Sound Performance Lab 2383 manual GainStation

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User’s Guide

	LEAN GAI						SOURCE		LEAN GAI						SOURCE		LEAN GAI						SOURCE		LEAN GAI						SOURCE		LEAN GAI						SOURCE		LEAN GAI						SOURCE		LEAN GAI						SOURCE		LEAN GAI						SOURCE		Made in Germany
	C1921 22 2426N						Hi Z	Mic	C1921 22 2426N						Hi Z	Mic	C1921 22 2426N						Hi Z	Mic	C1921 22 2426N						Hi Z	Mic	C1921 22 2426N						Hi Z	Mic	C1921 22 2426N						Hi Z	Mic	C1921 22 2426N						Hi Z	Mic	C1921 22 2426N						Hi Z	Mic
	18		29						18		29						18		29						18		29						18		29						18		29						18		29						18		29
	16		32						16		32						16		32						16		32						16		32						16		32						16		32						16		32
	15			35 Clip			HI PASS		15			35 Clip			HI PASS		15			35 Clip			HI PASS		15			35 Clip			HI PASS		15			35 Clip			HI PASS		15			35 Clip			HI PASS		15			35 Clip			HI PASS		15			35 Clip			HI PASS
	14			38			HI PASS		14			38			HI PASS		14			38			HI PASS		14			38			HI PASS		14			38			HI PASS		14			38			HI PASS		14			38			HI PASS		14			38			HI PASS
	13			41			Off	50	13			41			Off	50	13			41			Off	50	13			41			Off	50	13			41			Off	50	13			41			Off	50	13			41			Off	50	13			41			Off	50	Class A
	13			41		18		Hz	13			41		18		Hz	13			41		18		Hz	13			41		18		Hz	13			41		18		Hz	13			41		18		Hz	13			41		18		Hz	13			41		18		Hz
	1211		5446						1211		5446						1211		5446						1211		5446						1211		5446						1211		5446						1211		5446						1211		5446
	10	63				9			10	63				9			10	63				9			10	63				9			10	63				9			10	63				9			10	63				9			10	63				9			60-Volt Amplifiers
	UBE GAI						PHASE		UBE GAI						PHASE		UBE GAI						PHASE		UBE GAI						PHASE		UBE GAI						PHASE		UBE GAI						PHASE		UBE GAI						PHASE		UBE GAI						PHASE
Gain	T1216 18 2021N					0	Nor.	Rev.	T1216 18 2021N					0	Nor.	Rev.	T1216 18 2021N					0	Nor.	Rev.	T1216 18 2021N					0	Nor.	Rev.	T1216 18 2021N					0	Nor.	Rev.	T1216 18 2021N					0	Nor.	Rev.	T1216 18 2021N					0	Nor.	Rev.	T1216 18 2021N					0	Nor.	Rev.
	9		22						9		22						9		22						9		22						9		22						9		22						9		22						9		22
	7.5		23						7.5		23						7.5		23						7.5		23						7.5		23						7.5		23						7.5		23						7.5		23
Station	6			24		-30	IMPED. Ω		6			24		-30	IMPED. Ω		6			24		-30	IMPED. Ω		6			24		-30	IMPED. Ω		6			24		-30	IMPED. Ω		6			24		-30	IMPED. Ω		6			24		-30	IMPED. Ω		6			24		-30	IMPED. Ω
	4		24.5				IMPED. Ω		4		24.5				IMPED. Ω		4		24.5				IMPED. Ω		4		24.5				IMPED. Ω		4		24.5				IMPED. Ω		4		24.5				IMPED. Ω		4		24.5				IMPED. Ω		4		24.5				IMPED. Ω
	2.5			25		dB	200 1.2k10k		2.5			25		dB	200 1.2k10k		2.5			25		dB	200 1.2k10k		2.5			25		dB	200 1.2k10k		2.5			25		dB	200 1.2k10k		2.5			25		dB	200 1.2k10k		2.5			25		dB	200 1.2k10k		2.5			25		dB	200 1.2k10k
Discrete High-Gain Preamplifier	1T		25.5						1T		25.5						1T		25.5						1T		25.5						1T		25.5						1T		25.5						1T		25.5						1T		25.5
	Fu	25.8							Fu	25.8							Fu	25.8							Fu	25.8							Fu	25.8							Fu	25.8							Fu	25.8							Fu	25.8							POWER
	etbe+	26							etbe+	26							etbe+	26							etbe+	26							etbe+	26							etbe+	26							etbe+	26							etbe+	26							POWER
	OffOUTPUT						PHANTOM		OffOUTPUT						PHANTOM		OffOUTPUT						PHANTOM		OffOUTPUT						PHANTOM		OffOUTPUT						PHANTOM		OffOUTPUT						PHANTOM		OffOUTPUT						PHANTOM		OffOUTPUT						PHANTOM
Ultra fast wideband	-12-10 -9 -8 -6		-5				48V	Off	-12-10 -9 -8 -6		-5				48V	Off	-12-10 -9 -8 -6		-5				48V	Off	-12-10 -9 -8 -6		-5				48V	Off	-12-10 -9 -8 -6		-5				48V	Off	-12-10 -9 -8 -6		-5				48V	Off	-12-10 -9 -8 -6		-5				48V	Off	-12-10 -9 -8 -6		-5				48V	Off
Input Amplifiers	-14		-5						-14		-5						-14		-5						-14		-5						-14		-5						-14		-5						-14		-5						-14		-5
Input Amplifiers	-16		-2.5						-16		-2.5						-16		-2.5						-16		-2.5						-16		-2.5						-16		-2.5						-16		-2.5						-16		-2.5
	-18			0			LIMITER		-18			0			LIMITER		-18			0			LIMITER		-18			0			LIMITER		-18			0			LIMITER		-18			0			LIMITER		-18			0			LIMITER		-18			0			LIMITER
	-20				2		LIMITER		-20				2		LIMITER		-20				2		LIMITER		-20				2		LIMITER		-20				2		LIMITER		-20				2		LIMITER		-20				2		LIMITER		-20				2		LIMITER
	-22			3.5			Fet	Off Peak	-22			3.5			Fet	Off Peak	-22			3.5			Fet	Off Peak	-22			3.5			Fet	Off Peak	-22			3.5			Fet	Off Peak	-22			3.5			Fet	Off Peak	-22			3.5			Fet	Off Peak	-22			3.5			Fet	Off Peak
	-24			5	1				-24			5	2				-24			5	3				-24			5	4				-24			5	5				-24		5.5	5	6				-24			5	7				-24			5	8
	-25		5.5						-25		5.5						-25		5.5						-25		5.5						-25		5.5						-25		5.5						-25		5.5						-25		5.5						Model
	-26	6							-26	6							-26	6							-26	6							-26	6							-26	6							-26	6							-26	6							Model
		dB								dB								dB								dB								dB								dB								dB								dB							2388

