The | |||||
described in this manual should NEVER be flown. This model is intended primarily for use in mobile installations. A flyable version of the | |||||
Repeated exposure to direct sun will significantly shorten the useful life of the loudspeaker system. Avoid exposing the system to | |||||
the elements whenever possible. Long term exposure to rain, high humidity and/or ultra violet rays will cause premature aging to the speaker | |||||
system. Prolonged use of the | |||||
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| Because of the forces needed to reach high SPL’s at low frequencies, the | ||
FEATURES & BENEFITS | |||||
intense vibrations of the woofers may cause the cabinet to move during a | |||||
• New | performance. When placed on slick surfaces such as polished wood or smooth | ||||
These woofers are optimized for both | tiles, the speaker may move (walk off the stage) during use. Precautions should | ||||
efficiency and low frequency performance | be taken to ensure the speaker system does not fall or slide off a stage or raised | ||||
• New Large format Waveguide - optimized for the longer throw | surface. A high friction surface, like carpeting, works best to prevent this. | ||||
required from a large cabinet. Waveguide provides ideal radiation |
| Make sure cables routed to and from the | |||
impedance to its compression driver (Selenium | any other connected loudspeakers) are secured with great care to prevent | ||||
• New Amplifier! - The new Class H | accidents. Use all normal and necessary means to insure a safe performance! | ||||
deliver 1000 watts of power without sacrificing sound quality or | USING THE | ||||
reliability. |
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• System Equalization | - built into the amplifier to act as the perfect | In order to use the | |||
complement to the system loudspeaker components | placed between the mixer and the power amplifier stages of the respective speakers. | ||||
• Compression circuitry - of high sophistication allows impressive SPLs | This will divide the signal by frequency range, and route the appropriate range of | ||||
while minimizing the | risk | of damage to either the amplifier or | frequencices to the appropriate devices. Our recommendation for a starting point is | ||
100 hz. You can experiment with different frequency settings of the crossover to find | |||||
loudspeakers |
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| what works best for you. Since “the best” setting will depend on a number of factors, | |||
• Cabinet construction - | Legendary | ||||
there is no one correct answer for this question. Those factors influencing the best | |||||
road worthy and professional grade. | |||||
choice of crossover point are: | |||||
• Painted finish - For a lasting appearance the equal to or better than | • | Spectral distribution of the music. | |||
cabinets costing much more |
| • | Relative efficiency of subwoofer vs full range system | ||
• Premium sound quality - With extraordinary output for less money | • | Maximum power available to full range and subwoofer system | |||
than its competitors, the hallmark of | • | Low frequency compression of subwoofer | |||
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| • | Room acoustics | |
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| • | Position of listener(s) | |
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| • | Physical distance(s) from full range to subwoofer | |
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| • | How much bass the DJ likes.... | |
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| Since some of these parameters are not within our control, (especially the last one) the | ||
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| best method is to set the crossover frequency so that both amps tend to go into clipping | ||
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| at about the same time. Otherwise when one will compress, the other will not, and the | ||
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| result will be a level dependent shift in the spectral balance of the music. | ||
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| Keeping your levels set so that the amps go into clipping as infrequently as | |
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| possible will give your speakers, amplifiers and ears a longer life, and is our advice. | ||
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| HEARING DAMAGE | ||
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| AND PROLONGED | ||
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| EXPOSURE TO | ||
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| EXCESSIVE SPL’S | ||
Amplifier Module Precautions | |||||
levels high enough to cause permanent hearing | |||||
Do not attempt to service the | damage to performers, production crews or | ||||
people in the audience. Hearing protection | |||||
Service may be required if and when: |
| devices are recommended for use where long- | |||
• The | |||||
term exposure to high SPLs is not avoidable. | |||||
• A heavy object(s) has/have fallen onto the speaker | |||||
Remember, if it hurts, it is definitely too loud! | |||||
• The cabinet, amp or speaker has been damaged | |||||
• The speakers have been exposed to excessive rain or moisture | Long exposures to high SPLs cause first | ||||
• The cabinet has been dropped hard enough to cause damage | temporary threshold shifts; limiting your ability | ||||
• The amp has failed to turn on and has AC mains power available | to hear the actual loudness and exercise good judgment. Repeated long term exposure to high SPLs can and | ||||
• The amp or speaker(s) does not operate normally or as it should | |||||
WILL CAUSE PERMANENT HEARING LOSSES! | |||||
• Keep your | |||||
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• Do not cover your | Please note the recommended exposure limits (right) in Table | ||||
will likely result in amplifier overheating, triggering the shutdown or failure of the amp. | |||||
• In the unlikely event that the amp is being run so hard and long as to cause it to continually go into protect | limits is available on the US government Occupational Safety and Health (OSHA) website at: www.osha.gov | ||||
mode and shut down, this result can be moderated by employing a fan to blow air (the colder the better) | The table (above) is shown at: |
across the amplifier heat sink fins. If this shutdown is happening without the amber Protect LED coming on, | http://www.osha.gov/pls/oshaweb/owadisp.show_document?p_id=9735&p_table=STANDARDS | 3 | |
or the RED Limit LED coming on often, then this may be a sign of a damaged amplifier. | |||
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