Miranda Camera Co JAZZ-800 manual Applications, Up-/Down-conversion, Frame-rate Conversion

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GUIDE TO INSTALLATION AND OPERATION

1.3Applications

Up-/Down-conversion

In situations where the highest image quality up- or down-conversion is necessary, Miranda’s JAZZ-800 uses proprietary PixelMotion™ De-interlacing, 3:2 Detection, and Detail Enhancement combined with a powerful array processing module, provides the best image solution.

The first step in the conversion process is to identify whether the input material is video or film originated. The identification process happens in a fully automatic mode and selects either PixelMotion De-interlacing for video based material or 3:2 Detection for film based material. The goal is to apply the appropriate filter in order to recover the full vertical resolution of the input material.

PixelMotion de-interlacing produces perfect progressive frames in preparation for further processing. The processing aperture is adjusted on a pixel-by-pixel basis, which preserves all of the detail of the original interlaced image. Additionally, the filter eliminates “jaggies” in the output image, providing well-defined edges on objects and producing the sharpest images possible.

3:2 Detection recognizes the redundant fields inserted by the telecine during the conversion of film to video. This advanced 3:2 pull-down filter avoids frame rate conversion artifacts and provides the highest vertical resolution and motion quality.

Since the quality of the video de-interlacing is so high, there will be no difference visible in the vertical resolution seen with film originated material and that of the de-interlaced video originated material.

Once the image has been de-interlaced and up-converted, Detail Enhancement can be applied to the image to further sharpen and enhance the output. This filter adds an additional level of image quality by helping to better define the detail in the up-converted image. This is achieved by detecting the edges of objects and adjusting the contrast ratio around those objects to help separate them from the background.

Frame-rate Conversion

Moving images exist in three dimensions. Firstly, in the horizontal direction, images are made up of individual pixels. Secondly, in the vertical direction, they are made up of the lines contained in the field or frame. The combination is referred to as the spatial domain. Thirdly, the motion image is composed of a number of fields or frames per second, which is referred to as the temporal domain.

The process of frame-rate, or standards, conversion is a form of sample rate conversion in two or three of the above dimensions. It consists of expressing moving images sampled on one three-dimensional sampling lattice to a different three-dimensional lattice.

A process called interpolation is used to convert between these various spaces. Interpolation is defined as computing the value of a sample, or samples, which lie outside the sampling matrix of the source signal. In other words, it is the process of computing the values of output samples that lie between the input samples.

Per-pixel processing allows the processing aperture to be adjusted on a pixel-by-pixel basis, which preserves all of the detail of the original image.

