Mackie PROFX16 Typical Recording System

Bass

GuitarCondenser microphones

for vocals

Mono Effects

MIC	MIC	MIC	MIC	MIC		MIC	MIC	MIC
1	2	3		4	5	6	7	8
BAL /UNBAL	BAL /UNBAL	BAL /UNBAL	BAL /UNBAL	BAL	BAL /UNBAL		BAL /UNBAL	BAL /UNBAL
LINE IN	LINE IN	LINE IN	LINE IN	LINE IN	LINE IN		LINE IN	LINE IN
				OFF MAX	OFF	MAX	OFF MAX	OFF MAX
INSERT	INSERT	INSERT	INSERT	COMP	COMP		COMP	COMP
U	U	U	U	U		U	U	U
MIC GAIN	MIC GAIN	MIC GAIN	MIC GAIN	MIC GAIN	MIC GAIN		MIC GAIN	MIC GAIN

Electric

Guitar

Amplifier

Modeler

		BAL /UNBAL
				BALANCED	BALANCED		L
		1
			FOOTSWITCH			IN		OUT
		BAL /UNBAL	BAL /UNBAL
		2					R
				BAL /UNBAL	BAL /UNBAL		TAPE
MIC	MIC
		MON SEND	FX SEND	L	R
	11/12	13/14	15/16
				MAIN OUT		PHONES
BAL /	BAL /UNBAL	BAL /UNBAL	BAL /UNBAL	BAL /UNBAL	BAL /UNBAL	BAL /UNBAL	BAL /UNBAL
	L	L	L	L	L		1	3
	(MONO)	(MONO)	(MONO)	(MONO)
LINE IN 9	LINE IN 11	IN 13	IN 15
	R	R	R	R	R		2	4
LINE IN 10	LINE IN	14	16	AUX RETURN	CR OUT	SUB OUT
C G	C G	U				PHANTOM		POWER
MI AIN	MI AIN
				PROFESSIONAL MIC/LINE MIXER WITH FX		48V

