Behringer 1002, 1202, 802 3. Installation, 4. Specifications, 3.1 Mains connection, 3.2 Audio connections, Mono inputs, Equalizer

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3. Installation

3.1 Mains connection

AC POWER IN

Connect the power supply to the 3-pin mains connector on the rear of the console. Use the AC adapter supplied to connect the console to the mains. The adapter complies with all applicable safety standards.

◊Please use only the power supply unit provided with the console.

◊Never connect the XENYX to the power supply unit while the latter is connected to the mains! First connect the console to the power supply unit, then connect the power supply unit to the mains.

◊Please note that both the power supply unit and the mixing console heat up considerably during operation. This is completely normal.

3.2 Audio connections

You will need a large number of cables for different applications. The illustrations below show how the connectors should be wired. Be sure to use only high-grade cables.

Please use commercial RCA cables to connect the 2-track inputs and outputs.

You can, of course, also connect unbalanced devices to the balanced inputs/outputs. To do this, use either mono plugs or stereo plugs with the ring and sleeve bridged (pins 1 and 3 in the case of XLR connectors).

◊Caution! Never use unbalanced XLR connectors (PIN 1 and 3 connected) on the MIC input connectors when using the phantom power supply.

input

XENYX 502/802/1002/1202 User Manual

Strain relief clamp

Sleeve

Tip

Sleeve (ground/shield)

Tip

(signal)

Unbalanced ¼" TS connectorFig. 3.2: ¼" mono plug

strain relief clamp

sleeve ring tip

sleeve ground/shield

ring

cold (-ve)

tip

hot (+ve)

For connection of balanced and unbalanced plugs, ring and sleeve have to be bridged at the stereo plug.

XENYX 502/802/1002/1202 User Manual

strain relief clamp

sleeve ring tip

sleeve ground/shield

ring

right signal

tip

left signal

1/4" TRS headphones connectorFig. 3.4: Stereo plug for headphones connection

4. Specifications

Mono inputs

Microphone inputs (XENYX Mic preamp)

	Type	XLR connector, electronically
		balanced, discrete input circuit
Mic E.I.N.1(20 Hz - 20 kHz)
	@ 0 Ω source resistance	-134 dB / 135.7 dB A-weighted
	@ 50 Ω source resistance	-131 dB / 133.3 dB A-weighted
	@ 150 Ω source resistance	-129 dB / 130.5 dB A-weighted
Frequency response
	<10 Hz - 150 kHz	-1 dB
	<10 Hz - 200 kHz	-3 dB
	Gain range	+10 dB to +60 dB
	Max. input level	+12 dBu @ +10 dB GAIN
	Impedance	approx. 2.6 kΩ balanced
	Signal-to-noise ratio	110 dB / 112 dB A-weighted
		(0 dBu In @ +22 dB GAIN)
	Distortion (THD+N)	0.005 % / 0.004 % A-weighted
Line input
	Type	¼" TRS jack, electronically
		balanced
	Impedance	approx. 20 kΩ balanced, approx.
		10 kΩ unbalanced
	Gain range	-10 dB to +40 dB
	Max. input level	+22 dBu @ 0 dB GAIN
Fade-out attenuation2(Crosstalk attenuation)
	Main fader closed	90 dB
	Channel muted	89.5 dB
	Channel fader muted	89 dB
Frequency response (Mic In → Main Out)

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	Balanced 1/4" TRS connector
2	1
3	Fig. 3.3: ¼" stereo plug

1 = ground/shield

2 = hot (+ve)

3 = cold (-ve)

output

For unbalanced use, pin 1 and pin 3 have to be bridged

Balanced use with XLR connectorsFig. 3.1: XLR connections

	<10 Hz - 90 kHz	+0 dB / -1 dB
	<10 Hz - 160 kHz	+0 dB / -3 dB
Stereo inputs
	Type	¼" TRS jack, electronically
		balanced
	Impedance	approx. 20 kΩ
	Max. input level	+22 dBu

Equalizer

EQ mono channels

	LOW	80 Hz / ±15 dB
	MID	2.5 kHz / ±15 dB
	HIGH	12 kHz / ±15 dB
EQ stereo channels
	LOW	80 Hz / ±15 dB
	MID	2.5 kHz / ±15 dB
	HIGH	12 kHz / ±15 dB