Data Sheet—2

Copyright, Eastman Kodak Company, 1993

TI2082 Revised 10-93

 

6) Color Balance

This film is balanced for exposure with tungsten illumination (3200K). You can also expose it with tungsten lamps that have slightly higher or lower color temperatures (+/- 150K) without correction filters, since final color balancing can be done in printing. For other light sources, use the correction filters in the table below.

Light Source

KODAK Filters on Camera 1

Exposure Index/DIN

Tungsten (3000 K)

Tungsten (3200 K)

Tungsten photoflood(3400 K)

Daylight (5500 K)

White-Flame Arcs

Yellow-Flame Arcs

Optima 32

Vitalite

Fluorescent, Cool White 2

Fluorescent, Deluxe Cool White

2

Metal Halide

WRATTEN Gelatin No. 82B

None

None

WRATTEN Gelatin No. 85

WRATTEN Gelatin No. 85B

Color Compensating 20Y

None

WRATTEN Gelatin No. 85

WRATTEN Gelatin No. 85 + 10M

WRATTEN Gelatin No. 85C + 10R

WRATTEN Gelatin No. 85

320/26

500/28

500/28

320/26

200/24

320/26

500/28

320/26

200/24

320/26

320/26

1These are approximate corrections only. Make final corrections during printing.

2These are starting-point recommendations for trial exposures. If the kind of lamp is unknown, a KODAK Color Compensating Filter CC 40R can be used with an exposure index (EI) of 250/25.

NOTE: Consult the manufacturer of high-intensity ultraviolet lamps for safety information on ultraviolet radiation and ozone generation.

7) Exposure Table-Tungsten Light

At 24 frames per second (fps), 170-degree shutter opening:

Lens Aperture

f/1.4

f/2

f/2.8

f/4

f/5.6

 

 

 

 

 

 

Footcandles

5

10

20

40

80

Required

 

 

 

 

 

 

 

 

 

 

 

f/8

160

f/11

320

f/16

640

Use this table for average subjects that contain a combination of light, medium, and dark colors. When a subject includes only pastels, use at least 1/2 stop less exposure; dark colors require 1/2 stop more exposure.

Page 2
Image 2
Kodak EXR 500T manual Color Balance, Exposure Table-Tungsten Light