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| PRODUCTS OVERVIEW |
This section of the manual is applicable to 3 products:
These 3 products are identical, from a technical and functional point of view, and only differ by the shape of their enclosure. For specific information on their companion, the
The design of the enclosures was meant to acoustically optimise the performance of the loudspeakers.
The shape of each of these enclosures ensures minimal detrimental effects of acoustic diffraction, and maximum spatial imaging by allowing mirror configurations.
On the
The attached pictures allow to locate the main components, on the front and rear panels.
Rear panel description
As can be seen on the rear panel view (fig. B), two separate
Both use the standard cabling scheme, namely: Pin 1 = Ground (shield)
Pin 2 = In phase voltage ("hot")
Pin 3 =
Selection of one input or the other is done automatically by the SM11 internal programme, with highest priority to the incoming digital signal whenever it can be locked on.
Analogue input
The analogue signal is to connect to the dedicated XLR input mentioned above (inside the ANALOGUE IN box)
The sensitivity of this input can be adjusted using the
the +4dBu position is suitable for standard professional audio equipment, while
When this input is used the sampling rate of the internal A/D converter is 96kHz.
Digital input
The digital signal is to connect to the XLR input located inside the DIGITAL IN box.
This input will accept AES signal with sampling rates of 44.1, 48, 88.2 or 96kHz and the internal programme will update its parameters accordingly and automatically.
As is known, the AES signal carry data for 2 separate audio channels
When using the digital input, please bear in mind the usual recommendations applicable to digital connections, especially if long cable runs are required: choose an appropriate (110 Ohms) cable, use an AES compatible distributor to ensure impedance matching when several receivers are fed from a single source. Focal can supply an inexpensive passive splitter (please contact your dealer).
SM11-S subwoofer
The optional
Though the low frequency extension is already substantial when using a stereo pair of SM11’s on their own, one might also want to add some extra low end and/or increase the overall max. SPL, in which case the
The