Large Format Mixers

XENYX XL3200 XL2400/XL1600

XENYX — Premium 16/24/32-Input 4-Bus Live Mixer with XENYX Mic Preamps and British EQs

Ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications

8 (XL1600)/16 (XL2400)/24 (XL3200) Mono channels each feature:

•State-of-the-art XENYX Mic Preamps

•Neo-classic “British” 4-band EQs

4 stereo channels each feature:

•Line inputs with ultra-high RFI suppression designed for live application

•4-band shelving-type EQ

•Switchable to Mic input

4 Subgroup outputs with inserts plus

2 independent main outputs with inserts on Main A

Mute, Solo, Subgroup and Main routing switches on all channels

2 multi-functional stereo FX returns with comprehensive routing options

2 Headphone and Speaker outputs with selectable Main/CD/Tape inputs

Solo-In-Place with PFL/AFL function

Full featured Talkback function with XLR input and Level control is assignable to Mon/Aux/Group/Main

Introducing a bold new line of live sound mixers that combine professional features, dramatic styling and astounding value. XL Series’ intuitive layout and color-coded control interface is designed to make them easier to use. We’ve added the features you’ve been asking for and then some more. And of course the XL3200, XL2400 and XL1600 are build around our proven XENYX high-headroom, low noise mic preamps and warm, musical EQ.

The Ins and Outs

Some manufacturers can be sneaky when they tell you how many inputs their mixers have, counting features like CD/TAPE IN as an input. But the XL series really gives you 8 (XL1600), 16 (XL2400) and 24 (XL3200) mono channels and four stereo channels (with two ¼" inputs apiece—an additional 8 line-level inputs

(which can also be used for 4 additional mono mic channels), making it easy to accommodate a wide variety of live performance configurations. Depending on which XL mixer you choose, that means you can connect up to 8, 16 or 24 microphones (or other mono instruments) and up to four stereo instruments (keyboards, for example). You also get four buses, allowing you to assign multiple channels—say all the mics on a drum kit or all the backup singers’ mics—to a single fader.

Best of all, you don’t need a black belt in engineering to operate the XL series.

To get started, assign all mics and instruments to their channels by connecting them to the corresponding jacks on the back panel. Now, get ready to quickly become acquainted with the XL series’ incredibly user-friendly design.

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