SETTING UP SYSTEMS AFTER INSTALLATION FOR BEST PERFORMANCE

ZRX500.2 / ZRX1200.2 / ZRX600.4 / ZRX1000.4 / ZRX2000.4

General:

At this point you are ready to get more specific on the settings for your amplifier.

High Pass:

-When in Hi Pass operation, this setting acts as a low frequency cut off for your system reproduction. The point that you set it at cuts off any frequencies from reproduction beyond this point. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the High Pass to 100Hz, the amplifier will not play frequencies below 100Hz but will play frequencies from 100Hz to the highest frequency the amplifier is capable of reproducing.

-When in Low Pass/Bandpass operation, this setting acts as a low frequency cut off for your system reproduction aka Subsonic Filter. The point that you set it at cuts off any frequencies from reproduction beyond this point. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the High Pass to 60Hz, the amplifier will not play frequencies below 60Hz but will play frequencies from 60Hz to the chosen Low Pass frequency.

-When in Flat/Full operation, the Low Pass crossover is bypassed.

Bass EQ:

This setting is a fixed bass boost at 45Hz that is variable from 0-12dB. This feature provides impact to your bass, but if not adjusted correctly, it can be over used and cause damage to your speakers and amplifiers. It is best to slowly turn this setting clockwise until the desired punch is felt. It is not recommended to exceed the 12 o’clock position unless listening at a low volume or a low recording quality as this can result in high distortion and possibly clipping.

Low Pass:

The Low Pass control acts as a ceiling and doesn’t allow frequencies to the right of the desired setting to be reproduced. Turning the potentiometer all the way to the right is a great starting point. EXAMPLE: If you adjust the Low Pass to 120Hz, the amplifier will not play frequencies above 120Hz but will play frequencies from 120Hz to the chosen Hi Pass or Subsonic frequency.

-When in Hi Pass operation, this setting is bypassed.

Level Control Setup:

Ensure that the Level is turned completely to the left prior to turning the system on. Next you should insert a CD or cassette that you are familiar with to use as a reference, and turn the head unit volume control to about 80% of its full setting. The system sound level will of course be very low, and the following procedures will help you to match the amplifier input sensitivities properly to the head unit output signal level.

It is important to match the amplifier LEVEL input sensitivity to the Radio/CD output sensitivity. This can be located in the Radio/CD manual. If the Radio/CD output sensitivity is 2 volts, then adjust the amplifier LEVEL input to 2 volts.

If you are not sure what the Radio output sensitivity is, follow these general guide lines:

Turn the level control up slowly, till you hear distortion, then back off a few degrees on the control. If at any point your amplifier goes into protection, you will need to turn the Level to the left a bit and then try again. If you reach a point where the output does not increase, stop turning the Level control to the right as the amplifier/speaker combo has reached its maxx output in this application.

2 or 3 way active systems (all):

Always start with the bass, or low frequency amplifier as a reference, by turning its control up to the point where distortion is audible, and back it off some. Now adjust the level control for the highs or tweeter channels in a 2 way active system, to balance the highs to lows.

In a 3 way active system, match the midrange level to the bass, and then the highs to the midrange and bass. It may be necessary to perform a few iterations of the midrange and highs level control settings to achieve a satisfactory sound balance.

ZRX1000.1D / ZRX1500.1D / ZRX2000.1D / ZRX3000.1D

General:

At this point you are ready to get more specific on the settings for your amplifier.

Subsonic:

This setting acts as a low frequency cut off for your system bass reproduction. The point that you set it at cuts off any frequencies from reproduction beyond this point. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the Subsonic to 25Hz, the amplifier will not play frequencies below 25Hz but will play frequencies from 25Hz to the chosen Low Pass frequency.

Bass EQ:

This setting is a fixed bass boost at 45Hz that is variable from 0-10dB. This feature provides impact to your bass, but if not adjusted correctly, it can be over used and cause damage to your subwoofers and amplifiers. It is best to slowly turn this setting clockwise until the desired punch is felt. It is not recommended to exceed the 12 o’clock position unless listening at a low volume or a low recording quality as this can result in high distortion and possibly clipping.

