After Project Everest was intro- duced, sound recording and play- back technology underwent a revolution of its own. With the advent of CD, extremely demanding recorded signals had become the rule rather than the exception – the average source material used by the typical audio enthusiast had become superior to the best demonstration material of even just a few years ago. In overall dynam- ics and transient response, trans- ducers were once again a potential weak link in the
Unlike the earlier Projects K2 S9500 and K2 S5500, the new K2 S5800 employs a
the dual woofers than the older generations’
It was in this environment that JBL set out to create its fourth and fifth Project loudspeakers, K2 S9500 and K2 S5500. As with Hartsfield, the simplicity of a
of unprecedented physical and acoustical scale possible. Engineers took the core components – the low- and
In the years following the introduc- tion of the K2 S9500 and K2 S5500, sound reproduction technology has undergone another series of revolu- tionary changes, with the introduc- tion of
045Ti 1" UHF Compression Driver
SonoGlass
90° Horizontal
50° Vertical
Curved
Dress
Panel
1200FE |
12" LF |
Driver |
435AL |
3" HF |
Compression |
Driver |
1" MDF |
Construction |
1200FE |
12" LF |
Driver |
Port |
Tube |
and enclosure technologies.
See Figure 1.
Spiked Feet
Foot Base
Figure 1. Cutaway view of Project K2 S5800 speaker system. | 5 |