The CROSSFADER CURVE BUTTON (19) allows you to adjust the kind of curve the crossfader has. Depress the crossfader curve button to make the curve steep and cutting (perfect for scratching).

Release the crossfader curve button to make the curve gradual and gentle. The CROSSFADER REVERSE SWITCH (29) allows you to reverse the crossfader so that CHANNEL 2 is controlled by the left side of the crossfader and CHANNEL 1 is controlled by the right side of the crossfader.

NOTE: When the CROSSFADER REVERSE SWITCH

(29)is activated (moved to the right), only the crossfader reverses. The Channel Slides, Gain and tonal controls do not reverse.

5.PUNCH IN: The PUNCH IN BUTTONS (18, 44) allow you to add a channel’s signal to the mix when the crossfader is set to the opposite channel.

6.BPM DISPLAY: There are BPM DISPLAYS (25, 37) for Channel 1 and Channel 2. They update approximately every 2.5 seconds and digitally display the Beats Per Minute allowing you to match the beats visually. BPM DISPLAY (25) reflects the Beats Per Minute of Channel 1, and BPM DISPLAY (37) reflects the Beats Per Minute of Channel 2.

NOTE: A [- -] reading will appear on the BPM DISPLAY if the track has unclear beats. The [- -] reading will also appear if there is no signal present.

7.The BEAT OFFSET INDICATORS (30) light when the tracks of Channel 2 and Channel 3 are within 11 BPMs of each other and display how aligned the beats for Channel 1 and Channel 2 are. When the RED LEDs light, the beats are not aligned. When the YELLOW LEDs light, the beats are almost aligned. When the GREEN LED lights, the beats are aligned perfectly.

NOTE: If the diffence between the two channel’s beats exceed 11 BPM, the BEAT OFFSET INDICATORS will not light.

SUGGESTION: You can use the BPM DISPLAYS to determine which tracks have similar or the same Beats Per Minute. When mixing two tracks with similar Beats Per Minute, you can use one source’s pitch control to align the Beats Per Minute with the other source’s BPM. The BPM DISPLAYS and the BEAT OFFSET INDICATORS update every 2.5 seconds and will reflect the change in BPM and indicate when the beats are aligned.

NOTE: Beat mixing is a skill that requires practice. Not every track has a strong beat, and beat mixing works best with tracks with clear and strong beats.

8.OUTPUT CONTROL SECTION: The level of the MASTER OUTPUT (3) is controlled by the MASTER (43) control.

NOTE: The RECORD OUT (5) has no level control. The level is set by the channel slides and the gain controls of the selected channel. The tonal qualities are set by the low, mid and high controls of that same channel.

9.TALKOVER SECTION: The purpose of the talkover section is to allow the program playing to be muted so that the mic can be heard above the music. The MIC/TALKOVER (14) switch has three settings. When the MIC/TALKOVER (14) switch is in the left position, the mic and talkover are both off. When the MIC/TALKOVER (14) switch is in the center position the mic is on, the MIC INDICATOR (15) will glow, but talkover is off. When the MIC/TALKOVER (14) switch is in the right position, the mic and talkover will be on and the volume of all sources except the Mic input are lowered by 16 dB. MIC LEVEL (17) controls the level of the MIC. The MIC EQ (16) control allows you to fully adjust the tone of the MIC.

10.CUE SECTION: By connecting a set of headphones to the HEADPHONE

(38)jack, you can monitor either channel or both together. Move the CUE SWITCH (40) to the left to monitor CHANNEL 1. Move the CUE SWITCH (40) to the right to monitor CHANNEL 2. By rotating the CUE PGM PAN (41) control to the left you will be able to monitor the assigned cue signal. Rotating to the right will monitor the PGM (program) output. Use the CUE LEVEL (42) control to adjust the headphone volume without effecting the overall mix.

11.DISPLAY: The peak hold, dual function DISPLAY (27) indicates either the MASTER output left and right levels or the channel 1 and channel 2 levels. You can choose the option you want by pressing the DISPLAY (28) button.

NOTE: When the DISPLAY (27) is in the channel 1/channel 2 display mode, by adjusting the individual channel gain controls, you can increase or decrease the signal to match the other channel’s signal. The channel slides and crossfader have no effect on the display readings.

Specifications

INPUTS:

 

 

DJ Mic

1.5mV 600 Ohm

Phono

3mV 47Kohm

Line

150 mV 27Kohm

OUTPUTS:

 

 

Amp

0 dB 1V 400ohm

 

Max

18V Peak to Peak

GENERAL:

 

 

Low (Channels 1 - 2)

+ 12dB/-32 dB

Mid (Channels 1 - 2)

+ 12dB/-32 dB

High (Channels 1 - 2)

+ 12dB/-32 dB

Gain (Channels 1 - 2)

0 to -20dB

Frequency Response

20Hz - 20KHz +/- 2dB

Distortion

0.02%

S/N Ratio

better than 80dB

Talkover Attenuation

-16dB

Headphone Impedance

16ohm

Power Source

115V/230V 60Hz/50Hz 12W

Dimensions

10” x 10.24” x 3.3” (254 x 260 x 84 mm)

Weight

6.25 lbs (3 kg)

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Gemini BPM-150 manual Specifications, General

BPM-150 specifications

Gemini BPM-150 is a cutting-edge business process management (BPM) solution designed to maximize efficiency and streamline operations. Tailored to meet the diverse needs of organizations across various industries, the BPM-150 excels in integrating complex workflows, enhancing collaboration, and delivering a user-friendly experience.

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