Low Pass:

The Low Pass control acts as a ceiling and doesn’t allow frequencies to the right of the desired setting to be reproduced. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the Low Pass to 80Hz, the amplifier will not play frequencies above 80Hz but will play frequencies from 80Hz to the chosen Subsonic frequency.

Level Control Setup:

Ensure that the Level is turned completely to the left prior to turning the system on. Next you should insert a CD or cassette that you are familiar with to use as a reference, and turn the head unit volume control to about 80% of its full setting. The system sound level will of course be very low, and the following procedures will help you to match the amplifier input sensitivities properly to the head unit output signal level.

It is important to match the amplifier LEVEL input sensitivity to the Radio/CD output sensitivity. This can be located in the Radio/CD manual. If the Radio/CD output sensitivity is 2 volts, then adjust the amplifier LEVEL input to 2 volts.

If you are not sure what the Radio output sensitivity is, follow these general guide lines:

Turn the level control up slowly, till you hear distortion, then back off a few degrees on the control. If at any point your amplifier goes into protection, you will need to turn the Level to the left a bit and then try again. If you reach a point where the output does not increase, stop turning the Level control to the right as the amplifier/subwoofer combo has reached its maxx output in this application.

Sit back and enjoy the music!

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Hifionics ZRX3000.1D, ZRX500.2 Setting UP Systems After Installation for Best Performance, Or 3 way active systems all

ZRX600.4, ZRX2000.4, ZRX500.2, ZRX1000.4, ZRX1500.1D specifications

Hifonics has been a notable name in the world of car audio, renowned for delivering high-quality amplifiers that enhance the listening experience. Among their popular products are the ZRX series, which includes the ZRX3000.1D, ZRX2000.1D, ZRX1000.1D, ZRX1200.2, and ZRX1500.1D. Each of these amplifiers showcases innovative technology, robust power, and exceptional performance, catering to car audio enthusiasts seeking to upgrade their system.

The Hifonics ZRX3000.1D is a powerhouse, capable of delivering a staggering 3000 watts RMS at a one-ohm load. Designed with Class D topology, this amplifier is not only efficient but also outputs minimal heat, allowing for prolonged use without the risk of overheating. It features a variable low-pass filter and a remote bass control, enabling users to fine-tune the sound according to their preferences. The MOSFET power supply and full-range capabilities further enhance the ZRX3000.1D’s reputation as a top-tier amp in its class.

Moving down the line, the ZRX2000.1D offers an impressive 2000 watts RMS, making it suitable for serious bass enthusiasts. It is equipped with similar technological advancements as its larger counterpart, including adjustable input sensitivity and a bass boost feature, which provides additional deep tones for an immersive audio experience.

For those who need something a bit smaller, the ZRX1000.1D delivers 1000 watts RMS. It’s an excellent choice for mid-range builds, combining efficient power delivery with affordability. The ZRX1000.1D maintains sound clarity at higher volumes, ensuring that music remains crisp and dynamic.

The Hifonics ZRX1200.2 stands out as a two-channel amplifier, offering 1200 watts RMS. This amp is designed to drive both speakers and subs, making it an ideal choice for those looking to create a balanced sound system. Its dual channel provides flexibility in system design, allowing for complex setups without sacrificing sound quality.

Lastly, the ZRX1500.1D is another impressive option, featuring 1500 watts RMS output. This model is particularly known for its durability and performance, providing robust power with a well-designed cooling system to prevent overheating.

In conclusion, the Hifonics ZRX series amplifiers—ZRX3000.1D, ZRX2000.1D, ZRX1000.1D, ZRX1200.2, and ZRX1500.1D—herald a new era of car audio. With their advanced features, efficient power handling, and exceptional sound quality, these amplifiers are designed to meet the demands of audiophiles, delivering an unmatched listening experience on the road. Whether for deep bass or full-spectrum sound, Hifonics has something to offer for everyone.