Table 1 Manual color options
Setting description | Setting options | ||
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Edge Control | ● | Off turns off both trapping and adaptive halftoning. | |
The Edge Control setting determines the | ● | Light sets trapping at a minimal level. Adaptive | |
rendering of edges. Edge control has two |
| halftoning is on. | |
components: adaptive halftoning and | ● | Normal sets trapping at a medium level. Adaptive | |
trapping. Adaptive halftoning increases | |||
edge sharpness. Trapping reduces the |
| halftoning is on. | |
effect of | ● | Maximum is the most aggressive trapping setting. | |
overlapping the edges of adjacent objects | |||
| Adaptive halftoning is on. | ||
slightly. |
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Halftone | ● | Smooth provides better results for large, | |
Halftone options affect color output clarity |
| print areas and enhances photographs by | |
| smoothing color gradations. Select this option when | ||
and resolution. |
| uniform and smooth area fills are important. | |
| ● | Detail is useful for text and graphics that require | |
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| sharp distinctions among lines or colors, or images | |
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| that contain a pattern or a high level of detail. | |
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| Select this option when sharp edges and small | |
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| details are important. | |
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Neutral Grays | ● | Black Only generates neutral colors (grays and | |
The Neutral Grays setting determines the |
| black) by using only black toner. This guarantees | |
| neutral colors without a color cast. This setting is | ||
method for creating gray colors used in |
| best for documents and grayscale viewgraphs. | |
text, graphics, and photographs. | ● | ||
| |||
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| by combining all four toner colors. This method |
produces smoother gradients and transitions to other colors, and it produces the darkest black.
14 Quick Reference Guide | ENWW |