GainStation 8

Model 2383

Eight channel microphone and instrument preamplifier

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Contents GainStation User’s Guide GainStation Contents Input makes all the difference IntroductionMain technical features of the GainStation Introduction Before you begin Rear panel/connections Microphone alternatively also balanced line level signalsOutput INSTRUMENT/LINE Input MIC InputAnalog Outputs 1/2 Control elements Clean GainTube Gain Output LevelSource PhaseHI Pass Phantom IMPED. ΩLimiter LED Level Display PowerOperation Setting levels on the GainStationOperation Limiter Application examples Acoustic instruments/orchestra Vocals/speechAcoustic guitar with pickup Guitar ampsKeyboards/samplers/drum machines Electric BassTube distortions with GainStation Bass drum Drums/snare drumToms OverheadsInside the GainStation TechnologyTechnology Technology External power supply 99.6 dBu Technical speciﬁcationsOptions Dimensions/weightInformation on Lundahl input transformers Warranty Manual GainStation 8, Model

2383 specifications

The Sound Performance Lab 2383 is a remarkable audio processor that has garnered attention for its innovative approach to sound manipulation and enhancement. With a focus on precision and versatility, this device is designed for audio professionals seeking to elevate their mixing and mastering capabilities.

One of the standout features of the SPL 2383 is its dual-channel processing capabilities, allowing users to work on stereo sources with ease. This feature is particularly beneficial for mixing and mastering, as it ensures that both channels can be adjusted and optimized independently while maintaining coherent sound imaging.

At the core of the SPL 2383 is its state-of-the-art analog circuitry. This circuitry is designed to provide a warm, rich sound that is often sought after in professional audio applications. The use of high-quality components ensures minimal distortion and noise, resulting in clear, detailed audio that preserves the integrity of the original recording.

Additionally, the SPL 2383 incorporates advanced digital processing technologies. These technologies offer users the ability to apply various effects such as compression, equalization, and limiting with precision. The intuitive user interface allows for quick adjustments, enabling professionals to focus more on their creative process rather than wrestling with complex controls.

Another significant characteristic of the SPL 2383 is its compatibility with a wide array of audio formats and standards. This versatility is essential in today's fast-paced audio production environment, where different projects may require different workflows. The device is designed to integrate seamlessly into both analog and digital setups, making it an indispensable tool for modern music production.

The SPL 2383 also features a robust build quality, ensuring that it can withstand the rigors of frequent studio use. Its design reflects a commitment to durability without compromising on functionality. The intuitive layout of controls further enhances the user experience, allowing for quick adjustments during live sessions or studio work.

In conclusion, the Sound Performance Lab 2383 is a powerful audio processor that stands out for its combination of analog warmth and digital flexibility. With its dual-channel processing, high-quality components, advanced digital technologies, and exceptional build quality, it represents a significant advancement in audio processing tools. Whether used for mixing, mastering, or live sound applications, the SPL 2383 is a worthy investment for any serious audio professional looking to enhance their sound performance.