AUTO

: Changes to the color image and B/W image

 

automatically according to brightness.

 

1) The character of the rest of “AUTO” is showing

 

the brightness (the image level) where the mode

 

changes from color to a B/W image.

 

AUTO(H)

: About 70% or less of proper levels

 

AUTO(M)

: About 50% or less of proper levels

 

AUTO(L)

: About 30% or less of proper levels

2) Change is using the scale factor data of the amplification data or SENS UP of automatic gain control for the color image from a B/W image. AGC setting is “OFF” or SENS UP setting is “OFF” / ”MANU” are not able to use the “AUTO” setting of BW MODE.

About B/W mode

The camera CCD responds to infrared light (From 700nm to 1000nm) that is invisible to the human eye.

The normal color mode uses an IR cut filter to remove the infrared component.

Sensitivity is usually more important in the B/W mode. Therefore, the IR cut filter is removed to take advantage of sensitivity in the infrared region.

NOTE

1)In the case that near infrared lighting is used the hunting phenomenon causing repeated changes between the color and B/W mode may occur. Avoid strong near Infrared lighting when using the AUTO Mode.

2)When the mode is changed to a B/W image where there is no near infrared light a change in sensitivity does not occur.

3)The focus face of the lens differs in visible light (the color image) and near infrared (the B/W image).

The focus has deviated when the mode is changed to a B/W image even if the focus was set properly for the color image. Please use a lens having near infrared response when using the B/W mode.

4)“AGC LIMIT” binds B/W mode AUTO to (H) or (M) at the time of, “220” or more binding.

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White Balance Menu [Only KP-DE500 type]

Setting White Balance mode

1)Press the SET button for longer than 2 seconds to display the “MAIN MENU”.

2)Use the UP and DOWN buttons to shift the cursor to “WHITE BALANCE”, then press the SET button to display the “WHITE BALANCE MENU”. But, it does not move to “WHITE BALANCE MENU” at the time of B/W image condition by B/W MODE setting.

◆ WHITE

BALANCE MENU ◆

 

>MODE

 

:ATW

…… Select White Balance mode

ATW RANGE

:NORMAL

…… ATW Range setting

WB AREA

 

:OFF

…… Select WB area mode

RET

 

 

…… Return to the main menu

END

 

 

…… End of menu display

 

 

 

 

WHITE BALANCE MENU (MODE: ATW)

3)While the cursor is at “MODE”, press the SET button to shift the mode in the sequence “ATW”, “AWC” and “MANUAL”. Factory setting is “ATW”.

ATW (auto tracking white balance)

Ordinarily use this mode, which is suitable for lighting color temperature from 2,500K to 8,000K.

Setting ATW Range (Color temperature flattery range)

1)Use the UP and DOWN buttons to shift the cursor to “ATW RANGE”.

2)Press the SET button to shift the mode in the sequence “NORMAL”, “SPECIAL”. Factory setting is “NORMAL”.

NORMAL

: From 2,500K to 8,000K

SPECAIL

: From 2,500K to 8,000K, and special

 

lighting such as the mercury lamp and

 

sodium vapor lamp

NOTE

1)Please set “ATW RANGE” to the “SPECIAL” mode when you use sodium lighting. The color distinction becomes possible though the white balance may not be completely suitable.

2)White balance cannot be fully adjusted in the following situations.

Most of the scene is a single color or there is very little white component.

Background is red or blue.

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Image 15
Hitachi KP-E500 operation manual White Balance Menu Only KP-DE500 type

KP-DE500, KP-E500 specifications

The Hitachi KP-E500 and KP-DE500 are innovative cameras designed for professional applications in broadcast and industrial environments. These two models are particularly recognized for their high performance, reliability, and advanced technology, catering to the evolving needs of video production and surveillance.

The Hitachi KP-E500 is a compact and lightweight CCD camera that excels in delivering exceptional image quality. It features a 2/3-inch CCD sensor that produces vivid colors and precise details, making it suitable for various applications such as studio production, live events, and ENG (Electronic News Gathering). The camera supports a standard resolution of 1080i, offering high-definition video that meets the industry's expectations.

One of the standout features of the KP-E500 is its high sensitivity, allowing for operation in low light conditions. This capability is critical for capturing high-quality footage in challenging environments. The camera also includes a dynamic range that ensures excellent performance in scenes with varying brightness levels. Furthermore, the KP-E500 is equipped with advanced noise reduction technology, which minimizes unwanted noise and enhances the overall clarity of the images.

On the other hand, the Hitachi KP-DE500 is an innovative digital camera that leverages state-of-the-art digital signal processing. This model is designed for versatility in applications such as corporate video production, academic settings, and outdoor events. The KP-DE500 boasts a similar 2/3-inch CCD sensor but goes a step further with its enhanced digital features.

The KP-DE500 includes a variety of customizable settings, enabling users to fine-tune the camera's performance according to specific shooting conditions. This digital camera also offers real-time image processing capabilities, making it an excellent choice for applications that require immediate feedback, such as live broadcasts. Both models support a broad range of lenses, allowing users to select the ideal lens for their particular shooting requirements.

Moreover, the KP-DE500 is designed with user-friendly interfaces, simplifying the operation for camera operators and technicians alike. With robust connectivity options, these models can seamlessly integrate into existing video production workflows. Overall, the Hitachi KP-E500 and KP-DE500 represent a significant advancement in camera technology, providing professionals with the tools needed to create stunning video content with ease and efficiency.