Frequency Response:

Polar Response:

Microphone Use and Placement

(5 dB per division) 1000 Hz

Please note that micing techniques are a matter of personal preference. These are merely guidelines to assist in the placement of the microphone to gain optimal performance.

Usage

Optimal Placement

Electric Guitar and Bass Guitar Amplifier

Place microphone approximately 1-2" from and at a 90°degree angle to the speaker cone.

 

To reduce boominess, move the microphone off axis to the cone from 90° to 45°, or move

 

mic from center of cone to either edge.

Tom-Toms

On double headed Toms place mic over the top of drum 1-3" and at a 45° angle to the

 

drum surface and 1-2" in from the drum edge. On single headed Toms use above method

 

or place mic inside Tom from underneath at a 90° angle from the center of head, 3-5",

 

away.

Snare Drum

Place mic 1-3" above the heads, 1-2" in from the rim. Aim each mic at the top heads

 

angled down about 45°. If the drum rings, tape deadening material to the head or use

 

damping rings. For more “snare” sound place a 2nd mic underneath aimed up at the

 

bottom of head.

Cymbals

Place microphone one to two feet above the top of cymbals.

High-Hat

Place 5 inches above outside edge at a 45° down angle.

Brass

6-24" away, and on axis with the bell of the instrument.

Acoustic Guitar

Place mic 6-12" from where finger board joins the body.

Instrumental Microphone Standard Placement & Use Guidelines

1. Always point the microphone at the desired source of sound, and away from any unwanted sources.

2.The microphone should be located close to the sound source to minimize interference from other potential sound sources.

3.Use the 3-to-1 rule when using multiple microphones. Place each microphone three times farther from other microphones as from the desired sound source.

4.Minimize over-handling of the microphone to reduce unwanted mechanical noise.

5.Working close to the microphone will increase the bass tone and also provide increased gain-before-feedback.

N/D468 Part Number: 16043008

12000 Portland Avenue South, Burnsville, MN 55337 Phone: 952/884-4051, Fax: 952/884-0043

www.electrovoice.com

© Telex Communications, Inc. 9/2003

Part Number 38109-831 Rev. B

U.S.A. and Canada only. For customer orders, contact Customer Service at:

800/392-3497 Fax: 800/955-6831 Europe, Africa, and Middle East only. For customer orders, contact Customer Service at:

+ 49 9421-706 0 Fax: + 49 9421-706 265 Other International locations. For customer orders, contact Customer Service at:

+ 1 952 884-4051 Fax: + 1 952 736-4212 For warranty repair or service information, contact the Service Repair department at:

800/553-5992 or 402/467-5321

For technical assistance, contact Technical Support at:

800/392-3497 or 952/736-4656 Specifications subject to change without notice.

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Electro-Voice N/D468 technical specifications Frequency Response, Microphone Use and Placement, D468 Part Number
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N/D468 specifications

The Electro-Voice N/D468 is a professional dynamic microphone designed for live sound applications and studio recording, known for its exceptional sound quality and durability. This microphone boasts a range of features that make it a top choice for musicians, vocalists, and sound engineers alike.

One of the standout features of the N/D468 is its frequency response, which has been tailored to capture the nuances of vocals and instruments effectively. It typically ranges from 50 Hz to 18 kHz, allowing it to reproduce a rich and balanced audio spectrum. This makes the microphone suitable for a variety of applications, from singing to instrument amplification. Its ability to handle high sound pressure levels ensures it performs well in loud environments, making it ideal for live performances.

The N/D468 utilizes an innovative neodymium magnet structure, which provides a high output level and improves sensitivity compared to conventional microphones. This neodymium element not only enhances the microphone's performance but also contributes to its lightweight design, making it more comfortable to use for extended periods.

Another significant technology feature of the N/D468 is its advanced internal shock mount system. This design minimizes handling noise and reduces the risk of feedback, ensuring that the microphone only captures the intended sound. This is particularly beneficial in live settings, where unwanted noise can be a distraction.

The microphone’s cardioid pickup pattern further enhances its performance by naturally rejecting sound from the rear and sides. This characteristic is especially useful in on-stage environments, as it helps isolate the desired sound source and minimizes interference from ambient noise or other instruments.

Durability is another hallmark of the N/D468. Encased in a rugged metal housing, it can withstand the rigors of frequent use, making it a reliable tool for performers who expect consistent quality night after night. The built-in pop filter also helps reduce plosive sounds, ensuring clarity and smoothness in vocal recordings.

In essence, the Electro-Voice N/D468 is a versatile dynamic microphone that combines sophisticated technology, user-friendly features, and robust durability. Designed for sound professionals, it excels in both live and studio environments, reaffirming its position as a preferred choice for high-quality audio applications. Whether utilized for capturing powerful vocals or intricate instrument sounds, the N/D468 stands out as a premier option for audio excellence.
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