Korg music workstation/sampler

7In the P8: Insert Effect, Insert FX page, set “IFX1” to

052: Reverb Hall, and turn “IFX On/Off” ON.

Press the C2 key, and verify that reverb is applied.

8Press the SAMPLING [REC] key, and then the SAM-

PLING [START/STOP] key.

The sample assigned to C2 will play automatically, and

resampling will begin.

When the sample ﬁnishes playing, resampling will

end.

The sample that was created by resampling will auto-

matically be assigned to “Sample Select.”

9Press the C2 key, and verify that reverb is applied.

In Sampling mode, the P8: Insert Effect, Routing page

“BUS (IFX) Select” parameter will automatically be

set to L/R when resampling ends. This prevents an

insert effect from being applied in duplicate when

you monitor the results of resampling through an

insert effect.

If you want to apply an insert effect once again, re-

select IFX1.

As an alternative to automatically resampling as

described above (“Resample” Auto), you can simply

sample the sounds that you play from the keyboard

(“Resample” Manual).

In “Sample Select,” assign the sample that you will

resample, and set “Resample” to Manual. Set “Trig-

ger” to Note On, and set “Sample Mode” to Stereo as

desired. Then set the bus and effect as described in

steps 2 and 7, press the SAMPLING [REC] and then

the [START/STOP] key, and then press the C2 key to

start resampling. When you want to stop resampling,

press the SAMPLING [START/STOP] key.

Ripping

Data from an audio CD in a CD-ROM or CD-R/RW drive

connected to the USB A connector can be loaded into the

TRITON Extreme as sample data. You can do this in either

of two ways; you can play back the audio CD and capture

the sound via the AUDIO INPUT, or you can load (“rip”)

it directly as digital data.

If you are using a CD-ROM or CD-R/RW drive con-

nected to the USB A connector, use an audio cable to

connect the audio output of your drive to the TRI-

TON Extreme’s AUDIO INPUT 1, 2 jacks. If you’re

using a drive that does not have audio output jacks or

a headphone jack, you won’t be able to monitor the

sound.

Ripping digital data from an audio CD as a sample

Here’s how digital data from an audio CD track can be

captured as a sample.

1Insert an audio CD into the USB A connector CD-

ROM or CD-R/RW drive. (☞PG p.325)

2In the Sampling mode P0: Recording, Input/Setup

page, make Input settings so that you can monitor the

audio that you want to rip.

Ripping will not be affected by these inputs.

3Access the Sampling mode P5: Audio CD, Ripping

page.

4In “Media” (media select), select the drive that con-

tains the audio CD, and use “Track” to select the track

that you want to rip.

Raise the “Volume.”

5Press the SEQUENCER [START/STOP] key to play

back the audio CD track.

6During playback, press the [ENTER] key at the

points where you want ripping to begin and end.

This will set “Range Start” and “Range End.”

If you press the [ENTER] key three or more times,

“Range Start” and “Range End” will respectively be set

to the next-to-last point at which you pressed the key,

and the last point at which you pressed the key.

You can use the method described above when the

edit cell is located at other than “Range Start” or

“Range End.”

If the edit cell is located at “Range Start” or “Range

End,” the setting will be reset each time you press the

[ENTER] key.

“Input”: Analog

Input1 “BUS (IFX/Indiv.) Select” L/R, “Level” 127,

“Pan” L000

Input2 “BUS (IFX/Indiv.) Select” L/R, “Level” 127,

“Pan” R127

Program

Combination

SequencerSamplingSong PlayGlobalEffectMedia, etcPresetOther