Gemini UMX-SE manual Specifications, Output Control Section The level of the Master Output

1)Remove the channel slide, CROSSFADER knobs and the 4 screws from the sides of the lower face plate. Then

remove the lower faceplate.

2)Remove the 2 screws in the corners of the assign switch plate. Rotate the switch plate to the desired position, replace the screws and tighten down.

3)To position the switch at a 45 degree angle, you need to reposition the switch on the assign switch plate. First, remove the 2 screws in the corners of the assign switch plate. Then, lift the switch plate up and remove the 2 smaller screws next to the switch. Rotate the switch plate to the right until the 45 degree holes align with the switch holes, replace the screws and tighten down. Replace the switch plate and tighten down.

NOTE: KEEP TRACK OF WHERE YOU POSITION THE INPUT ASSIGN SWITCHES. TO AVOID CONFUSION, MOVE THE SWITCH TO A POSITION NEAR THE CORRESPONDING PRINTING ON THE FACEPLATE.

7.CHANNEL SLIDE CURVE SWITCHES: Use the 3 position CHANNEL SLIDE CURVE (32) switches to adjust the kind of curve the channel slides have. Move the selected channel slide curve switch to the 6 (top) position to make the increase in level gradual and even. Move the channel slide curve switch to the 20 (center) position to make the increase in level less gradual as you move channel slide up. Move the channel slide curve switch to the 30 (bottom) position to make the increase in level even less gradual, especially at the top of the slide.

8.CROSSFADER SECTION: The CROSSFADER (39) allows the mixing of one source into another. The UMX-SE features an assignable CROSSFADER. The ASSIGN (41) switch allows you to select which channels will play through the CROSSFADER and has 3 positions. When the ASSIGN (41) switch is in the left postion, Channel 1 will play through A (the left side of the CROSSFADER), channel 3 will play through B (the right side of the CROSSFADER), and channel 2 will be on but not assigned to the CROSSFADER. When the ASSIGN (41) switch is in the center postion, Channel 2 will play through A, channel 3 will play through B and channel 1 will be on but not assigned the the CROSSFADER. When the ASSIGN (41) switch is in the right position, Channel 2 will play through A, channel 3 will play through B and channel 1 will be OFF. The CROSSFADER ASSIGN LED (36, 37, 38) indicate which channels are assigned to the CROSSFADER. When a channel is assigned to the CROSSFADER, the CROSSFADER ASSIGN LED will light BLUE. When a CROSSFADER ASSIGN LED is not lit, the channel is on but not assigned to the CROSSFADER. When the CROSSFADER ASSIGN LED (36) lights RED, channel 1 is OFF. The CROSSFADER CURVE (40) control allows you to adjust the kind of curve the CROSSFADER has. Move the CROSSFADER CURVE (40) control

to the right to make the curve steep and cutting (perfect for scratching). Move the CROSSFADER CURVE (40) control to the left to make the curve gradual and gentle. The CROSSFADER REVERSE SWITCH (42) allows you to reverse the CROSSFADER so that B is control LED by the left side of the CROSSFADER and A is control LED by the right side of the CROSSFADER.

NOTE: WHEN THE CROSSFADER REVERSE SWITCH (42) IS ACTIVATED (MOVED TO THE RIGHT), ONLY THE CROSSFADER REVERSES. THE CHANNEL SLIDES, GAIN, PAN AND TONAL CONTROLS DO NOT REVERSE.

9.OUTPUT CONTROL SECTION: The level of the MASTER OUTPUT (9,

11)is controlLED by the MASTER (19) control. The ZONE (18) control adjusts the level of the ZONE OUTPUT (12).

HINT: THE ZONE OUTPUT IS USED BY SOME DJS TO RUN MONITOR SPEAKERS IN THEIR DJ BOOTH. YOU CAN ALSO USE IT AS A SECOND ZONE OR AMP OUTPUT.

NOTE: THE RECORD OUT (10) HAS NO LEVEL CONTROL. THE LEVEL IS SET BY THE CHANNEL SLIDES AND THE GAIN CONTROLS OF THE SELECTED CHANNEL. THE TONAL QUALITIES ARE SET BY THE LOW, MID AND HIGH CONTROLS OF THAT SAME CHANNEL.

10.CUE SECTION: By connecting a set of headphones to the PHONES (45) jack, you can monitor any or all of the channels. Press the CUE ASSIGN

(28)buttons for channels 1 - 3 to select the channel or channels to be monitored and their respective LED indicators will glow. Use the CUE LEVEL (44) control to adjust the cue volume without effecting the overall mix. By moving the CUE FADER (43) control to the left you will be able to monitor the assigned cue signal. Moving the control to the right will monitor the PGM (program) output.

11.DISPLAYS: The PEAK HOLD LED METER (21) indicates the MASTER OUTPUT (9, 11) left and right channel levels. The individual channels each have their own PREFADER INPUT LEVEL PEAK HOLD LED METERS

(22)which reflect the GAIN (23), HIGH (24), MID (25) and LOW (26) rotary control adjustments. The CHANNNEL SLIDES (33, 34, 35) will not effect the PREFADER INPUT LEVEL PEAK HOLD LED METERS (22).

SPECIFICATIONS:

INPUTS:
Mic	1.5mV 2Kohm balanced
Phono	3mV 47Kohm
Line	150 mV 27Kohm
OUTPUTS:
Master (balanced)	0 dB 2 V 800 Ohm
Max	40 V Peak to Peak
Master/Zone (unbalanced)	0 dB 1V 400ohm
Max	20V Peak to Peak
Rec	225mV 5Kohm
MIC:
Mic	1.5mV 2Kohm balanced
Controls	Channel 1
GENERAL:
Low (Chnls 1-3)	+ 12dB/- 32 dB
Mid (Chnls 1-3)	+ 12dB/- 32 dB
High (Chnls 1-3)	+ 12dB/- 32 dB
Gain (Chnls 1-3)	0 to -20dB
Frequency Response	20Hz - 20KHz +/- 2dB
Distortion	0.08%
S/N Ratio	better than 80dB
Headphone Impedance	16ohm
Power Source	115/230V 60/50Hz 20W
Dimensions	10”w x 14.75”h x 4.25”d (254 x 375 x 108 mm)
Weight	9 lbs (4 kg)

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