Shooting Modes
The camera automatically selects settings.
Auto
Manual
Allows you to select settings yourself, such as the exposure compensation, white balance, my colors or ISO speed.
Super Macro
You can shoot closer to the subject and display the subject larger than in the Macro Mode (p. 15). Distance from the lens (at maximum wide angle) to the subject is within 0 – 10 cm (0 – 3.9 in.).
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| See the Advanced Guide (p. 34). |
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| Color |
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| Color Swap | |||||||||
Manual |
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| Accent | Use this option | |||||||||||
Use this option to | to transform a | ||||||||||||||||
| have only the color | color specified in | |||||||||||||||
| the LCD monitor | ||||||||||||||||
| specified in the | ||||||||||||||||
| into another. | ||||||||||||||||
| LCD monitor remain and to transform | ||||||||||||||||
| all others to black and white. |
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| See the Advanced Guide (p. 62). |
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| See the Advanced Guide (p. 61). |
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| Stitch Assist |
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| Allows you to shoot overlapping images that can later | ||||||||||||||||
| be merged (stitched) to create one panoramic image | ||||||||||||||||
| on a computer. |
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| See the Advanced Guide (p. 44). |
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| Portrait |
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| Night | |||||||||
| Produces a soft |
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| Snapshot | |||||||||||||
| effect when | Allows you to | |||||||||||||||
| photographing | ||||||||||||||||
| take snapshots of | ||||||||||||||||
| people. | ||||||||||||||||
| people against | ||||||||||||||||
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| twilight or night backgrounds by | ||||||
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| reducing the effects of camera | ||||||
Special |
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| shake even without using a tripod. | ||||||
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| Indoor |
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| Foliage | ||||||||||
Scene |
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| Prevents camera | Shoots trees and | |||||||||||||||
| shake and | ||||||||||||||||
| maintains the | new growth, | |||||||||||||||
| subject's true | autumn leaves or | |||||||||||||||
| color when | ||||||||||||||||
| shooting under fluorescent or | vivid colors. | |||||||||||||||
| tungsten lighting. |
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Shooting
13