[27]
[25]
[26]
[24]
Use this 5-digit LED meter to control the output level of the monitor signal. The upper LIM LED illuminates when the internal amp protection circuit responds to output levels that are too high.
The MAIN MASTER control is used to adjust the main output volume.
Use this 5-digit LED meter to control the output level of the main signal. The PMP980S/PMP1280S has two rows of LED meters (L/R), because the signal is stereo. The upper LIM LED illuminates when the internal amp protection circuit responds to output levels that are too high.
+48V phantom power is provided for condenser micro- phones. The phantom power supply is activated for all channels with the PHANTOM switch and the PHANTOM LED above the switch illuminates.
[28] Use the POWER AMP switch to determine the operating mode of your power mixer.
The PMP980S/PMP1280S has three different operating modes: In MAIN L/MAIN R mode it functions as a stereo amplifier, i.e. the left and right main stereo signals are sent to OUTPUT A (L) and OUTPUT B (R). In MON/MONO mode it functions as a dual mono amplifier, i. e. OUTPUT A sends the monitor signal, and OUTPUT B the main signal (mono). In BRIDGE AMP MODE the output power of outputs A and B are added and provided at OUTPUT B. The PMP960M also has three operating modes, since it can be operated in two modes with the switch in its upper position (MAIN/MAIN (BRIDGE) mode), depending on the pin connec- tions of the speaker cables. In MAIN/MAIN (BRIDGE) mode power of both outputs is added and provided at OUTPUT B (Locking cable, pins 1+/2+). With the normal pin connections (Locking cable, pins 1+/1-) a main signal is provided in this mode at OUTPUT A and B (not bridged). In MON/MAIN mode, the mixer can also be used as a dual mono amplifier, i.e. OUTPUT A provides the monitor signal, while the main signal is present at OUTPUT B.
Please refer to (44) and (45) as well as chapter 4.4 “Loud- speaker connectors”.
6

ENGLISH

◊In BRIDGE mode, always connect only one loudspeaker with an impedance of at least 8 Ω to OUTPUT B (pins

1+/2+)! Please note that OUTPUT A must NEVER be used in

BRIDGE mode (with pin connections 1+/2+)!

◊In all other operating modes, the minimum impedance of

the speaker connected must not fall below 4 Ω.

[29]Use the SPEAKER PROCESSING switch to activate a filter that adapts the mixer to the specifications of your loudspeakers. If the speakers have a limited frequency response in the bass range, it allows you to adapt it optimally to the frequency response of the speakers.

EUROPOWER PMP960M/PMP980S/PMP1280S User Manual

[30]If STANDBY is pressed, all input channels are muted. During breaks you can thus prevent the microphones from picking up noise or interference, which would then be reproduced by the P.A. system. The advantage is that all faders can be left untouched while you play a CD via the CD/TAPE inputs (see (35)). There is also no need to move down the faders of muted channels and lose your mix.

2.3.1 Connectors

[31]The FOOTSWITCH connector is for a standard footswitch. You can activate an “effect bypass” that mutes the effects processor. Please use a dual footswitch for the PMP980S/ PMP1280S, so that you can enable/disable FX1 and FX2 independently of each other. In this case, the tip of the ¼" plug controls FX1, and the ring FX2.

[32]The FX OUT connector is used to route the FX SEND signal from the input channels, for example, to the input of an external effects processor. The PMP980S/PMP1280S has two FX controls per input signal (see {5}) and also two FX OUT connectors (FX OUT 1 and FX OUT 2).

◊Please note: When you connect a mono plug to one of the

FX OUT jacks, the signal path from the respective FX send to the built-in effects processor is interrupted. For each FX send you can either use the built-in effect or the cor- responding FX OUT jack (for an external effect), but never both at the same time. When you use a stereo plug (tip and ring interconnected) you can use the built-in effects proces- sor and the FX OUT jacks in parallel.

[33]Use the AUX IN ¼" inputs to route an external stereo signal to the main mix. This can be the signal generated by an external effects processor. Use the left input for mono signals, which are then reproduced on both stereo sides. The PMP960M has only one mono AUX IN connector.

[34]The AUX IN control adjusts the volume of the external signal in the main mix.

[35]The CD/TAPE IN RCA input allows you to feed in external stereo signals, e.g. from a CD player, tape deck or other line-level source.

[36]The VOICE CANCELLER filters vocal-specific frequencies from the CD/TAPE IN signal. This function can be used for karaoke, i.e. you can remove the vocals from a song and then sing along with the music yourself.

[37]The REC OUT (RCA) provides line-level signals from

the power mixer to a DAT recorder, for example. On the PMP980S/PMP1280S the REC OUT signal is stereo and on the PMP960M two identical mono signals are provided.

◊If the REC OUT signal is connected to a recorder whose output signal is returned to the CD/TAPE IN, feedback can occur when you activate the record function. So, discon-

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Behringer PMP980S, PMP1280S user manual Connectors
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PMP980S, PMP1280S specifications

Behringer, a renowned name in audio equipment, offers an impressive lineup of powered mixers, notably the PMP1280S and PMP980S. These versatile mixing consoles are designed to cater to musicians, bands, and live sound engineers who require robust performance and user-friendly features in a compact format.

The Behringer PMP1280S is a powerful 12-channel powered mixer featuring an impressive total power output of 2 x 800 watts. This translates to ample headroom and clarity for live performances, ensuring that sound remains pristine, even at higher volumes. The mixer includes 8 mono channels with 3-band EQs, providing artists with control over their sound while maintaining simplicity. Each channel also features a built-in compressor to smooth out dynamic peaks and ensure a more consistent output. The PMP1280S is equipped with various onboard effects, including reverb, delay, and modulation, making it easier for users to enhance their sound without needing additional equipment.

On the other hand, the PMP980S, a slightly smaller powered mixer, boasts 8 channels and a power output of 2 x 500 watts. It retains many of the features found in the PMP1280S, including the 3-band EQ per channel, but is designed for those who need a more lightweight solution without sacrificing sound quality. This model also comes with built-in effects and a simple layout that makes it accessible for live performances, rehearsals, or presentations.

Both mixers utilize Behringer's proprietary Ultra-low Noise preamps, which are designed to produce high-quality audio while reducing unwanted noise. Moreover, the mixers feature a 24-bit digital effects processor, allowing users to create stunning sonic landscapes in real-time. Connectivity is another strong point, with multiple inputs and outputs, including XLR and TRS options for versatile integration with microphones and instruments.

The redundancy in power supply and thermal protection systems ensures that users can rely on these mixers during critical performances. Whether you're in a small venue or a larger space, both the PMP1280S and PMP980S provide exceptional performance, reliability, and a host of features that make them suitable for various audio applications.

In conclusion, Behringer's PMP1280S and PMP980S exemplify the brand's commitment to delivering professional-grade audio solutions that meet the diverse demands of modern audio professionals. With their powerful outputs, versatile effects, and high-quality components, these mixers are excellent choices for anyone looking to elevate their sound experience.
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