OUTPUT LEVEL (dB)

+20

+15

+10

+5

0

-5

-10

-15

1:1 Unity

RED

Above Threshold

2:1

4:1

20:1

:1

Rotation Point Threshold

GREEN

Below Threshold

OUTPUT LEVEL (dB)

+20

+15

+10

+5

0

5

10

15

 

 

 

 

 

 

 

1:1

 

 

 

 

 

 

 

2:1

 

 

 

 

 

 

 

4:1

 

 

 

 

 

 

 

:1

 

 

 

 

 

 

R

RED

 

 

 

 

 

 

 

 

 

 

 

 

E

 

 

 

 

 

B

 

Above Threshold

 

 

 

 

M

 

 

 

 

 

 

A

 

 

 

 

 

E

E

N

 

OverEasy Range

 

R

 

 

 

 

 

 

 

 

 

 

G

 

 

 

 

 

 

 

 

 

 

 

 

 

Below Threshold

-15 -10 -5 0 +5 +10 +15 +20

15 10 5 0 +5 +10 +15 +20

INPUT LEVEL (dB)

INPUT LEVEL (dB)

Figure 3: Hard Knee and OverEasy® Compression Curves

RATIO control:

This control selects the ratio between input and the output levels for signals above the level set by the Threshold control. It is adjustable between 1:1 (no compression) and infinity:1 (full compression). Note that when OverEasy¨ processing is selected, the ratio slopes gradually from the linear to the compressed region. As the signal exceeds the threshold, the ratio approaches the ratio set by the Ratio control.

ATTACK control:

This control sets the amount of time it takes the 566 to begin compressing a signal once the detector has sensed a signal above the threshold. The attack range is from 3 dB/msec for a tighter and more noticeable compression effect with very little overshoot to .04 dB/msec for a more gradual compres- sion that preserves attack transients. A very fast attack setting will cause the 566 to act like a peak Limiter even though RMS (average level) detection circuitry is used. Slower attack settings cause the 566 to act like an RMS or averaging detecting Compressor/Limiter.

AUTO switch:

This switch overrides both the Attack and Release controls and enables preset program-dependent attack and release times. These times are derived from the characteristics of the input signal and con- tinuously change to match its dynamics. The switch lights indicating the attack and release times are being automatically adjusted in a program-dependent fashion. Enabling the Auto function duplicates the Òclassic dbx soundÓ of the 566Õs forerunners which have become standards in the industry.

RELEASE control:

The Release control sets how fast the compression circuit returns the input to its original level. The release rate is from 250 dB/sec where compression follows the envelope of the program material very tightly to 5 dB/sec for very smooth compression.

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dbx Pro 566 owner manual Ratio control

566 specifications

The dbx Pro 566 is a versatile audio processing unit designed for professional sound engineers and musicians seeking high-quality sound enhancement and comprehensive control over their audio signals. Combining advanced technology with user-friendly features, the dbx Pro 566 has become a staple in both live sound environments and studio settings.

One of the standout features of the dbx Pro 566 is its dual-channel signal processing capability. This allows users to manipulate two audio channels simultaneously, making it an ideal choice for stereo applications. The unit includes a powerful parametric equalizer with multiple frequency bands, enabling precise tonal adjustments. Users can easily tailor their sound to fit various musical styles or venue acoustics, enhancing overall audio clarity.

The dbx Pro 566 also integrates a high-performance compressor that provides dynamic control over audio signals. Its flexible threshold, ratio, attack, and release settings allow for fine-tuning of compression characteristics, ensuring that the audio maintains its natural dynamics while preventing clipping or distortion. This feature is particularly useful in live sound situations where maintaining consistent audio levels is crucial.

Another technology that sets the dbx Pro 566 apart is its built-in de-esser. This dedicated circuit is designed to reduce harsh sibilance in vocal recordings, providing a smoother and more balanced sound. This is essential for vocal performances where clarity is vital, allowing for a more pleasant listening experience.

The dbx Pro 566 also boasts comprehensive metering options, including LED meters for visual feedback on levels and gain reduction. These indicators help users monitor their audio signals effectively, facilitating quick adjustments when necessary. The unit's user-friendly interface ensures that sound engineers can navigate its features without hassle, making it accessible for both beginners and experienced professionals.

In terms of connectivity, the dbx Pro 566 features standard XLR inputs and outputs, ensuring compatibility with a broad range of audio equipment. Its robust build quality and reliability make it suitable for both studio and on-the-road applications, providing longevity in demanding environments.

Overall, the dbx Pro 566 is a powerful audio processor that delivers essential features and advanced technologies needed for modern audio production. Its combination of equalization, compression, and de-essing capabilities makes it an invaluable tool for achieving high-quality sound in various settings. Whether for live performances or studio recordings, the dbx Pro 566 stands out as a top choice for audio professionals.