STEREO BALANCED OR U
16 | 15 | 14 | 13 | 12 | 11 | 10 | 9 |
(MONO)
L
R
CONTROL ROOM |
| MAIN/TAPE OUTPUTS | TAPE INPUTS |
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| OUTPUTS |
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L | L | R | L | R | ||
R | ||||||
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| L | L |
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| R | R |
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L | R | L | R | 1 | 2 |
ALT 3/4
OUTPUTSMAIN INSERTSMIC PREAMP OUTPUT
an insert at left, or check the patching illustration on the back of the
The
The Main Output connections are mentioned earlier, and may be used as the primary feed to your recorder.
The 1⁄4" TS Tape In jacks provide a monitor return from the output of your deck. The Tape In jacks are routed through the Tape Monitor switch in the Main Output section on the front panel, which can send the signal to the control room and phones.
Additionally, the
The Tape In RCA jacks are connected in parallel with the Tape In 1⁄4" phone jacks.
NOTE: Using the 1⁄4" Tape In jacks will deactivate the RCA Tape In jacks.AUX SENDS
Remember that on the front panel, AUX Sends 1 and 3 were stereo sends and AUX Sends 2 and 4 were mono? Well, it’s true back here too, where they finally come out of the mixer.
AUX Sends 1 and 3 each have a
If you want to use AUX Send 1 and/or AUX
Send 3 as a good old mono AUX send (like 2 and 4), just plug your cord into the Left (MONO) AUX Send output. Then both the Left and Right signals will be summed into that output.
Sends 2 and 4 have one mono, unbalanced 1⁄4" TS phone jack each.
STEREO AUX RETURNSThe
Each input is a line level, unbalanced 1⁄4" TS standard phone jack, which routes the signal directly to the AUX Return amplifiers and front panel controls, and on to the main L/R mix bus. See page 10, “Stereo Aux Returns,” for switching options.
Just like the channel inputs, using the (Mono) Left input jack only will apply the return signal equally to both the left and right AUX inputs for a mono return.
STEREO AUX RETURNS
1 | 2 | 3 | 4 |
(MONO)
L
R
AUX SENDS
1 | 2 | 3 | 4 |
MONO
LL
STEREOSTEREO
RR
EXPANDER IN
USE ONLY WITH
The Alt 3/4 Outputs are straightforward: Left and Right line level unbalanced 1⁄4" TS jacks, each connected to the Alt 3/4 buses. Use them for whatever you can dream up. For instance, you could use them to send selected channels to your multitrack deck for bouncing or overdub- bing (see the
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