BX-220H / BX-2115 ThunderBass Amplifier
The Front Panel:
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I N P U T |
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| E Q U A L I Z A T I O N |
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| M A S T E R |
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| C H O R U S |
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| LINE OUT |
| EFFECTS |
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| SPECTRUM | DEPTH |
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INPUT |
| GAIN | INCREASE |
| CONTOUR |
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| MASTER |
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| BLEND |
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4 | 5 | 6 | GAIN |
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| 9 | CHORUS |
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| 10 | ON/ OFF |
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| GAIN |
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| FULL | 500 |
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| – 15dB |
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| CONTOUR | 40 | 100 | 225 | 625 1.6k | 4k | 8k | 16k |
| LIMIT |
| POST/PRE |
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| ON/OFF |
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| HEADPHONES |
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1.INPUT: Connect your bass to the amplifier here.
2.GAIN: Use this control to properly match the output of your bass to the amplifier. With the amp’s Master level control at “0”, begin playing your bass as you normally would. Watch the adjacent LEDs (#4) as you turn up the Gain con- trol: the proper setting for the Gain con- trol is the one where the “OK” LED lights most often while playing. If the “Decrease Gain” LED stays lit even with the Gain control turned down low, press in the
3.
4.LEDs: These three LEDs are your guide to properly setting the Gain con- trol. Follow the steps given for the Gain control (#2) until the “OK” LED lights most often while you play.
5.CONTOUR: This control allows you to make additional changes to your tone and is active only when the Contour On/Off switch (#6) is pressed in. As the “wave” icons indicate you can enhance both the lows and highs at the same time, or add mid punch.
6.CONTOUR ON/OFF: Use this switch to engage the contour circuitry. With the switch pressed in, the Contour control (#5) is active.
7.EQUALIZATION: This
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tailor your tone. Each slider controls the frequency indicated directly below it and offers a cut or boost of 10dB at various frequencies from 40Hz to 16kHz
8.MASTER LEVEL: Use this control to set the output level of the amplifier. This controls the signal level at the Speaker Output jacks (#24), as well as the Preamp Out jack (#22).
9.LIMIT: The amplifier employs Crate’s APM Automatic Power Maximizer protection circuitry to keep the output
10.LINE OUT LEVEL: This controls the level of the signal at the Balanced Line Out jack (#25). You may also use this output (or the headphone jack, #14) to run a signal to a tuner.
11.POST/PRE : This switch selects the tap point for the signal at the Balanced Line Out jack. With the switch out, the signal is tapped before the eq, contour and effects loop (“pre”). With the switch pressed in, the signal is tapped after the eq, contour and effects loop (“post”).
12.EFFECTS BLEND: This control proportions the amount of effect added to the signal going to the power amp stage. At the “0” position the signal is “dry” (no effect added); as you bring the control towards “10” the amount of effect applied increases. (“5” is a 50/50 blend of dry signal and effects.)
13.HEADPHONES LEVEL: This con- trol adjusts the signal level at the Headphones jack (#14).
14.HEADPHONES: Plug a pair of stereo headphones in here for private lis- tening. The signal at this jack is post Gain and post EQ. The level of the signal here is determined by the setting of the Headphones Level control (#13). Using headphones does not disable the speak- er outputs or the internal speaker (BX- 2115). You may also use this output (or the line out jack, #25) to run a signal to a tuner.
15-19, Chorus Section, BX-2115/2115L Only
15.CHORUS ON/OFF: This switch turns the Chorus section on when pressed in, off when switched out.
16.SPECTRUM: This control allows you to adjust which frequencies (from the entire range to only above 500Hz) are enhanced by the chorus effect. The further to the left (toward “Full”) you turn the control the broader the spec- trum of the chorus effect.
17.DEPTH: This control sets the amount of chorus enhancement: towards “0” for less, towards “10” for more.
18.RATE: This control sets the speed for the chorus effect: towards “0” for slower, towards “10” for faster.
19.ACTIVE: This LED lights when the chorus effect is engaged. The LED puls- es in relation to the rate of the chorus.
20.POWER: This