1.Select a new test position: Cue the test track corresponding to the center frequency of the dip. In the example in Figure 20 you would play Tracks 14 (52Hz) and 18 (40Hz). Press Play Ý. You will see a reading very close to what you had before. Now, slowly move the RSLM around the area, if possible remaining within about a foot of the original test point. As you move the RSLM, watch the bar graph. You will observe large level fluctuations. Find a location for the subwoofer or a test location that raises the response at these frequencies. You may find it helpful to move the RSLM vertically. Dips can be oriented in any axis. The position that restores the level to about that of the adjacent test points is your new test position.

2.Reset the test level: Return to the section “Setting the Subwoofer Test Level”on page 11. Perform the procedure as described.er until finished. Connect the dots.

3.Repeat the measurements: Now that you are familiar with the measurement process, you can go much faster by using Tracks 27–50.These tracks contain all the test tones necessary for measurement. However, each test is only about three seconds, and there is no frequency announcement.The first test is 100Hz. Just place each test mark in order until finished. Connect the dots.

Your second measurement will no longer exhibit the deep response dips. However, the peak will still be evident. Without the influence of the response dips, the amplitude and center of the peak may have changed.

4.Interpret the new data: Compare your new data to the examples given in this section of the manual. Follow the instructions for the example that most closely matches your new measurement.

Example 6. Ideal Response:

FIGURE 21

Ideal response, no EQ needed

If your test data looks similar to the example in Figure 21, you have a very favorable setup. Skip to the “Final System Balance” section, page 19.

Adjusting the R.A.B.O.S. Equalizer

Now that you have performed the measurements and interpreted the data, you have the information needed to adjust the subwoofer’s equalizer.

There are three equalizer adjustments on the Intermezzo 1.2s. Left to right, they are marked “F” (frequency), “L” (level) and “W” (width). Each control has 21 positions. These are numbered from left to right. Therefore, Position 1 is the full counterclockwise position. The following table illustrates all switch positions.

Position

F (Hz)

L (dB)

W

 

 

 

 

1 CCW

20

-14.1

4.5%

2

20

-13.9

5%

3

20

-13.5

7.5%

4

21

-13.1

10%

5

22

-12.7

12.5%

6

24

-11.7

16.5%

7

26

-11.0

20.5%

8

30

-10.2

23%

9

35

-9.5

26%

10

38

-8.9

28%

11

40

-8.3

29.5%

12

43

-7.9

31%

13

46

-6.4

34%

14

49

-4.4

39%

15

52

-2.9

41.5%

16

56

-1.9

43.5%

17

63

-1.1

45%

18

66

-0.5

46.5%

19

72

0.0

48%

20

77

0.0

49%

21 CW

80

0.0

49.5%

 

 

 

 

18INTERMEZZO 1.2s

Page 22
Image 22
Infinity 1.2s manual Adjusting the R.A.B.O.S. Equalizer, Position

1.2s specifications

The Infinity 1.2s is a revolutionary advancement in the world of audio technology, specifically designed for audiophiles and sound enthusiasts who demand superior sound quality. This state-of-the-art speaker system boasts a range of features that ensure impeccable audio performance, making it a popular choice among professionals and casual listeners alike.

One of its standout characteristics is its exceptional frequency response. The Infinity 1.2s is engineered to deliver a wide frequency range, allowing it to reproduce both deep bass and crisp treble with remarkable accuracy. This enables listeners to experience music as it was intended by the artists, with each instrument and vocal nuance clearly pronounced.

Incorporating advanced driver technology, the Infinity 1.2s features a combination of woofers and tweeters that work in harmony to create a balanced sound profile. The woofers are crafted from high-quality materials to minimize distortion while maximizing bass response, ensuring that low-frequency sounds are powerful yet controlled. Meanwhile, the tweeters employ cutting-edge technology to deliver high frequencies that are both detailed and smooth.

Another significant technology embedded in the Infinity 1.2s is the innovative crossover design. This sophisticated crossover network effectively divides audio frequencies between the woofers and tweeters, which enhances the speaker's overall performance by ensuring that each driver operates within its optimal range. The result is a seamless transition between low and high frequencies, producing a cohesive sound that is rare in many consumer-grade speakers.

The build quality of the Infinity 1.2s is also noteworthy. Constructed from durable materials, the cabinets are designed to minimize resonance and vibrations, which can muddy sound quality. This focus on sturdy construction not only enhances audio fidelity but also contributes to the longevity of the speakers.

Furthermore, the Infinity 1.2s is equipped with versatile connectivity options. It can easily adapt to various audio setups, whether wired or wireless, offering compatibility with a range of devices and systems. This flexibility makes it a great choice for both home theater systems and high-fidelity audio playback.

In conclusion, the Infinity 1.2s stands out in the crowded audio market due to its impressive sound reproduction capabilities, advanced technologies, and rugged construction. Whether for professional use or personal enjoyment, these speakers offer a remarkable listening experience that is sure to satisfy even the most discerning audio enthusiasts.