![](/images/backgrounds/15888/15888-167x1.png)
Placement
WARNING: Installation should only be done by
an experienced technician. Improper instal-
lation may result in damage to the equip- ment, injury or death. Make sure that the loudspeaker is installed in a stable and secure way in order to avoid any conditions that may be dangerous for persons or structures.
The HD1521 speaker is designed to sit on the floor or stage. It may also be
Check to make sure that the support surface (e.g., floor, etc.) has the necessary mechanical characteristics to support the weight of the loudspeaker(s).
When
You can create a horizontal array by placing the cabinets
When two cabinets are positioned vertically side-
As with any powered components, protect them from moisture. Avoid installing the loudspeaker in places exposed to harsh weather conditions. If you are setting them up outdoors, make sure they are under cover if you expect rain.
Room Acoustics
The HD1521 loudspeakers are designed to sound neu- tral; that is, to reproduce the input signal as accurately as possible.
Room acoustics play a crucial role in the overall performance of a sound system. Here are some additional placement tips to help overcome some typical room problems that might arise:
• Avoid placing loudspeakers in the corners of | Owner’s | ||
a room. Doing so increases the low frequency | |||
|
| ||
output and can cause the sound to be muddy |
|
| |
and indistinct. |
|
| |
• Avoid placing loudspeakers against a wall. This, |
|
| |
too, increases the low frequency output, though |
|
| |
not as much as corner placement. However, this | Manual | ||
is a good way to reinforce the low frequencies, | |||
|
| ||
if so desired. |
|
| |
• Avoid placing the speakers directly on a hol- |
|
| |
low stage floor. A hollow stage can resonate at |
|
| |
certain frequencies, causing peaks and dips in |
|
| |
the frequency response of the room. It is better |
|
| |
to place the loudspeakers on a sturdy table |
|
| |
or stand designed to handle the weight of the |
|
| |
HD1521. |
|
| |
• Position the loudspeakers so the |
|
| |
drivers are 2 to 4 feet above ear level for the au- |
|
| |
dience (make allowances for a standing/danc- |
|
| |
ing in the aisles audience). High frequencies |
|
| |
are highly directional and tend to be absorbed |
|
| |
much easier than lower frequencies. By provid- |
|
| |
ing direct |
|
| |
the audience, you increase the overall bright- |
|
| |
ness and intelligibility of the sound system. |
|
| |
• Highly reverberant rooms, like many gymna- |
|
| |
siums and auditoriums, are a nightmare for |
|
| |
sound system intelligibility. Multiple reflections |
|
| |
off the hard walls, ceiling, and floor play havoc |
|
| |
with the sound. Depending on the situation, |
|
| |
you may be able to take some steps to minimize |
|
| |
the reflections, such as putting carpeting on |
|
| |
the floors, closing draperies to cover large glass |
|
| |
windows, or hanging tapestries or other materi- |
|
| |
als on the walls to absorb some of the sound. |
|
| |
However, in most cases, these remedies are not |
|
| |
possible or practical. So what do you do? Mak- |
|
| |
ing the sound system louder generally doesn’t |
|
| |
work because the reflections become louder, |
|
| |
too. The best approach is to provide as much di- |
|
| |
rect sound coverage to the audience as possi- |
|
| |
ble. The farther away you are from the speaker, |
|
| |
the more prominent will be the reflected sound. |
|
| |
Use more speakers strategically placed so they |
|
| |
are closer to the back of the audience. If the |
|
| |
distance between the front and back speakers |
|
| |
is more than about 100 feet, you should use a |
|
| |
delay processor to |
|
| |
sound travels about 1 foot per millisecond, it |
|
| |
takes about 1/10 of a second to travel 100 feet.) |
|
| |
Keep in mind that the Contour EQ is a great way to |
|
| |
compensate for some of these issues. |
|
| |
|
|
| |
|
|
| |
Owner’s Manual |
| ||
|
|
|