Fender SR-6520PD Patching An Effect Between The Effects Out And The Aux. In, Channel Input

FIGURE 6

PATCHING AN EFFECT BETWEEN THE EFFECTS OUT AND THE AUX. IN.

SR6520PD D S P P O W E R E D M I X E R

MAX.

MAX.

MAX.

MAX.

MAX.

MAX.

63

125

250

500

1K

2K

4K

8K

16K

DELTACOMPTM

POWER

EFF./REV.

EFF./REV.

EFF./REV.

EFF./REV.

EFF./REV.

EFF./REV.

+dB

+dB

12

12

OFF

E L E C T R O N I C S

9

9

6

6

ON

PHANTOM

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

POWER

3

3

DIGITAL REVERB and EFFECTS

HIGH

HIGH

HIGH

HIGH

HIGH

HIGH

0

0

3

3

1-SHORT

6

6

DEFEAT

2

MULTI-TAP

3

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

OFF

9

9

DELAY

MID

MID

MID

MID

MID

MID

TRIPLE HIT

4

REVERB /

ON

12

12

DELAY

DOUBLE HIT

5

DELAY TIME

-dB

-dB

DELAY

6

GRAPHIC EQUALIZER

TAPE ECHO

DELAY + REVERB

7

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

DEFEAT

8-LONG

LOW

LOW

LOW

LOW

LOW

LOW

REVERB

REGENERATION

MAX.

MAX.

MAX.

SPECIAL

REVERB RETURN

REVERB RETURN

AUX. LEVEL

BRIGHT

MAX.

MAX.

MAX.

MAX.

MAX.

MAX.

TO MAIN

TO MONITOR

EFFECTS

SMALL HALL REV.

MON.

MON.

MON.

MON.

MON.

MON.

DARK

REVERSE REVERB	BRIGHT
DELAYS	LARGE HALL REV.
	DARK
GATED REVERB	BRIGHT

SMALL ROOM REV.

DARK

DARK

MAX.

MAX.

MAX.

LARGE PLATE REV.

MAIN

MAIN

MAIN

MAIN

MAIN

MAIN

MAIN

MONITOR

EFF./REV.

BRIGHT

BRIGHT

1

2

3

4

5

6

MASTER

MASTER

SEND LEVEL

LARGE ROOM REV.

DARK

DARK

SMALL PLATE REV.

BRIGHT

MAIN

MONITOR

EFF. OUTPUT

GEQ

GEQ

PWR. AMP

TAPE

TAPE

AUX.

OUTPUT

OUTPUT

REVERB

OUTPUT

INPUT

INPUT

INPUT

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

FOOTSWITCH

SYSTEM PATCH BAY

INPUTS OUTPUTS

EFFECTS OUT

AUX. IN

INPUT OUTPUT

EFFECTS

FIGURE 7

PATCHING AN EFFECT BETWEEN THE EFFECTS OUT AND CHANNEL INPUT.

IMPORTANT: EFFECTS/REVERB

TURNED ALL THE WAY DOWN (OFF).

SR6520PD D S P P O W E R E D M I X E R

MAX.

MAX.

MAX.

MAX.

MAX.

MAX.

63

125

250

500

1K

2K

4K

8K

16K

DELTACOMPTM

POWER

EFF./REV.

EFF./REV.

EFF./REV.

EFF./REV.

EFF./REV.

EFF./REV.

+dB

+dB

12

12

OFF

E L E C T R O N I C S

9

9

6

6

ON

PHANTOM

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

POWER

3

3

DIGITAL REVERB and EFFECTS

HIGH

HIGH

HIGH

HIGH

HIGH

HIGH

0

0

3

3

1-SHORT

6

6

DEFEAT

2

MULTI-TAP

3

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

OFF

9

9

DELAY

MID

MID

MID

MID

MID

MID

12

12

TRIPLE HIT

4

REVERB /

ON

DOUBLE HIT

5

DELAY TIME

-dB

-dB

DELAY

6

GRAPHIC EQUALIZER

TAPE ECHO

DELAY + REVERB

7

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

DEFEAT

8-LONG

LOW

LOW

LOW

LOW

LOW

LOW

REVERB

REGENERATION

MAX.

MAX.

MAX.

SPECIAL

REVERB RETURN

REVERB RETURN

AUX. LEVEL

BRIGHT

MAX.

MAX.

MAX.

MAX.

MAX.

MAX.

TO MAIN

TO MONITOR

EFFECTS

SMALL HALL REV.

MON.

MON.

MON.

MON.

MON.

MON.

DARK

REVERSE REVERB	BRIGHT
DELAYS	LARGE HALL REV.
	DARK
GATED REVERB	BRIGHT

SMALL ROOM REV.

DARK

DARK

MAX.

MAX.

MAX.

LARGE PLATE REV.

MAIN

MAIN

MAIN

MAIN

MAIN

MAIN

MAIN

MONITOR

EFF./REV.

BRIGHT

BRIGHT

1

2

3

4

5

6

MASTER

MASTER

SEND LEVEL

LARGE ROOM REV.

DARK

DARK

SMALL PLATE REV.

BRIGHT

MAIN

MONITOR

EFF. OUTPUT

GEQ

GEQ

PWR. AMP

TAPE

TAPE

AUX.

OUTPUT

OUTPUT

REVERB

OUTPUT

INPUT

INPUT

INPUT

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

FOOTSWITCH

SYSTEM PATCH BAY

INPUTS OUTPUTS

CHANNEL INPUT

EFFECTS OUT

OUTPUT

EFFECTS

INPUT

A Product of:

Fender Musical Instruments Corp.,

Corona, CA 91720