Main
ii
Precautions
CE mark for European Harmonized Standards
THE FCC REGULATION WARNING (for U.S.A.)
Keeping foreign matter out of your equipment
Keep this manual
About this manual
MIDI-related explanations
Example screen displays
Note
Symbols , ,
Table of Contents
...57
Playing and Editing Programs.......37
Setup................................................23
Introduction ......................................9
Using and Editing Multi sets.......... 69
Saving data ............................................... 117
Appendices...................................117
Other functions ............................ 113
Page
Quick Start
Setup
Selecting programs by bank and number
Playing programs and combinations
1, 4
Using the [CATEGORY] and PROGRAM/COMBINATION buttons to select a cat- egory
4
Selecting combinations by bank and number
1, 4
2
Joystick
Using controllers to modify the sound
Selecting combinations by category
5
OCTAVE
REALTIME CONTROLS [1], [2], [3], [4], [SELECT]
7
Using the arpeggiator
Using the realtime controllers to control the arpeggiator
Changing the arpeggio pattern
8
Listening to the demo songs
4.1
Changing the play mode
4.2
12, 3
Introduction
Main features
High-quality sound featuring the HI synthesis system
Tone generator section:
Filter/synthesis section:
10
Effects that can creatively manipu- late the sound or generate subtle ambience
4 channel audio outputs
Multi mode plays multiple tracks of data from an external sequencer
Dual polyphonic arpeggiator
Front and rear panel
Front panel
1. [VOLUME] knob
2. REALTIME CONTROLS
[VALUE] dial
[SELECT] button [1][4] knob
3. Arpeggiator
10. PAGE, CURSOR
[PAGE+][PAGE] buttons
ClickPoint
[MENU/OK] button
[EXIT/CANCEL] button
Rear panel
1. AUDIO OUTPUT
2. PEDALS
3. MIDI
4. USB
Objects in the Display and their functions
a: Current page
b: Tab
c: Parameters
d: Edit cell
* Scroll bar
* Page menu
* Other objects
Basic Information
Basic Information
About the microX modes
Program mode
Combination mode
Multi mode
PROGRAM MODE
MULTI MODE
COMBINATION MODE GLOBAL MODE
Basic operations
19
Basic operations
1. Selecting modes
2. Selecting pages
Selecting a page
Using the page menu to move
20
Using the [MENU/OK] button + [PAGE+][PAGE] buttons to move
[EXIT/CANCEL] button
Selecting tabs
[PAGE+][PAGE] buttons
21
4. Selecting and executing a Utility function
5. Writing (saving)
Page
Setup
Turning the power on/off
Connecting the AC adapter
Turning the power on
Turning the power off
Connections
25
Connections
Basic connections
Connecting audio output devices
Connecting the MAIN OUTPUT L/MONO and R
Connecting INDIVIDUAL OUTPUT 1 and 2
Connecting a damper pedal, foot switch, or foot pedal
Connecting a damper pedal
Connecting a foot switch
27
Connecting a foot pedal
Connecting a computer
Operating requirements for the KORG USB-MIDI Driver and the edi- tor software
Contents of the CD-ROM
Please note before use
KORG USB-MIDI Driver operating requirements
28
Macintosh:
microX Editor/Plug-In Editor operating requirements
Windows:
Macintosh:
Setting up the KORG USB-MIDI Driver
About the microX and driver ports
Setting up the microX Editor/Plug-In Editor
About the microX external control tem- plates
31
Mac OS X: Installing the KORG USB-MIDI driver and editor software
Installing the KORG USB-MIDI Driver
About the microX and driver ports
Installing the microX Editor/Plug-In Edi- tor
32
About the microX external control tem- plates
Connecting via the microXs USB connector, and setting-up
USB connector (for connecting to com- puter)
Connecting to your computer via MIDI
MIDI Filter Exclusive setting
The Convert Position setting
Multi Mode setting
Making settings in Global mode
34
Example connections when using the microX Editor/Plug-In Editor
Connecting MIDI devices
35
Connecting MIDI devices
About MIDI
MIDI connectors
MIDI IN:
MIDI OUT:
Page
37
Playing and Editing Programs
Whats a Program?
