Radio frequency interference from TV/radio stations and cellular phone users is virtually eliminated, thanks to Mackie’s use of metal jacks (instead of plastic) and shunting capacitors.

Its built-in power supply is beefy enough to handle major power consumption without breaking up. And there’s no bulky “wall wart” to be kicked out of place or to cover up extra outlets.

All of this adds up to an extremely durable mixer that can withstand major use and misuse. Multi-user applications like churches, night clubs, A/V rooms and schools are perfect homes for the CR1604-VLZ.

Highly-usable.

We designed the CR1604-VLZ by taking into consideration a couple of things. One: what made our original CR-1604 so popular and critically acclaimed. And two: what additional features or improvements would make the CR1604- VLZ the new standard in high-quality compact mix- ers.

Sixteen high-headroom, low-noise mic preamps (with –129.5dBm E.I.N., 0.005% THD, and 60dB max. gain), mean plenty of mic inputs for virtually any use. Additionally, each

channel has its own switchable low cut filter (18dB/octave @ 75Hz), so

Jacks to top. (Pod normal.)

19.0" (482.6mm) 17.3" (442.0mm)

17.6" (447.0mm) 10 rack spaces

Jacks to back.

19.0" (482.6mm) 17.3" (442.0mm)

13.0" (325.1mm) 8 rack spaces

Jacks to front.

(With optional rotopod.)

19.0" (482.6mm) 17.3" (442.0mm)

17.9" (454.7mm) 11 rack spaces

mic thumps, room rumble and stage mishaps are left out of the mix withoutdiminishing the audible bass frequency range.

Four buses make the CR1604-VLZ a routing giant. Channels can be assigned to buses 1-2, 3-4 and/or Main Mix,

and the 4 subs can be assigned to left and/or right main mix. A Control Room/

5.0" (127mm)

5.6" (142.2mm)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

17.6" (447.0mm)

17.6" (447.0mm)

 

8.7" (221.0mm)

(325.1mm)

9.3" (236.2mm)

13.0"

 

 

13.0" (325.1mm)

6.0"6.6"

(152.4mm)(167.6mm)

17.9" (454.7mm)

17.9" (454.7mm)