Zoom A2.1U manuals
Musical Instruments & Equipment > Music Pedal
When we buy new device such as Zoom A2.1U we often through away most of the documentation but the warranty.
Very often issues with Zoom A2.1U begin only after the warranty period ends and you may want to find how to repair it or just do some service work.
Even oftener it is hard to remember what does each function in Music Pedal Zoom A2.1U is responsible for and what options to choose for expected result.
Fortunately you can find all manuals for Music Pedal on our side using links below.
Zoom A2.1U Operation Manual
43 pages 2.05 Mb
2 SAFETY PRECAUTIONS Usage PrecautionsZOOM A2.1u SAFETY PRECAUTIONSCleaning Electrical interference Volume Usage PrecautionsAlterations Handling Environment Power requirements Connecting cables and input and output jacks Please keep this manual in a convenient place for future reference. arning Caution 3 Contents The FCC regulation warning (for U.S.A.) 4 Features5 Terms Used in This Manualit and then raise the cover. Edit mode Manual mode Play mode Modes Bank and area Patch Effect parameter Effect type Effect module This section explains some important terms that are used throughout the A2.1u documentation. Operating the A2.1u on batteriesTurn the A2.1u over and open the cover of the battery compartment on the bottom. Insert four fresh IEC R6 (size AA) batteries. Close the cover of the battery compartment. Push the cover in until the latch audibly snaps into place. 6 Controls and Functions / Connections Selecting a PatchSet the A2.1u to play mode 8 A1Turn power on Select a patch 9 Adjust tone and volume Directly selecting a bankTo select the banks A d, 0 3 directly, use the BANK [-]/[+] keys. 10 A8 Patch change at bypass/mute Using the Tuner B P MTSwitch to bypass or muteSetting the A2.1u to the bypass condition Setting the A2.1u to the mute condition Play the string to tunePlay the open string to tune, and adjust the pitch. 11 A84 0 42 13 2 52040Adjust the rhythm volume Adjust the tempo Stop the rhythm Editing a Patch 14 M DSelect the effect module To switch an effect module on and off 15 5 5 S CTerminate the edit mode Change the parameter value Select the effect type Storing/Copying Patches 16 A 0D 0 17 D 4D4 18 Using the Built-in Expression Pedal Select the patch for which the expression pedal is to be usedThe respective selection is indicated as follows. All LEDs are out VOLUME TONE COMP/LIMIT, MOD/EFX, DELAY/REVERB FEEDBACK FREQ Select the element to be controlled by the expression pedal 19 Operate the pedal Store the patch as necessary To switch a module on or off Using the Feedback Control 20 3 0 Set the Module selector to "GLOBAL". feedback control Manual operation of Automatic detection of 21 SC feedback frequency Using the built-in expression pedal to operate the 22 3 025 DN26 interface for a computer Using the A2.1u as audio 27 A2.1uA2.1u Record A2.1u Playback Use as a direct box 28 A LStarting the A2.1u in HI- GAIN mode Restoring Factory Defaults 29 Linking EffectsGLOBAL module CONTROL module and 30 Effect Types and Parameters Effect module HOLD TAPEffect parameters 1 3 Effect type Expression pedal Tap Hold Module selector How to read the parameter table 31 MODELTP MODEL moduleMD G MA GR TC OV NY MC DB NT RE 32 GAIN TYPELO PARAMETRIC EQ (Low Parametric EQ) LP LE LO EQ module LO EQTHRESHOLD LM CP COMP/LIMIT (Compressor/Limiter) module COMP/LIMITPOSITION MIC TYPE Simulates the sound that is recorded by microphone. You can select the mic type and position. MC MIC 33 CHORUS ENSEMBLE CE SC CHComprises modulation and delay effects such as chorus, wah, delay, and echo. THRESHOLD MOD/EFX (Modulation/Effects) module MOD/EFXZNR (ZOOM Noise Reduction) nrThis module serves for reducing noise during playing pauses. ZNR (ZOOM Noise Reduction) module ZNRGAIN TYPEHI PARAMETRIC EQ (High Parametric EQ) HP HE HI EQ module HI EQ HE HP NR CH SC CE rd tE dLDIRECT LEVEL RESONATOR LEVEL rSAdjusts the modulation resonance intensity. RESONANCE FL Ar 34 ARFL RS DL TE RD 35 DELAY/REVERBDT PH AW TR ST HL RM SP AR TR 36 MSBS DS ER MD DL EC PD 37 "LOW" LOW HIGH DOWN UP Mn Fb dM dU, dd, dH, dL dH EU, Ed, EH, EL rH tU, td, tH, tL bU CU, Cd, CH, CL tP vL bP FS CT CONTROLCONTROL module MASTER Setting Modulation target Setting Function oF "UP" "DOWN" "HIGH" The operation of modules denoted by (*) changes as follows, according to the letter at right. U D H L GLOBAL 38 Troubleshooting 39 Specifications40 A2.1u Preset PatternNo. NAME KEY EFFECT COMMENT D9Bright sound with clear delay components and an Ovation style edge for solos. OVATION SOLO D8Soft, expressive tremolo sound optimized for acoustic guitar. SOFT TREMOLO D7Psychedelic sound using reverse delay will grow on you. Use it to develop a theme. D6Classic Bebop Jazz sound for when you just can't stop swinging. MINOR SWING D5Let loose with funky cutting and wild pedal work, using the resonator as a pedal wah effect. WAH WAH BOX D4Brilliant trickster sound using a new step technique specially developed for acoustic guitar use. D3 D2Funky sound with auto wah and multi tap takes acoustic guitar to a new level. FUNKY FOLK D1This solid and compact phase tone is the new "allrounder" for acoustic instruments. PHASE TOP D0VARIATIONPowerful acoustic sound familiar from Elvis Presley's Country style hits. ACOUSTIC ELVIS C9 C8 C7The acoustic guitar sound plus the entire ambience of the Beatles' Abbey Road album. HERE COMES C6Whether for slide or fingerpicking, this Ben Harper inspired sound matches various styles. INNOCENT C5 C4Reexperience the translucent sound of Scarborough Fair on Simon & Garfunkel's third album. SCARBOROUGH C3 C2 C1Slide sound such as played by Ry Cooder on the soundtrack of "Paris, Texas" by Wim Wenders. PARIS TEXAS C0 B9 B8 B7Select this stereo chorus & doubling patch and feel the sound waves move in like a wall. CHORUS WALL B6 B5Flanger with a chorus-like feel is great for a wide playing range, from arpeggios to stroking. FLANG B4 B3 B2 B1Beautiful symphonic sound suitable for any playing style. SYMPHONY B0The brass body of the National Reso-Phonic Style "O" produces a more metallic sound than a Dobro. NATIONAL A9 A8 A7 A6 A5 A4 A3 A2Simulation of a Gibson J-200 with its large, impressive body and sound to match. J-200 A1The sound of a Martin D-28, the "gold standard" of acoustic guitars. Dynamic and gorgeous. D-28 A0MODEL CATEGORYCHORUS & REVERB BRIGHT CHORUS STUDIO FLANGER AERIAL BOUNDARIES STEPPING STONES MY BACKWARD FRIENDS 41 A2.1u Patch List42 USB/Cubase LE Startup Guide USB/Cubase LE Startup GuideMacOS X Windows XPCubase LE Installation Connections and Preparations Recording with Cubase LE 43 Windows XP MacOS X
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