NORMAL
0 10 TIME RATE
REVERSE
GATED CATHEDRAL LG. HALL MD. HALL LG. PLATE MD. PLATE SM. ROOM
EFX 2 (INT) RETURN MASTERS
DIGITAL STEREO EFFECTS PROCESSOR
CUSTOM 32-BIT PRECISION

EMAC effects, with their levels already determined by the channels’ EFX 2 (EXT) knob, you’ll typically set this knob near the “U” mark and then leave it alone.

EFFECTS TO MONITOR

This works just like the channel AUX

knobs, but here, the source signal is the EFX 2 RETURN and the EMAC output. Typically, this knob is used to add effects to the stage monitors.

Turned fully up, it provides 15 dB of additional gain, the center “U” mark is unity gain, and fully down is off.

PRESET SELECT

Rotate this detented switch to select the preset effect you want to use.

Preset Effects Descriptions

Reverbs

The reverbs are designed to provide a wide variety of reverb sounds for vocal and instrument applications. In the following description, tail refers to the reflections that follow the initial sound event, also referred to as decay range. Pre-delayis the amount of time between the initial sound event and the first reflection.

TIME/RATE controls the length of the tail, with the shortest tail at the 0 position and the longest tail at 10. DAMPING/DEPTH controls the damping, with the darkest tone at 0 and the brightest tone at 10. The WIDE switch is very effective at increasing the stereo image of the reverb effect.

REVERSE: Standard reverse reverb, simulat-

ing a tail-first effect

A very dramatic effect that works well with wind instruments such as flute, slow finger picking on acoustic guitar, and quiet vocal group harmony and choirs. Also works well with keyboards and drums using short decay. Decay range is adjustable from 2 seconds to 10 seconds. Pre-delay set at 75ms.

LG. HALL: Dense, smooth reverb with long tail, long pre-delay, and some early reflections. Tails are warm with more apparent high end.

Works well with vocals and electric and acoustic guitar. Decay range is adjustable from 1 second to 5 seconds. Pre-delay set at 75ms.

MD. HALL: Dense, smooth reverb with normal tail, normal pre-delay, and increased early reflections. Tails are warm with more apparent high end. Works well with vocals and electric and acoustic guitar. Decay range is adjustable from 750ms to 2.5 seconds. Pre-delay set at 65ms.

LG. PLATE: Good early reflections and no pre-delay. Tails are normal and warm with strong high end for increased presence. Perfect for vocals and snare. Decay range is adjustable from 1 second to 5 seconds. No pre-delay.

MD. PLATE: Good early reflections and no pre-delay. Tails are short and warm with strong high end for increased presence. Perfect for tight vocals and snare. Decay range is adjustable from 750ms to 2.5 seconds. No pre-delay.

SM. ROOM: Reverb featuring very fast and scattered early reflections with a short pre-delay. Tails are very short and warm with normal high- end imitating absorbent wall materials and audience. Good for tight vocal effects. Decay range is adjustable from 250ms to 1 second. Pre-delay set at 30ms.

increasing to the original

 

 

 

note. Decay range is ad-

 

 

 

justable from 35ms to

CLIP

 

 

515ms. No pre-delay.

 

 

U

 

U

GATED: Standard

 

 

 

 

gated reverb, where the

 

 

 

reverb tail is cut off

OO +15

OO

+15

sharply after the preset

EFX 2

TO MAIN MIX

decay length. Decay

SEND

 

 

 

 

 

range is adjustable from

 

 

 

35ms to 515ms. No pre-

 

 

 

delay.

 

 

 

 

U

 

U

OO

+15

OO

+15

AUX 1

AUX 2

EFFECTS TO MONITOR

DELAY 1

DELAY 2

DELAY 3

DELAY 4

CHORUS

SPRING: Mimics the vintage 60’s-style wet spring reverb effect. Tails are normal with strong high end and a slight waver imitating the slow flutter of the mechanical spring system. Very good with acoustic guitar. Decay range is adjustable from 1 second to 5 seconds. No pre-delay.

CATHEDRAL: Dense, smooth reverb with very long tail, long pre-delay, and late reflections. Tails are very warm with some additional high-end reflections imitating the stone walls of a cathedral.

FLANGE

PHASER

SPRING

EFXNORMAL

WIDE BYPASS

0 10

REVERBS

DELAYS DAMPING

CHORUS/FLANGE/PHASER DEPTH

Delays

There are four delays available with one, two, three, and four repeats. TIME/RATE controls the time between repeats, with the fastest repeats at the 0 position and the

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