BIG KNOB
above the MONITOR A output jacks is in | fier and check to see if the | ||||||||
the | above the PHONES AMP | output jacks | |||||||
turn the control up to the +4 dB position and | is in the | ||||||||
then turn up the Big Knob VOLUME control. | switch it to the +4 position and then turn up the | ||||||||
Now it should get louder, faster. |
| headphone volume control on the headphone | |||||||
10. If you have monitors connected to the STUDIO | amplifier. Now it should get louder, faster. | ||||||||
13. You can connect a pair of headphones to one of | |||||||||
OUTS , make sure the PHONES/STUDIO | |||||||||
OUTS SOURCE | button on the front panel is | the two PHONES | jacks on the front panel of | ||||||
out, and the STUDIO OUTS ON/OFF | button | Big Knob. Slowly turn up its associated LEVEL | |||||||
is ON (LED above the button is lit). |
| control to a comfortable listening level. | |||||||
11. Slowly turn up the STUDIO OUTS LEVEL | 14. If you want to record from the DAT or cassette | ||||||||
control on the front panel. You should begin | player to your DAW, start playback on the DAT | ||||||||
to hear playback from your DAW through your | or cassette connected to Big Knob. | ||||||||
studio monitor speakers. Adjust the STUDIO | CAUTION: See “A Cautionary Note” on the next | ||||||||
OUTS LEVEL control to a comfortable listening | |||||||||
page to avoid creating a feedback loop through | |||||||||
level. If it seems like you have to turn up the | |||||||||
the | |||||||||
LEVEL control all the way to hear the studio | |||||||||
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monitor speakers, turn down the LEVEL control | 15. Push in the | button in the INPUT | |||||||
and check to see if the trim control | above the | SOURCE SELECT section on the front panel | |||||||
STUDIO OUTS | jacks is in the | and turn off the DAW MIX button. Slowly turn | |||||||
(counterclockwise). If it is, turn the control | up the trim control | for the | |||||||
up to the +4 dB position and then turn up the | until you see the meters | on the front panel | |||||||
LEVEL control. Now it should get louder, faster. | light. Adjust the control until the meters are | ||||||||
12. If you have a headphone distribution amplifier | lighting the “0” LED regularly. You want the | ||||||||
“+8” LED to light only occasionally, and the | |||||||||
connected to the PHONES AMP outputs, you | |||||||||
“OL” LED to not light at all. |
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should be able to turn up the volume for each |
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headphone connected to the headphone amplifi- | 16. Make sure the inputs to the DAW are selected | ||||||||
er and hear playback from the DAW. If it seems | for recording. Start recording and the playback | ||||||||
like you’re not getting enough volume from the | from the | ||||||||
headphone amplifier, turn down all the head- | be recording in the DAW application. If it seems | ||||||||
phone volume controls on the headphone ampli- | like you’re not getting enough volume from the | ||||||||
Hookup |
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| MONITOR A |
| stronger signal to send to your DAW. | ||||||
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Stereo Power |
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Amplifier |
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STUDIO MONITORS
Mackie HR824 or other
Active Studio Monitors
POWER | MONITOR | A | MONITOR | B | MONITOR | C | OUTPUTS |
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| DAW |
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| (MONO) | SOURCES |
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| Turntable | |||
ON |
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| A | B | OUTPUT | AMP |
| MIX INPUT |
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| BAL/ |
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| UNBAL |
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| PHONO | GROUND | TALK BACK |
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| BAL/UNBAL |
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| BAL/UNBAL | BAL/UNBAL | BAL/UNBAL | BAL/UNBAL | BAL/UNBAL | BAL/UNBAL |
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DAT Recorder | Sound Card | |
Footswitch | ||
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| LINE | |
| OUTS | |
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| LINE | |
| IN | |
| MIC | |
| IN |
BIG KNOB