
Quick Start | Set the levels | ||
It’s not even necessary to hear what you’re doing to | |||
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| We realize that you must be really keen | set optimal levels. But if you’d like to: Plug headphones |
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| into the phones output jack, then turn up the phones | |
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| to try out your new mixer. Please read the | |
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| knob just a little. | |
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| safety instructions on page 2, then have | |
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| a look through some of the features and | 1. Turn on the mixer by pressing the top edge of |
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details in this manual. | the power switch. | ||
Setup | 2. For one channel, press the solo switch in, and | ||
the rude solo light will turn on. |
Use the mixer in a nice clean and dry environment, | 3. | Play something into that input at |
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| levels. |
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free from dryer lint and dust bunnies. |
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4. | Adjust that channel's gain control until the |
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Zero the controls |
| right main meter stays around the 0 dB LED |
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| (marked "level set"). |
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1. Fully turn down all the knobs to minimum, | 5. | Disengage the channel's solo switch. |
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6. | Repeat steps 2 to 5 for the remaining channels. | ||||
| except for the channel EQ and pan controls, | ||||
| which should be centered. | 7. | Turn up the channel level to the "U" mark. |
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2. | Make sure all buttons are in the out position. | 8. | Slowly turn up the main mix level until you |
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Connections |
| hear the signals in your speakers. |
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9. | If needed, apply some channel EQ wisely. |
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1. | Make sure the AC power switch is off before | 10. | Adjust the channel levels to get the best mix. |
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| Keep the gain controls and levels fully down on | ||||
| making any connections. |
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| unused channels. |
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2. | Push the linecord securely into the IEC |
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11. | During the performance, if you notice a channel | ||||
| connector on the rear panel, and plug it into a | ||||
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| OL LED turning on during peaks, carefully turn | |||
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| down that channel's gain control until OL does | |||
| AC voltage ranging from 100 VAC to 240 VAC. |
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| not turn on. |
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3. Plug a balanced microphone into one of the mic |
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| XLR | FireWire |
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| to a line input jack using a TS or a TRS 1/4" | • | See page 42 for details of getting started with | ||
| plug. | ||||
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| FireWire. |
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4. | If your microphone requires phantom power, |
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• | PC drivers are on the supplied |
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| press in the 48V phantom power button. |
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| OS X contains |
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5. You can connect a guitar directly to line inputs |
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| installation is required. |
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| 1 or 2 without needing a DI box, if you first | Other Notes |
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| engage the |
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6. All 16 channels have insert jacks that can be | • | When shutting down, turn off any power |
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| used to connect an external effects or dynamics |
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| processor into the signal chain. |
| amplifiers or powered speakers first. When |
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7. | Connect the main outputs of the mixer (either |
| powering up, turn them on last. This will |
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| reduce the chance of |
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| XLR or TRS 1/4") to the line level inputs of your |
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| thumps. |
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| amplifier (with speakers already attached) or |
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| • | Always turn down the phones level when |
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| to the line level inputs of powered speakers. |
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| making connections, pressing solo, or doing |
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| anything that may cause loudness in the |
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| headphones. This will help protect your |
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| hearing. |
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| • | Always turn down the main mix level and |
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| control room level when making connections to | ||
Part No. SW0724 Rev. B 02.2010 |
| the mixer. Better yet, turn off the power. |
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©2010 LOUD Technologies Inc. All Rights Reserved. |
| Save the shipping box! |
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Loosely based on a dream sequence in which the technical writer is given keys to a • |
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sports car of his choice, unlimited gas, and closed roads. The dream suddenly ends and | Owner's Manual | 3 | |||
reality kicks in. A mixer manual to write, a mixer manual to write! |
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