When connecting a balanced signal using the XLR or 1/4" jacks, they’re wired thusly, per AES (Audio Engineering Society) standards:
| XLR | TRS | |
Hot (+) | Pin 2 | Tip |
|
Cold | Pin 3 | Ring | |
Shield (Ground) | Pin 1 | Shield | |
| SHIELD | 2 |
|
| HOT |
| |
| COLD | 3 | 1 |
| SHIELD | 1 |
|
| COLD 3 | 2 |
|
| HOT |
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| 1 |
| SHIELD |
| 3 |
| COLD |
| 2 |
| HOT |
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| |
Balanced XLR Connectors |
|
| |
| RING SLEEVE SLEEVE | RING | TIP |
TIP
RING (COLD) |
TIP (HOT) |
SLEEVE (SHIELD) |
Balanced 1⁄4" TRS Plugs
Unbalanced TS
SLEEVE | SLEEVE | TIP |
TIP
RING (COLD) |
TIP (HOT) |
SLEEVE (SHIELD) |
Unbalanced 1/4" TS plug
You can connect an unbalanced XLR cable to the M•1200/M•1400, although this would be unusual — as unusual as an unbalanced XLR output. However, if you have an unbalanced XLR connection to make, refer to the “Connec- tors” section (Appendix C) at the back of this manual for more information.
The M•1200/M•1400 amps expect to see a nominal signal level anywhere between the
If you set the AMP MODE switch in MONO or BRIDGE, use the CHAN- NEL 1 inputs only — the CHANNEL 2 inputs are disabled in this case.
1CHANNEL / BRIDGE / MONO
LOW CUT | INPUT |
FILTER |
|
TYPICAL | BALANCED |
OR | |
35 Hz | UNBALANCED |
| STAGE |
| MONITOR |
AMP MODE
STEREO | MONO |
| BRIDGE | |||
TYPICAL |
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INPUT
BALANCED
OR
UNBALANCED
CHANNEL 2
LOW CUT
FILTER
TYPICAL
35 Hz
STAGE
MONITOR
100 Hz | OUTPUT APPLICATION | 100 Hz |
OFF | 170 Hz |
| FULL |
| SUB |
| OFF | 170 Hz |
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|
| RANGE |
| WOOFER |
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| CONSTANT DIRECTIVITY | LIMITER (CH1 & CH2) | FREQUENCY |
| CONSTANT DIRECTIVITY | |||
| HORN EQ/AIR EQ |
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| HORN EQ/AIR EQ |
| |
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| STEREO |
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4.5 kHz |
|
| 125Hz |
| 4.5k Hz | |||
ON | TYPICAL |
| ON | |||||
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2k Hz | 5.6k Hz |
| ON | OFF | 63Hz |
| 2k Hz | 5.6k Hz |
| AIR EQ | OFF |
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|
| OFF |
| AIR EQ |
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| TYPICAL |
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| TYPICAL |
| |
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| THRU |
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| THRU |
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17