Input/Mono, Mic, Line, LO CUT 80Hz

INPUT/MONO

1. MIC

Electronically balanced XLR-type inputs (identical to the ones found on major studio and live sound mixing consoles) for connecting low-impedance microphones. The input stage provides extremely low noise and low hum signal processing at an outstandingly low distortion rate (<0.002% typically) even in the high frequency range. Generally, any type of microphone can be connected as long as its pin assignment is in accordance with the diagram shown aside. Connecting condenser-type microphones is no problem. In that case the connected microphone gets its power supply (+24V) directly from the mixer. So, battery replacement belongs to the past.

Using dynamic and condenser microphones together on these

inputs is generally possible. Nevertheless, please make sure to consider the owner’s manual of the employed microphones. The MIC-inputs are capable of handling levels in the range between -60dBu ... + 11dBu; depending on the setting of the corresponding gain control. Because of their design, which is especially matched for connecting low-impedance microphones as well as their phantom power capability these XLR-inputs are not suitable for the connection of additional mixing consoles, FX-units, keyboard instruments, or other electronic gear. When connecting this kind of equipment, please utilize the LINE-inputs.

2. LINE

Electronically balanced inputs for the connection of electronic instruments, such as keyboards, drum computers, E-guitars and E-basses with an active output, as well as all other high level signal sources, like additional mixers, FX units, CD player, etc. The LINE-inputs have been designed to handle levels in the range between -40dBu … + 30dBu. Connecting balanced or unbalanced signal sources is equally possible using monaural or stereo phone plugs, with their pin-assignment matching the diagram. If the device that is going to be connected is furnished with a balanced output stage, using balanced cables with stereo phone plugs is certainly preferable. This type of connection is greatly insensitive to the induction of external noise or HF interference.

Do not connect signal sources to a channel’s MIC and the LINE inputs at the same time, since the signals cause mutual interference, which results in level reduction.

When connecting signal sources, please make sure that the corresponding channel faders or at least the master faders are at their minimum settings. This will save yourself, your audience, and the equipment from extensive wear from unpleasant plug-in noise.

3. LO CUT 80Hz

The LO CUT-switch allows muting frequen- cies below 80 Hz by 18dB per octave. Especially for microphone applications using the LO CUT filter is good advice, since it efficiently suppresses popping so- unds and rumbling noise as well as low-fre- quency feedback. Additionally, in most cases activating the LO CUT filter allows boosting the bass, without having the un- wanted “booming”.

ENTERTAINMENT SYSTEM, MP7 specifications

The Dynacord MP7 is a versatile entertainment system designed for professional audio applications, offering a wide array of features and technologies to meet the demands of modern sound reinforcement and mixing. With a strong emphasis on portability and power, the MP7 is suitable for live events, installations, and mobile applications.

One of the standout features of the Dynacord MP7 is its high-quality sound performance. Equipped with advanced digital signal processing (DSP), the system ensures pristine audio clarity, making it ideal for both speech and music. The onboard DSP allows for various effects such as reverb, delay, and equalization, which can be customized based on the venue's acoustics and specific requirements. This flexibility enables sound engineers to achieve the perfect mix, regardless of the environment.

The MP7's robust construction is another key characteristic that sets it apart. Built to withstand the rigors of touring and live performances, the system features durable components and an intuitive layout. The user-friendly interface includes well-placed knobs, faders, and buttons, allowing operators to make quick adjustments during performances without hassle.

Connectivity is another vital aspect of the Dynacord MP7. The system offers multiple input channels, including XLR, TRS, and RCA connectors, accommodating a variety of audio sources. This versatility makes it easy to integrate microphones, instruments, and playback devices. Furthermore, the MP7 supports both analog and digital connections, ensuring compatibility with a wide range of equipment.

One of the innovative technologies incorporated into the MP7 is its networking capabilities. The system allows for easy integration into larger audio setups, enabling seamless communication with other devices over Ethernet. This feature not only simplifies the setup process but also enhances scalability, making the MP7 an excellent choice for larger events and installations.

Moreover, the Dynacord MP7 comes equipped with powerful amplification, providing ample output power to drive various speaker configurations. This punchy amplification ensures that even in large venues, sound is distributed evenly, allowing for an immersive audio experience.

In conclusion, the Dynacord MP7 entertainment system combines high-quality audio performance, robust construction, versatile connectivity, and cutting-edge technology. Whether for a live concert, corporate event, or permanent installation, the MP7 stands out as a reliable and powerful audio solution that can adapt to the evolving needs of sound professionals.