Playing programs
Selecting programs
Selecting programs from the front panel
38
Auditioning the sound
Overview: Program Banks
Selecting by Category
Using [CATEGORY] and the PROGRAM/ COMBINATION buttons to select
39
Using a footswitch to select Pro- grams
Using MIDI program change mes- sages to select programs
MIDI channel setting
Selecting programs
40
Keyboard
Velocity
Note Number
Joystick
41
OCTAVE
REALTIME CONTROLS [1], [2], [3], [4], [SELECT]
Using the pedals for control
Damper Pedal (Sustain)
42
Assignable Foot Switch
Assignable Foot Pedal
External control
[EXT. CONTROLLER] button
Simple program editing
Performance Edit
REALTIME CONTROLS [1], [2], [3], [4], [SELECT]
44
A-mode controls
LPF
Knob [1]: LPF CUTOFF
Knob [2]: RESONANCE/HPF
45
B-mode controls
C-mode control
Detailed Editing with Programs
Before you begin editing
The three attributes of sound: pitch, tone, and volume
The microXs oscillator, lter , and amp
EG, LFO, keyboard tracking, AMS, Dmod, controllers
ARPEGGIATOR
48
Basic oscillator settings
Program type setting (single, dou- ble, drum kit)
Polyphony
Polyphonic/monophonic playing
Working with Multisamples
Reverse check box
this.
Using oscillators 1 and 2 to create a detuned sound
Using velocity to switch between oscil- lator 1 and 2
50
Using LFOs and Envelopes (EGs)
Using LFOs
Basic LFO settings
Using Alternate Modulation
51
Using Alternate Modulation
Suggestions on using AMS
52
Controlling Pitch
Varying the pitch according to key- board position (Pitch Slope)
Modulating the pitch
Pitch bend
Portamento
Using Filters
Filter Types
Low pass lter
High pass lter
Resonance
54
Modulating the lters
Keyboard Track
Filter EG
LFO modulation
Using the Amp section
Setting the basic amp level
Applying modulation to the amp
Keyboard Track
Velocity (Amp Modulation)
Pan AMS and Intensity
Pan - Use DKit Setting
57
Playing and Editing Combinations
Whats a Combination?
Playing combinations
Selecting combinations
Selecting combinations from the front panel
58
Auditioning the sound
Overview: Combination Banks
Selecting by Category
Using a footswitch to select Combi- nations
59
Sending MIDI information from the various controllers
60
Simple combination editing
Changing the programs within the Combination
Selecting programs from the front panel and LCD
Listening to the program sound of just one timbre
Receiving MIDI program changes to switch timbre programs
REALTIME CONTROLS [1], [2], [3], [4], [SELECT]
62
Detailed Editing with Combinations
Before you begin editing
Overview of Combi mode parame- ters
Select a program for each timbre
Status and MIDI settings
Selecting a program for each timbre
Status and MIDI settings
Status and MIDI channel
Status
Bank Select (when status=EX2)
Layers, Splits, and Velocity switches
Layer
Split
Velocity Switch
Layers, Splits, and Velocity switches
65
Creating Key Splits and Layers
Key Zone Slope
Creating Velocity Switches
66
Altering Programs to t within a Combination
Specifying how the timbre will sound
Force OSC Mode
OSC Select
Portamento
67
Adjusting the pitch
Transpose, Detune (BPM Adjust)
Adjusting the BPM of multisamples
Specifying the range of pitch change controlled by the joystick (+X, X)
Page
69
Using and Editing Multi sets
The Multi Mode setting
MIDI considerations
Selecting a multi set
Selecting multi sets from the front panel
Assigning a program to a track, and setting the volume and pan
Selecting a track program from the microX
Checking the sound of a track
Playing the microXs keyboard to hear the sound
Receiving MIDI data from an external sequencer to play the microX
71
Adjusting the volume
Status and MIDI channel
Status
Bank select (when Status = EX2)
Copying the settings of a combination to a multi set
What you can do in Multi mode
73
What you can do in Multi mode
Overview of Multi set parameters
Select a program for each track
Status and MIDI settings
Adjust the programs so that they t within the multi set
Altering Programs to t within a Multi set
Layers, Splits, and Velocity Switches
Layers, Splits, and Velocity Switches
Control via MIDI
Parameters and performance data
MIDI tracks 116
Performance data
Tempo*
Default Settings in Multi Mode
Control via MIDI
77
Selecting a multi set
Switching the program assigned to a track via MIDI
MIDI control from the microXs con- trollers
Other MIDI control
Page
79
Effects settings
Effects in each mode
Program mode
Combination mode, Multi mode
Effect types
80
Pitch/phase modulation effects
Other modulation and pitch shift effects
Early reection and delay effects
Reverb effects
Effect settings for a program
Routing
82
Selecting an insert effect, and rout- ing after the insert effect
Effect settings for a program
83
Selecting master effects, and chain settings
If this is Off, the output of the master effect will be muted.
84
Effect settings in combina- tion, and Multi
Routing
Selecting an insert effect, and rout- ing after the insert effect
Dynamic modulation and BPM/MIDI Sync.
85
Dynamic modulation and BPM/MIDI Sync.
