1.Unscrew the outside FADER PLATE SCREWS (B). Do not touch the INSIDE SCREWS (C).
2.Carefully lift the fader and unplug the CABLE (D).
3.Plug the new fader into the cable and place it back in the mixer.
4.Screw the fader to the mixer.
7.BPM DISPLAY: There are BPM DISPLAYS (34, 35) for the two channels assigned to each side of the CROSSFADER (27). They update approximately every 2.5 seconds and digitally display the Beats Per Minute allowing you to match the beats visually. BPM DISPLAY (34) reflects the Beats Per Minute of the channel assigned to the left side of the CROSSFADER, and BPM DISPLAY (35) reflects the Beats Per Minute of the channel assigned to the right side of the
CROSSFADER.
NOTE: A [-
8.The BEAT OFFSET INDICATORS (36) light when the tracks of the two channels assigned to the crossfader are within 11 BPMs of each other and display how aligned the beats of the two channels are. When the RED LEDs light, the beats are not aligned. When the YELLOW LEDs light, the beats are almost aligned. When the GREEN LED lights, the beats are aligned perfectly.
NOTE: If the diffence between the two channel’s beats exceed 11 BPM, the BEAT OFFSET INDICATORS will not light.
SUGGESTION: You can use the BPM DISPLAYS to determine which tracks have similar or the same Beats Per Minute. When mixing two tracks with similar Beats Per Minute, you can use one source’s pitch control to align the Beats Per Minute with the other source’s BPM. The BPM DISPLAYS and the BEAT OFFSET INDICATORS update every 2.5 seconds and will reflect the change in BPM and indicate when the beats are aligned.
NOTE: Beat mixing is a skill that requires practice. Not every track has a strong beat, and beat mixing works best with tracks with clear and strong beats.
9.OUTPUT CONTROL SECTION: The level of the AMP OUT (44, 56) is controlled by the MASTER (41) slide and the BALANCE CONTROL (40). The BOOTH (42) control adjusts the level of the BOOTH OUTPUT (45). HINT: The booth OUTPUT is used by some DJs to run monitor speakers in their DJ booth. You can also use it as a second ZONE or AMP output. Activating the MONO (39) button (the mono LED will light) makes the master output mono.
10.TALKOVER SECTION: The purpose of the talkover section is to allow the program playing to be muted so that the mic can be heard above the music. The MIC/TALKOVER (9) switch controls MIC 1 and MIC 2 and has three settings. When the MIC/TALKOVER (9) switch is in the left position, MIC 1 and MIC 2 and talkover are off. When the MIC/TALKOVER (9) switch is in the center position MIC 1 and MIC 2 are on, the MIC INDICATOR (8) will glow, but talkover is off. When the MIC/TALKOVER (9) switch is in the right position, MIC 1 and MIC 2 and talkover will be on and the volume of all sources except the Mic inputs are lowered by 16 dB. The TREBLE (4) and BASS (5) controls allow you to fully adjust the tone of MIC 1 and MIC 2. MIC 1 LEVEL (7) controls the level of MIC 1. The MIC 2 LEVEL (6) controls the level of MIC 2.
11.CUE SECTION: By connecting a set of headphones to the HEADPHONE (13) jack, you can monitor any or all of the channels. Press the CUE ASSIGN (20) buttons for channels 1 - 4 to select the channel or channels to be monitored and their respective LED indicators will glow. Use the CUE LEVEL (10) control to adjust the cue volume without effecting the overall mix. By rotating the CUE PGM PAN (12) control to the left you will be able to monitor the assigned cue signal. Rotating to the right will monitor the PGM (program) output. Use the CUE SPLIT (11) button to split the signals from cue and program so that cue will be heard in one earphone and program will be heard in the other earphone.
12.DISPLAYS: The PEAK HOLD LED METER (37) indicates the MASTER OUTPUT (44, 56) left and right channel levels. The individual channels each have their own PREFADER INPUT LEVEL PEAK HOLD LED METERS (38) which reflect the GAIN (14), HIGH (15), MID (16), and LOW (17) rotary control adjustments. The CHANNNEL SLIDES (19, 22, 24, 26) will not effect the
PREFADER INPUT LEVEL PEAK HOLD LED METERS (38).
Specifications
INPUTS: |
|
Phono | 3mV 47Kohm |
Line | 150 mV 27Kohm |
OUTPUTS: |
|
Amp/Booth | 0 dB 1V 400ohm |
Max | 20V Peak to Peak |
Rec | 225mV 5Kohm |
MIC 1 & MIC 2: |
|
DJ Mic | 1.5mV 2Kohm balanced |
Bass | ± 12dB |
High | ± 12dB |
MIC 3: |
|
DJ Mic | 1.5mV 2Kohm balanced |
Controls | Channel 4 |
GENERAL: |
|
Bass (Chnls | + 12dB/- 26 dB |
Mid (Chnls | + 12dB/- 26 dB |
Treble (Chnls | + 12dB/- 26 dB |
Gain (Chnls | 0 to |
Frequency Response | 20Hz - 20KHz +/- 2dB |
Distortion | 0.02% |
S/N Ratio | better than 80dB |
Talkover Attenuation | |
Headphone Impedance | 16ohm |
Power Source | 115/230V 50/60Hz 10W |
Dimensions | 12.5”w x 3”h x 14”d |
Weight | 10 lbs |
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