Headphones

Headphone Amp

U

+50

U

+50

U

+50

U

+50

U

+50

U

+50

U

+50

U

+50

U

+50

U

+50

-20

+20

-

-20dB

+30dB

-20dB

+30dB

-20dB

+30dB

-20dB

+30dB

-20dB

+30dB

-20dB

+30dB

-20dB

+30dB

-20dB

+30dB

STEREO GRAPHIC EQ

MAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

SOURCE

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LINE

15

15

METERS

100Hz

100Hz

100Hz

100Hz

100Hz

100Hz

100Hz

100Hz

100Hz

100Hz

USB

0dB = 0dBu

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

10

10

OL

U

U

U

U

U

U

U

U

U

U

U

U

5

5

15

HI

HI

HI

HI

HI

HI

HI

HI

HI

HI

HI

HI

0

0

10

12kHz

12kHz

12kHz

12kHz

12kHz

12kHz

12kHz

12kHz

12kHz

12kHz

12kHz

12kHz

6

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

5

5

3

U

U

U

U

U

U

U

U

10

10

0

MID

MID

MID

MID

MID

MID

MID

MID

15

15

2

U

U

U

U

4

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

125

250 500

1K

2K

4K

8K

7

MID

MID

MID

MID

10

600

600

600

600

600

600

600

600

2.5kHz

2.5kHz

2.5kHz

2.5kHz

MAIN MIX

EQ IN

20

150

1.5k

150

1.5k

150

1.5k

150

1.5k

150

1.5k

150

1.5k

150

1.5k

150

1.5k

-15

+15

-15

+15

-15

+15

-15

+15

MON 1

BYPASS

30

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

L

R

100

8k

100

8k

100

8k

100

8k

100

8k

100

8k

100

8k

100

8k

U

U

U

U

LEVEL

U

U

U

U

U

U

U

U

01 BRIGHT ROOM

05 WARM HALL

09 CHORUS

13 DELAY 1 (300ms)

SET

RUDE

02 WARM LOUNGE

06 CONCERT HALL 10 CHORUS + REV

14 DELAY 2 (380ms)

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

03 SMALL STAGE

07 PLATE REVERB

11 DOUBLER

15 DELAY 3 (480ms)

SOLO

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

04 WARM THEATER

08 CATHEDRAL

12 TAPE SLAP

16 REVERB + DLY (250ms)

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

AUX

AUX

INTERNAL FX

U

AUX

U

AUX

U

AUX

U

AUX

U

AUX

U

AUX

U

AUX

U

AUX

U

AUX

U

AUX

U

AUX

U

AUX

UMASTER

U RETURN

U

MON

MON

MON

MON

MON

MON

MON

MON

MON

MON

MON

MON

MON

TO

TO

1

1

1

1

1

1

1

1

1

1

1

1

1

MON 1

MON 1

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO +15

OO

+15

OO

+15

U

U

U

U

U

U

U

U

U

U

U

U

U

U

U

MON

MON

MON

MON

MON

MON

MON

MON

MON

MON

MON

MON

MON

TO

TO

SIG/OL

2

2

2

2

2

2

2

2

2

2

2

2

2

MON 2

MON 2

Electronic Drum Kit

OO	+15
	U
	FX
OO	+15

PAN

L R

OL

MUTE

1

dB 10

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

U

U

U

U

U

U

U

U

U

U

U

U

U

U

INT FX

TO

TO

MUTE

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

MAIN

MAIN

L-R

L-R

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+10

OO

+10

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

U

L R KeyboardL RL R

MAIN

TAPE

SUB 1-2

USB

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

USB OUT

2-TRACK RETURN

OO

+15

BREAK

OO

MAX

LEVEL

(MUTES ALL CH)

CR/PHONES

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

MAIN

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

L

R

L

R

L

R

L

R

2

3

4

5

6

7

8

9/10

11/12

13/14

15/16

SUB 1

SUB 2

SUB 3

SUB 4

dB

dB

dB

dB

dB

dB

dB

dB

dB

dB

dB

dB

dB

dB

dB

dB

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

MR8mk2 Powered Reference Monitors

5

U

5

1-2

5	5	5	5	5	5		5	5	5	5	5		5	5	5	5	5
1-2	1-2	U	1-2	1-2	1-2	1-2	1-2	1-2	U	1-2	1-2	1-2	U	U	U	U	U
U	U		U	U	U		U	U		U	U
5	5	5	5	5	5		5	5	5	5	5		5	5	5	5	5

3-4

10

20 L-R

30

PFL

40SOLO

60

	3-4	3-4	3-4	3-4	3-4	3-4	3-4	3-4	3-4	3-4	3-4	10	10	10	10
10	10	10	10	10	10	10	10	10	10	10	10
20	20	20	20	20	20	20	20	20	20	20	20	20	20	20	20
	L-R	L-R	L-R	L-R	L-R	L-R	L-R	L-R	L-R	L-R	L-R
30	30	30	30	30	30	30	30	30	30	30	30	30	30	30	30
	PFL	PFL	PFL	PFL	PFL	PFL	PFL	PFL	PFL	PFL	PFL
40	SOLO 40	SOLO 40	SOLO 40	SOLO 40	SOLO 40	SOLO 40	SOLO 40	SOLO 40	SOLO 40	SOLO 40	SOLO 40	40	40	40	40
50	50	50	50	50	50	50	50	50	50	50	50	50	50	50	50
60	60	60	60	60	60	60	60	60	60	60	60	60	60	60	60

PROFESSIONAL MIC/LINE MIXER WITH FX

POWER USB

	WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
	SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
	MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR	PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
SERIAL NUMBER	REVISION

THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR THE U.S. AND ICES-003, FOR CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND

(2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.

Desktop Mac

or PC with

Tracktion 3 for Recording

This diagram shows a bass and effects processor attached to the channel 5 line-level input, microphones attached to channels 6, 7 and 8, a guitar amplifier modeler connected to the line-level inputs of channel 9/10, an electronic drum kit connected to channel 13/14 and a keyboard attached to channel 15/16.

Mackie MR8mk2 powered reference monitors are connected to the left and right control room outputs for careful and accurate monitoring of the performance. Headphones connected to mon send 1 via a headphone amp are available for the talent to utilize when tracking.

A desktop computer connects to the USB port to record the 2-channel main mix to the DAW, as well as play back two channels from the DAW.

Typical Recording System

8ProFX16 and ProFX22