Laboratory Contents Foreword Introduction Sound Performance LaboratoryIntroduction EQ Magix Concept Sound processing EQ Magix Concept of sound processing in the EQ Magix Installation Inputs & OutputsPower supply Rear panel Connection Examples EQ Magix rear panelControl Elements Input Mic / Line Line -30pBPhase reverse InputMicrophones are used Parametric ActiveParametric Notch SufficientParametric Deleting an Interference Frequency Introduction into Vitalizer Introduction into the Vitalizer VITALIZERs Control elements +10 pB PeakVITALIZERs control elements Deep Mid-Hi Tune Process Harmonics Combine Output 22 Pan PPM Meter FaderSpecifications EQ MagixWarranty Sound Performance Laboratory

EQ MAGIX specifications

Sound Performance Lab has made a significant mark in the world of audio engineering with its EQ MAGIX, an advanced equalizer plug-in designed for professional sound production. Known for its precision and versatility, EQ MAGIX is a valuable tool for music producers, sound designers, and mastering engineers.

One of the standout features of EQ MAGIX is its intuitive user interface, which allows for seamless navigation and efficient workflow. The layout is user-friendly, presenting an array of controls that give users the ability to make precise adjustments to their audio tracks. With a clear visual representation of frequency spectra, users can quickly identify problem areas in their mixes and address them with ease.

At its core, EQ MAGIX employs sophisticated filtering technologies that ensure high-quality sound processing. It offers various filter types, including parametric, low-pass, high-pass, band-pass, and notch filters. This extensive selection enables users to tailor their sound with remarkable accuracy. The parametric filter is particularly noteworthy, allowing for precise frequency adjustments, including bandwidth control, which is essential for making subtle tonal changes.

Another key characteristic of EQ MAGIX is its support for high-resolution audio. It operates at sample rates up to 192 kHz, ensuring that the clarity and detail of your sound are maintained throughout the mixing and mastering process. This high level of audio fidelity is crucial when working in both studio environments and live settings.

The plug-in also features a dynamic EQ mode, which provides users with the ability to adapt the equalization based on the input signal's dynamics. This dynamic processing capability enhances the overall sound quality and enables greater control over how specific frequencies react to varying levels of audio, making it an indispensable tool for achieving professional mixes.

Moreover, EQ MAGIX integrates well with various digital audio workstations (DAWs), allowing for seamless incorporation into existing workflows. Its compatibility with industry-standard platforms ensures that users can easily implement it into their projects without any technical hurdles.

In conclusion, Sound Performance Lab's EQ MAGIX stands out as a robust and versatile equalizer plug-in that caters to the needs of audio professionals. With its intuitive interface, high-quality filtering technologies, dynamic processing capabilities, and high-resolution audio support, EQ MAGIX is an essential tool for anyone looking to elevate their sound production. It epitomizes the merging of functionality and user experience, making it a valuable addition to any audio engineer's toolkit.
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