FRONT PANEL

INPUT – The SHUTTLE®9.2 is equipped with a standard ¼” unbalanced input. The input sensitivity range is from 40 mV to 1.6 volts. The input impedance is >500K ohms. The input stage contains a precision high order active high pass filter (more effective and less intrusive than the more common 6 dB filters) and an “RFI” filter (radio frequency interference) to eliminate unwanted noise. The input gain stage consists of a feedback type variable gain circuit that provides wide range, continuously variable gain with minimal noise. The preamp contains a FET input amp circuit based on our highly regarded GBE series touring amplifiers.

INPUT SIGNAL MUTE SWITCH – With this mute switch, you can place the amplifier (and Direct Output) in standby mode between sets, without having to change any of your amp settings. This feature can also be used for silent tuning since the Tuner Out stays active when the mute is engaged. A red LED indicates when the Mute is active. This function is also foot-switchable from the optional 4 button foot switch. The switch on the amplifier’s faceplate must be in the “out” position for the foot switch to work properly.

PREAMP GAIN CONTROL – This control sets the input sensitivity gain of the 12AX7 TUBE preamp to the output of your bass. The volume of the signal is then controlled by the Tube Preamp Volume control and also the Master Volume control. Note that overdriving the input tube gain stage may be a desirable tonal characteristic of your playing style. This control, in conjunction with the Preamp and Master Volume controls, allows you to set the amount of tube overdrive or clean tone your amp produces. The Gain structure is set in such a way that using the control beyond the 3 o’clock position will provide dramatic increase in tube overdrive.

***It is generally recommended when using heavily distorted tones with a tweeter loaded cabinet, that you reduce the high frequency settings on the amp or cut the tweeter level control of your cabinet.

“O/L” LED – This “Over-load” LED senses the operating status of the preamp and EQ stages. When this LED flashes, overdriving of the input gain or EQ stage is occurring. Adjusting the Preamp Gain, Preamp Volume, and EQ controls will affect the over-load condition. Again, overdriving the tube pre-amp may be a desirable tone for your playing style.

PREAMP VOLUME CONTROL – This control sets the volume of the preamp after the Input and Tube Gain stages but before the EQ, Signal Shape and Master Volume controls. Use this control in conjunction with the Gain Control.

SETTING YOUR INPUT SIGNAL – Use the following guidelines to set your amplifier input stage for the type of bass used and your personal playing style. These guidelines are just a suggested starting point.

1)Set your instruments controls (volume and tone) where you normally prefer to run them.

2)Now set all controls on the SHUTTLE® to 12 o’clock. It may be best to start with the Master Volume at 9 o’clock.

3)For a clean tone and using a Passive bass your Tube Gain and Preamp Volume settings may be set to similar positions. For a clean tone using an Active bass your Tube Gain setting should be set more towards the 9 o’clock position and the Preamp Volume at noon to 2 o’clock positions.

4)For overdriven tube tones with Active or Passive basses your Tube Gain setting will be set higher and the Preamp Volume set lower. If driving the Gain Control towards maximum then the Preamp Volume should be set below the 12 o’clock position. Set your Master Volume for your desired overall volume. We suggest experimenting with different settings for best results.

5)Now, turn your attention to the EQ section and make the adjustments for your desired tone. Because this is an active EQ network, any larger settings of cut or boost will affect the gain level of the preamp and the O/L light.

6)After setting your EQ it may be necessary to go back and adjust your input gain level down accordingly. It should be noted that the Global Signal Shape circuits will not affect the input gain BUT will affect the Master output level and PEAK indicator if used with extreme settings.

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Genz-Benz 9.2 owner manual Front Panel
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9.2 specifications

The Genz-Benz 9.2 is a standout piece of equipment in the world of professional audio amplification, highly regarded for its performance, reliability, and advanced features. This powerful amplifier is part of Genz-Benz's renowned line of products designed to cater to the needs of musicians, particularly bass players seeking an exceptional sound.

One of the most notable features of the Genz-Benz 9.2 is its impressive power output. With a substantial wattage rating, it can easily drive various speaker configurations, delivering ample headroom for live performances and studio applications alike. The amp's lightweight design, incorporating advanced materials, makes it highly portable without sacrificing performance.

A key characteristic of the Genz-Benz 9.2 is its state-of-the-art Class D amplification technology. This technology ensures high efficiency, reducing heat generation and allowing for a compact design while still producing a rich, warm tone. The amp’s Class D architecture translates to a cleaner amplification path, resulting in better sound fidelity across the frequency spectrum.

The 9.2 features an intuitive control panel, allowing users to easily tweak their sound. It includes comprehensive EQ controls that provide a wide range of tonal options. Musicians can shape their sound with precision using the bass, midrange, and treble controls, enabling them to dial in their signature tone effectively. Furthermore, the inclusion of a variable high-pass filter assists in tightening the low-end response, making it versatile for different musical genres.

Connectivity is another strong point of the Genz-Benz 9.2. It features multiple input options, including XLR and 1/4-inch jacks, making it compatible with a variety of instruments, including electric guitars and basses. The amp also offers effects loops and direct output for easy integration with external processing units and recording systems, enhancing its utility in both live and studio settings.

Durability is a hallmark of Genz-Benz products, and the 9.2 is no exception. It is built to withstand the rigors of touring musicians and has a robust chassis designed to endure the demands of rigorous travel. This reliability ensures that users can count on the amp to perform consistently night after night.

In summary, the Genz-Benz 9.2 is an outstanding amplifier that combines powerful output with advanced technologies and user-friendly features. Its Class D architecture, extensive EQ capabilities, and versatile connectivity options make it a top choice for musicians looking to elevate their sound, whether on stage or in the studio. With Genz-Benz's reputation for quality and performance, the 9.2 amplifier stands as a reliable option for serious audio professionals.
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