Using dynamic modulation to con- trol effects in realtime
Moving the joystick to vary the delay level via Dmod
Pressing a foot switch to vary the feed- back level via Dmod
86
Saving edited effect settings
Bypassing the insert effect or the master effects
87
Global Mode
How Global mode is struc- tured
System setup 0: System
Basic Page
Tuning to another instrument/Trans- posing
Preference Page
Recalling the last-selected mode and page at power-on
Protecting the memory
Foot Page
Specifying the function of the ASSIGNABLE Switch and ASSIGN- ABLE Pedal
MIDI-related settings 1: MIDI
MIDI Setup, MIDI Filter
Creating user scales 2: User Scale
Creating an original scale, and assigning it to a Program
Global Mode
Setting category names 3: Category Name
Program, Combination Category
Saving the global settings
Drum kit 4: DKit, Arpeggiator 5: Arp.Pattern, External Control 6: Ext.Con- trol settings
91
Arpeggiator settings
Arpeggiator features in Program mode
Using the arpeggiator in Program mode
Arpeggio controllers
Arpeggiator on/off (ARP ON/OFF)
92
Adjusting the arpeggiator tempo (TEMPO)
Adjusting the length of the arpeggiated notes (ARPGATE)
Adjusting the level of the arpeggiated notes (ARP-VELOCITY)
Changing the length of the arpeggio pattern (ARP-LENGTH)
Editing in the PROG 0: Play, Arp. Play page
Selecting an arpeggio pattern (Pattern)
Changing the timing value of the arpeg- giated notes (Resolution)
Selecting the octave range of the arpeg- giated notes (Octave)
Page
The arpeggiator in Combination and Multi modes
95
Making the arpeggio pattern shufe (Swing)
Editing in the PROG 7: EdArp/Ctrls, Scan- Zone page
The arpeggiator in Combina- tion and Multi modes
Using the arpeggiators as you play in Combination mode
96
Editing arpeggio settings that appear in the display
Select the arpeggiator(s) that will run
Arpeggiator-A, Arpeggiator-B
Checking the structure of a user arpeg- gio pattern
Arpeggiator on/off
Arpeggiator settings
98
Setting examples
Combination B021: Urban Nature RnB
Combination B071: In The Pocket
Writing the arpeggiator settings
Creating a user arpeggio pat- tern
Memory structure for the arpeggio patterns
Changing the memory protect set- ting
Saving and comparing data
Caution when the arpeggiator is used by multiple programs or combi- nations
100
Editing a user arpeggio pattern in Program mode
Creating an example pattern
102
Other examples of creating a user arpeggio pattern
Melody pattern
Chordal pattern
Drum pattern
Page
104
Dual polyphonic arpeggiator editing in Combi and Multi modes
Saving a user arpeggio
Synchronizing the arpeggiator
105
Synchronizing the arpeggiator
Synchronization between arpeggia- tors A and B
Synchronization with an external sequencer in Program, Combination, or Multi modes
When the microX is the master
When the microX is the slave
Page
107
Using Drum Kits
What is a Drum Kit?
Drum Kit memory structure
Drum Kit Programs and Oscillator Mode
Before you start editing
Editing Drum Kits
Basic Editing
Placing drum samples
Editing Drum Kits
109
Fine-tuning the sound of each sam- ple
Using Exclusive Groups
Using Hold
Using Drum Kits
Saving a drum kit
111
External control settings
Using external controls
Selecting external controls
External control settings
112
External control setups
Selecting an external control setup and assigning control changes
Saving an external control setup
113
Other functions
Restoring the factory set- tings (Loading the preloaded data)
Loading individual banks or data items
Other functions
Assigning a name (Rename)
Assigning functions to REALTIME CONTROLS B-mode knobs [1][4]
Assigning functions to REAL- TIME CONTROLS B-mode knobs [1][4]
Adjusting the display con- trast
Tap tempo control
Page
117
Appendices
Saving data
Types of data that can be saved
Writing data into the microX
Data areas that you can write
About the Edit Buffer
About the memory in Program, Com- bination, and Multi modes
Memory in Global mode
Troubleshooting
119
Troubleshooting
Power supply
Power does not turn on
Display
Audio output
120
Noise or oscillation is heard
Programs and Combinations
Settings for oscillator 2 are not displayed
A combination does not play correctly after you load data
121
MIDI, USB
This instrument does not respond to incoming MIDI data
This instrument does not respond cor- rectly to incoming MIDI data
When using USB, sound processing is slow, or the tempo is unstable
Specications and options
Specications
Operating requirements for connection to a computer
Quick StartIntroductionSetupProgram
Combination MultiEffectGlobalArpeggiatorDrum Kit
Operating requirements for connection to a computer
KORG USB-MIDI Driver operating requirements microX Editor/Plug-In Editor operating requirements
Options
MIDI Implementation Chart
MIDI Implementation Chart
microX:
Page
126
Index
A
B
C
D
127
N
O
P
R
Operation Guide