6 JAZZ-800

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Contents JAZZ-800 How to contact us Safety Compliance InformationElectromagnetic Compatibility Table of Contents System Messages 101 Introduction FeaturesJAZZ-800 Applications Overview Block DiagramFilters and Algorithms Supported Format Conversions Input OutputSingle Channel Configurations 1 in Æ 1 out PackagesChannel Configuration Upgrades OptionsUp-/Down-conversion ApplicationsFrame-rate Conversion Frame Synchronizing Servicing Installation Getting assistance with the JAZZ-800Quick Start Unpacking the JAZZ-800Guide to Installation and Operation Attaching the Control Panel Control Panel Control Panel Logic Control Panel LED Color CodeRear Panel Setup Detail Enhance & Sharpness Rear Panel From Left to Right Standard ConnectionsDigital Video Input/Output & Reference Input Analog Component Pr/R Output Remote Control Full Local Control FullControl Panel Interfaces Control Panel Logic Color CodeInput/Output Section InputOutput Video Select Section Format / Frame-rate Select Section PSF Button Not functional / Future expansion Aspect Section VAR Button Not functional / Future expansion Audio Select Section Graphical User Interface GUI and Menu Controls Section Vid Proc Video Processing Section Guide to Installation and Operation Logo / Presets Section Audio Active & System Status Section USB LED Not functional / Future expansion Panel Section Blue OffMenutree Main MenuVideo Menu Input Not functional / Future expansionProc Amp Menu Proc Amp Menu Proc Amp Menu Proc Amp Menu Enhance SharpnessAspect Ratio Menu Aspect Ratio Menu Aspect Ratio Menu Zoom/Crop Test Generator Menu Test Generator Menu Test Generator Menu Test Generator Menu Audio Menu Audio Level Adjustment All Channels Audio Level MenuAudio Level Adjustment by Audio Groups Audio Level Adjustment by Audio Pairs Audio Level Adjustment by Audio Channels Audio Level Adjustment by Audio Channels Audio Level Adjustment by Audio Channels Audio Phase Menu Audio Phase Adjustment All ChannelsAudio Phase Adjustment by Audio Groups Audio Phase Adjustment by Audio Pairs Audio Phase Adjustment by Audio Channels Audio Phase Adjustment by Audio Channels Audio Phase Adjustment by Audio Channels Audio Delay Menu Audio Delay Menu Audio Delay Menu Audio Test Menu Audio Test Tone All ChannelsAudio Test Tone by Audio Groups Audio Test Tones by Audio Pairs Audio Test Tones by Audio Channels Audio Test Tones by Audio Channels Audio Test Tones by Audio Channels Advanced Menu Noise Reduction Menu Noise Reduction Menu Noise Reduction Menu Source Menu Aperture Menu Preset Menu PRESET1 PRESET2 PRESET3 PRESET4 PRESET5 PRESET6Preset Menu Configuration Set-up MenuExternal Reference 1 Menu External Reference 1 Menu External Reference 1 Menu External Reference 1 Menu External Reference 1 Menu External Reference 1 Menu External Reference 2 Menu Ancillary Data Menu Timecode Menu TC GEN Not functional / Future expansionClosed Caption Menu HD OUT DET FLDClosed Caption Menu Closed Caption Menu Setup Menu Key License Key Menu Remote IP Address Menu IP Address Menu Subnet Not functional / Future expansionIP Address Menu Control Panel IP Address Menu Control Panel IP Address Menu System Messages System Messages Non-critical AlertsSystem Message Critical Alerts Guide to Installation and Operation Reference Input SD- & HD-SDI InputSD- & HD-SDI Output Embedded audioColor space conversions Video Proc AmpEnhance Temporal Recursive Noise Reduction FilterUser Presets Delay10/100-BaseT Ethernet for remote control Redundant Power SupplyAppendix a Cable & Pin-outs Analog Audio I/O Break-Out CableAES Audio I/O Break-Out Cable Balanced AES Audio I/O Cable Unbalanced BNCAppendix B Preset Files Function Command Comments

JAZZ-800 specifications

The Miranda Camera Co JAZZ-800 is a notable entry in the world of compact film cameras, targeting both photography enthusiasts and casual users alike. Known for its unique blend of style, functionality, and affordability, the JAZZ-800 has captured the attention of many in the film photography community.

One of the main features of the JAZZ-800 is its user-friendly design. The lightweight and compact body makes it easy to carry around, making it an ideal companion for everyday photography. Whether you are taking snapshots of family gatherings or documenting your travels, the JAZZ-800 promises convenience and portability.

The camera is equipped with a quality 38mm f/3.5 lens, allowing photographers to capture sharp images with good depth of field. Its fixed focal length lens offers a focal range that is versatile enough for various shooting conditions, from close-ups to landscapes. The lens also boasts a multi-coated optical design that reduces glare and enhances color fidelity, ensuring that every shot looks vibrant and true to life.

Another standout feature of the JAZZ-800 is its simple point-and-shoot operation, making it accessible for users of all experience levels. The automatic exposure system adjusts to varying light conditions, allowing users to focus on composition rather than technical settings. This automatic feature eliminates the guesswork, letting photographers capture moments quickly and efficiently.

Additionally, the camera includes a built-in flash, which is particularly useful for low-light situations. This integrated flash offers automatic synchronization with the camera's shutter, ensuring properly exposed images even in darker environments. The flash feature is complemented by a range of shooting modes, including portrait and landscape settings, catering to various photographic needs.

The JAZZ-800 supports standard 35mm film, which is readily available and affordable, making it an accessible option for those looking to explore film photography. The camera's durable construction and reliable performance also make it a great choice for beginners looking to learn the ropes of shooting on film.

In summary, the Miranda Camera Co JAZZ-800 combines ease of use, quality optics, and a compact form factor, making it an excellent choice for both novice and experienced photographers. Whether you’re capturing everyday moments or special occasions, the JAZZ-800 offers the essential features and reliability to bring your vision to life.