Audix DP4a manual Specifications, User Tips, Optional Accessories

SPECIFICATIONS:

	i5	D2	D4	D6	ADX51	SCX1-C /
						SCX1-HC
Application	Snare (top or bottom), toms,	Rack toms, floor	Floor tom, djembe,	Kick drum, floor tom,	Overheads, high-hat,	Overheads, high-hat,
	hand percussion, guitar cabs,	tom, conga	cajon, tumba	djembe, cajon	cymbals, goodie table	acoustic instruments
	acoustic instruments
Features	Protective steel grill, easy	Slight mid-base boost,	Extended low end for	Extended low end for	Accurate reproduction of	Extremely sensitive and
	to set up and use, clean,	excellent transient	larger drums, accurate	larger drums, accurate	high frequency instruments,	highly accurate
	accurate sound	response, big sound	frequency response,	frequency response,	-10 dB pad bass roll-off filter	sound reproduction
			natural sound	natural sound
Transducer Type	Dynamic VLMTM Type B	Dynamic VLMTMType B	Dynamic VLMTM Type D	Dynamic VLMTM Type E	Condenser	Condenser
Frequency Response	50 Hz - 16 kHz	44 Hz - 18 kHz	40 Hz - 18 kHz	30 Hz - 15 kHz	40 Hz - 18 kHz	40 Hz - 20 kHz
Polar Pattern	Cardioid	Hypercardioid	Hypercardioid	Cardioid	Cardioid	Cardioid / Hypercardioid
Output Impedance	150 ohms	250 ohms	200 ohms	200 ohms	100 ohms	200 ohms
Sensitivity @ 1k	1.5 mV / Pa	1.2 mV / Pa	1.4 mV / Pa	0.8 mV / Pa	18.5 mV / Pa	26 mV / Pa / 15 mV / pa
Maximum SPL	≥140 dB	≥144 dB	≥144 dB	≥144 dB	≥136 dB	≥130 dB
Off-axis rejection	>23 dB	>30 dB	>20 dB	>20 dB	>15 dB	>20 dB
Power Requirements	None	None	None	None	9 - 52v phantom	48 - 52v phantom
Housing / Finish	Die Cast Zinc Alloy /	Machined Aluminum /	Machined Aluminum /	Machined Aluminum /	Machined Brass /	Machined Brass /
	Black E-Coat	Black Hard Coat	Black Hard Coat	Black Hard Coat	Black E-Coat	Black E-Coat
Weight	183 g / 6.5 ounces	128 g / 4.5 ounces	128 g / 4.5 ounces	217 g / 7.7 ounces	184 g / 6.5 ounces	114 g / 4 ounces

DP Series

USER TIPS:

The following are some ideas as to how the microphones in the packs interact with each other.

DP4A [1 x i5, 2 x D2s, 1 x D4]: This package is ideal for a jazz set-up or a small combo kit or as general purpose percussion mics for stage or recording. Note that you will need to acquire the DCLAMP or DFLEX in order to attach the mics to hand percussion instruments. The D4, originally slated for kick drum and large toms before the release of the D6, is excellent for small kick drums, particularly in the studio.

Snare and Toms: As a general rule, the i-5 and D2 are meant to be close miked. A good starting point is 2 inches above the rim with the mic pointing towards the center of the head. For more “rim” sound, pull the mic back closer to the rim. For more resonance and depth of field, pull the mic further away from the head. The trick is to find the right balance between resonance and attack while still controlling bleed from the other drums.

DP5A [1 x i5, 2 x D2s, 1 x D4, 1 x D6]: This package is identical to the DP4A with the addition of the D6 kick drum mic, allowing the D4 to be used on floor tom. To position the D6, a good starting point is a few inches inside the port of the front head with the mic pointing off-center and not directly at the beater. For more attack, move the mic closer towards the beater head. For more bass, pull the mic away from the beater head.

DP7 [1 x i5, 2 x D2s, 1 x D4, 1 x D6, 2 x ADX51]: This package is identical to the DP5A with the addition of two ADX51 condensers for overhead miking. With the addition of the overhead mics, you now have the opportunity to create more depth of field and more presence within the mix. You have the choice of using both ADX51s for overheads, or one for high hat and one for overhead.

Both as overheads: The most common positioning concept is to to keep the snare as the focal point and move the mics into various left and right positions equal distance from the snare; 4 feet is a good starting point. For best results, keep the mics in a vertical position, keeping in mind that you are not necessarily just miking the cymbals but the whole kit. You will find after some experimentation that the kick, snare, and overheads will provide most of your sound while the tom mics are used for sweetening.

One for high-hat, one for overhead: The ADX51 for high hat should be placed 2-3 inches above the top cymbal and towards the outside edge. The overhead mic can be placed overhead above the cymbals, generally above the rack toms. In the case where there are more cymbals on one side of the kit than the other, the mic can favor the side with the most cymbals.

DP Elite 8 [1 x i5, 2 x D2s, 1 x D4, 1x D6, 2 x SCX1-C, 1 x SCX1-HC]: This package is also identical to the DP5A with the addition of three SCX series microphones. Included are two SCX1-C condensers for overheads and one SCX1-HC for high-hat. The SCX series microphones are more sensitive than the ADX series, have a lower noise floor and a wider sound field making them excellent for studio as well as live.

Overheads: The same concept applies as described above with the DP7. Again, the SCX1-C is extremely sensitive so do not be afraid to pick up a majority of the sound through the overheads if the stage volume will allow it. High-Hat:The SCX1-HC is also extremely sensitive so be sure the mic is up and away from the area where the cymbals open and close, otherwise the mic will pick up wind noise and sound harsh. Careful positioning will isolate the hi-hat from the rest of the kit and make it easier to feature it in the mix.

***All specifications subject to change without notice.

OPTIONAL ACCESSORIES:

TRIPOD - Tripod mic stand

DFLEX - All purpose percussion clamp

DVICE - Spring loaded rim mount clamp

DCLAMP - Tension rod mic clamp

CBL-20 - 20’ XLR-XLR mic cable

CBL-DR25 - 25’ right angle XLR-XLR mic cable

STAND-KD - Adjustable kick drum mic stand

SERVICE AND WARRANTY:

These microphones are under warranty for a period of 3 years for condensers and 5 years for dynamics from any and all manufacturing defects. Should your microphone fail in any way, please contact the Audix service department at 503-682-6933. A Return Authorization number is required before returning any products.

CARE AND MAINTENANCE:

The DP Series Microphones are manufactured to exacting specs with roadworthy construction. However, the capsules are highly sensitive and should be handled with care. Avoid extreme temperatures and be sure to store your microphone in the case provided when not in use. Moisture of any kind can adversely affect the sound and performance of your microphone.

To register your

product, please visit www.audixusa.com

www.audixusa.com Call: 503-682-6933 Fax: 503-682-7114

Audix Corporation 9400 SW Barber Street, Wilsonville, OR 97070